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Conservatives preparing to battle with reporters as they go ‘for the jugular’ in the 2019 federal election campaign

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OTTAWA—The Conservative party appears to be gearing up for a fight with news outlets as part of its 2019 electoral strategy.

Conservative Leader Andrew Scheer’s office has revamped its communications team to provide a more rapid response, war room-style operation. And they have not been shy about calling out reporting they don’t like.

Federal Conservative Leader Andrew Scheer stands during question period in the House of Commons on Parliament Hill in Ottawa on Oct. 24, 2018. Scheer has revamped his communications team to provide a more rapid response, war room-style operation.
Federal Conservative Leader Andrew Scheer stands during question period in the House of Commons on Parliament Hill in Ottawa on Oct. 24, 2018. Scheer has revamped his communications team to provide a more rapid response, war room-style operation.  (Sean Kilpatrick / THE CANADIAN PRESS)

At a rally in downtown Ottawa last Sunday, Scheer said he would stand up to “the media” and accused journalists of siding with the Liberals in the carbon tax debate.

“We don’t always get the same kind of coverage that (Trudeau) gets in the mainstream media. Have you noticed that?” Scheer asked supporters.

“(Trudeau has) got the media on his side, he’s got the pundits, he’s got the academics and think-tanks, everyone who wants to lecture you on how to spend your own money and how to live your own life.”

Members of Scheer’s caucus, too, have joined in. On Thursday, finance critic Pierre Poilievre called a journalist for the Bloomberg business wire a “Liberal reporter.” The same day, Conservative Sen. Leo Housakos accused Maclean’s columnist Paul Wells of being a “liberal” masquerading as an independent journalist. Earlier this year Michelle Rempel, the party’s immigration critic, suggested the Canadian Press newswire took marching orders from the Prime Minister’s Office.

Andrew MacDougall, who served as director of communications to former prime minister Stephen Harper and who now writes columns for Canadian newspapers, said these attacks on the media are a deliberate strategy to energize the Conservative base.

“(The 2019 election) really will be an elite, or an establishment, or an opinion-forming establishment against the Conservatives (and that’s) what they’re trying to gin up,” MacDougall told the Star.

The relationship between Harper and the national press was notoriously chilly. And Scheer appears to be taking the feud a step further as he approaches his first election as Conservative leader.

“The carbon tax being the ultimate issue, where this is kind of a policy that’s almost universally supported by academics, economists, pundits … the Conservatives are betting that there’s more of a common-sense crowd who still have to gas up their car, who will be open to a message that this is elitism ignoring your concerns,” MacDougall said.

Former Conservative strategist Jason Lietaer also referenced the carbon tax debate, saying it’s a sore point for Conservatives that most of the reporting on the issue puts the Liberals’ plan in a positive light.

“It’s obviously born out of some frustration,” Lietaer said. “And as an observer, there’s essentially 100 per cent consensus on the carbon tax (that) has probably exacerbated that frustration.”

Politicians taking issue with those that cover them is nothing new, and there’s nothing improper about correcting the record when journalists get things wrong. But with the current climate in the United States, where President Donald Trump has accused the press of being “enemies of the people,” some in the media and beyond have expressed dismay at the Conservatives’ apparent anti-press turn.

But Brock Harrison, Scheer’s director of communications, said the Conservatives’ focus on media is meant to point out specific inaccuracies or to counter columnists’ criticisms, not to broadly demonize journalists as the Trump administration has done. Harrison told the Star, the party will not let “instances of inaccurate reporting or attacks on our record (go) unchallenged.”

Jacqui Delaney, Scheer’s director of media relations and a former Sun News Network anchor, echoed that sentiment in a September tweet, writing she goes “for the jugular” of media organizations that think they can “throw around labels and accusations without challenge.”

But MacDougall warned there is a danger if the Conservatives go too far.

On Wednesday, CNN’s New York offices had to be evacuated after a suspected pipe bomb was found in their mail. A second improvised explosive sent to CNN contributor and former Obama administration official James Clapper was discovered on Friday. And there are other journalists and pundits have been similarly threatened or attacked in recent months.

For years, Trump has viciously criticized CNN and other media organizations as “fake news.” On Friday, a Florida man who drove a van with a “CNN sucks” sticker, among other pro-Trump paraphernalia, was arrested in connection with the crimes.

Harrison, Scheer’s communications director, said the party criticizing inaccurate reporting does not rise to Trumpian levels.

“If you keep it respectful and you keep it on pointing out inaccuracies or respectfully engaging in a back and forth, I think that’s different than calling somebody an enemy of the people or getting to that point,” Harrison said.

When asked if an MP calling a reporter a Liberal on Twitter was respectfully engaging in a back and forth, Harrison said, “that’s in the eye of the reader.”

Alex Boutilier is an Ottawa-based reporter covering national politics. Follow him on Twitter: @alexboutilier

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Anglais

Nostalgia and much more with Starburst XXXtreme

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Get a taste of adventure with Starburst XXXtreme based on the legendary NetEnt Game. The nostalgic themes are sure to capture fans of the classic version as they get treated to higher intensity, better visuals, and features. The most significant element of the game is its volatility. Patience will not be an essential virtue considering the insane gameplay, and there is a lot of win potential involved. It retains the original makeup of the previous game while adding a healthy dose of adrenaline. 

Starburst Visuals and Symbols

The game is definitely more conspicuous than before. The setting happens over a 5-reel, 3-row game grid with nine fixed win lines, which function if a succession from the left to the right reel is present. Only those players that that attain the highest win per bet line are paid. From a visual standpoint, the Starburst XXXtreme slots illustrates lightning effects behind the reels, which is not surprising as it is inherited from the original version. Available themes include Classic, Jewels, and Space. The game is also available in both desktop and mobile versions, which is advantageous for players considering the global pandemic. According to Techguide, American gamers are increasingly having more engaging gaming experiences to socialize to fill the gap of in-person interaction. Starburst XXXtreme allows them to fill the social void at a time when there is so much time to be had indoors. 

Starburst XXXTreme Features

Players get to alternate on three features which are Starburst Wilds, XXXtreme Spins, and Random Wilds. The first appears on reels 2,3, or 4. When these land, they expand to cover all positions while also calculating the wins. They are also locked for a respin. If a new one hits, it also becomes locked while awarding another respin. Starburst XXXtreme offers a choice between two scenarios for a higher stake. In one scenario with a ten times stake, the Starburst Wild is set on random on reels 2,3, or 4, and a multiplier starts the respin. The second scenario, which has a 95 times stake, starts with two guaranteed starburst wilds on reels 2,3, or 4. it also plays out using respin game sequence and features. The game also increases the potential with the Random Wilds feature to add Starburst Wilds to a vacant reel at the end of a spin. Every Starburst Wild gives a random multiplier with potential wins of x2, x3, x5, x10, x25, x50, x100, or even x150.

The new feature is sure to be a big hit with the gaming market as online gambling has shown significant growth during the lockdown. AdAge indicates the current casino customer base is an estimated one in five Americans, so Starburst XXXtreme’s additional features will achieve considerable popularity. 

What We Think About The Game

The gambling market has continued to diversify post-pandemic, so it is one of the most opportune times to release an online casino-based game. Thankfully Starburst XXXtreme features eye-catching visuals, including the jewels and space themes. These attract audience participation and make the gameplay inviting. The game also has a nostalgic edge. The previous NetEnt iteration featured similar visuals and gameplay, so the audience has some familiarity with it. The producers have revamped this version by tweaking the features to improve the volatility and engagement. 

That is characterized by the potential win cap of 200,000 times the bet. Starburst XXXtreme does not just give betting alternatives for players that want to go big. The increase of multipliers also provides a great experience. If the respins in the previous version were great, knowing that multipliers can go hundreds of times overtakes the game to a new level. 

Players should get excited about this offering. All of the features can be triggered within a single spin. Whether one plays the standard game or takes the XXXtreme spin route, it is possible to activate all of the features. Of course, the potential 200,000 times potential is a huge carrot. However, the bet size is probably going to be restricted and vary depending on the casino. It is also worth pointing out that a malfunction during the gameplay will void all of the payouts and progress. Overall, the game itself has been designed to provide a capped win of 200,000 times the original bet. 

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Anglais

‘We’re back’: Montreal festival promoters happy to return but looking to next year

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In downtown Montreal, it’s festival season.

In the city’s entertainment district, a musical act was conducting a sound check on stage Friday evening — the second day of the French-language version of the renowned Just For Laughs comedy festival. Tickets for many of the festival’s free outdoor shows — limited by COVID-19 regulations — were sold out.

Two blocks away, more than 100 people were watching an acoustic performance by the Isaac Neto Trio — part of the last weekend of the Festival International Nuits d’Afrique, a celebration of music from the African continent and the African diaspora.

With COVID-19 restrictions continuing to limit capacity, festival organizers say they’re glad to be back but looking forward to next year when they hope border restrictions and capacity limits won’t affect their plans.

Charles Décarie, Just For Laughs’ CEO and president, said this is a “transition year.”

“Even though we have major constraints from the public health group in Montreal, we’ve managed to design a festival that can navigate through those constraints,” Décarie said.

The French-language Juste pour rire festival began on July 15 and is followed by the English-language festival until July 31.

When planning began in February and March, Décarie said, organizers came up with a variety of scenarios for different crowd sizes, ranging from no spectators to 50 per cent of usual capacity.

“You’ve got to build scenarios,” he said. “You do have to plan a little bit more than usual because you have to have alternatives.”

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MELS new major movie studio to be built in Montreal

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MONTREAL — MELS Studios will build a new film studio in Montreal, filling some of the gap in supply to meet the demand of Hollywood productions.

MELS president Martin Carrier said on Friday that MELS 4 studio construction will begin « as soon as possible », either in the fall or winter of next year. The studio could host productions as early as spring 2023.

The total investment for the project is $76 million, with the Quebec government contributing a $25 million loan. The project will create 110 jobs, according to the company.

The TVA Group subsidiary’s project will enable it to stand out « even more » internationally, according to Quebecor president and CEO Pierre Karl Péladeau. In the past, MELS Studios has hosted several major productions, including chapters of the X-Men franchise. The next Transformers movie is shooting this summer in Montreal.

Péladeau insisted that local cultural productions would also benefit from the new facility, adding that the studio ensures foreign revenues and to showcase talent and maintain an industry of Quebec producers.

STUDIO SHORTAGE

The film industry is cramped in Montreal.

According to a report published last May by the Bureau du cinéma et de la télévision du Québec (BCTQ), there is a shortage of nearly 400,000 square feet of studio space.

With the addition of MELS 4, which will be 160,000 square feet, the company is filling part of the gap.

Carrier admitted that he has had to turn down contracts because of the lack of space, representing missed opportunities of « tens of millions of dollars, not only for MELS, but also for the Quebec economy. »

« Montreal’s expertise is in high demand, » said Montreal Mayor Valérie Plante, who was present at the announcement.

She said she received great testimonials from « Netflix, Disney, HBO and company » during an economic mission to Los Angeles in 2019.

« What stands out is that they love Montreal because of its expertise, knowledge and beauty. We need more space, like MELS 4, » she said.

There is still not enough capacity in Quebec, acknowledged Minister of Finance, the Economy and Innovation Eric Girard.

« It is certain that the government is concerned about fairness and balance, so if other requests come in, we will study them with the same seriousness as we have studied this one, » he said.

Grandé Studios is the second-largest player in the industry. Last May, the company said it had expansion plans that should begin in 2022. Investissement Québec and Bell are minority shareholders in the company.

For its part, MELS will have 400,000 square feet of production space once MELS 4 is completed. The company employs 450 people in Quebec and offers a range of services including studio and equipment rentals, image and sound postproduction, visual effects and a virtual production platform.

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