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How Ron Taverner’s resumé compares with the last four OPP commissioners’

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Premier Doug Ford is facing criticism for the appointment of his friend, Toronto police Supt. Ron Taverner, as the next commissioner of the Ontario Provincial Police.

Ford has said he had “zero influence”in the appointment. But he admitted earlier this week he did not recuse himself from cabinet when Taverner, 72, was approved as commissioner.

The appointment of Ron Taverner, seen here in an Aug. 14, 2015, file photo, as commissioner of the Ontario Provincial Police has raised questions due to his longtime relationship with Premier Doug Ford’s family.
The appointment of Ron Taverner, seen here in an Aug. 14, 2015, file photo, as commissioner of the Ontario Provincial Police has raised questions due to his longtime relationship with Premier Doug Ford’s family.  (Bernard Weil / Toronto Star)

Questions have been raised about why the police superintendent was chosen for the position, given that he has never headed a police force nor held a high-ranking position with the OPP.

Earlier this week iPolitics revealed that the government quietly modified the posting for the position, a move that helped Taverner meet the criteria for the job, despite the fact his position — superintendent — fell two ranks below the initial threshold.

The posting had called for applicants to hold, at minimum, a rank of deputy chief or assistant commissioner.

Ron Taverner, the next commissioner

Taverner has been a police officer in the Toronto force since 1967. He has worked in various divisions and units, including intelligence, organized crime enforcement, outlaw motorcycle gangs and community policing.

His current rank of superintendent is three below that of chief (although one of those ranks — staff superintendent — is being phased out).

As unit commander of 12, 23 and 31 Divisions, he is responsible for more than 700 uniformed officers and civilian staff.

The official announcement of his appointment as incoming OPP commissioner from the Ontario Government does not say whether Taverner holds a university degree or any other certifications.

Vince Hawkes, commissioner from 2014 to 2018

Vince Hawkes, seen here in a Sept. 13 file photo.
Vince Hawkes, seen here in a Sept. 13 file photo.  (Frank Matys/Metroland)

Hawkes joined the OPP as a constable in 1984. He has a Bachelor of Science from the University of Ottawa and is a graduate of the Rotman School of Management at the University of Toronto.

His roles within the OPP included general law enforcement, traffic, crime and the technical identification services unit. He spent 11 years as a forensic identification officer and was the first member of the OPP to be certified as a bloodstain pattern analyst.

Hawkes was appointed deputy commissioner in 2006, serving as provincial commander of investigations and organized crime. In 2010 he became deputy commissioner for field operations, making him responsible for five OPP regions, as well as what was then known as the Aboriginal Policing Bureau — in charge of about 4,500 personnel.

Chris Lewis, commissioner from 2010 to 2014

Chris Lewis at his change of command ceremony in Toronto in an Aug. 31, 2010 file photo.
Chris Lewis at his change of command ceremony in Toronto in an Aug. 31, 2010 file photo.  (ANDREW WALLACE/Toronto Star)

Lewis joined the OPP as a constable in 1978 and served as commander of the emergency management bureau, the Eastern region, information technologies bureau and investigation bureau.

He was seconded to the Royal Canadian Mounted Police from 1993 to 1994, studied Aboriginal government and law at Athabasca University, applied management at Northwood University and completed the FBI National Academy Program.

Before his appointment Lewis served as deputy commissioner of field operations, where he was responsible for thousands of personnel.

Julian Fantino, commissioner from 2006 to 2010

Julian Fantino at his outgoing change of command ceremony in Toronto in an Aug. 31, 2010, file photo.
Julian Fantino at his outgoing change of command ceremony in Toronto in an Aug. 31, 2010, file photo.  (Darren Calabrese/The Canadian Press)

Fantino joined Toronto police in 1964 and served in the drug, intelligence and homicide squads.

He left to serve as the chief of police in London, Ont., and, later, York Region before returning as chief of Toronto police from 2000 to 2005.

At time of Fantino’s appointment to head the OPP, he was serving as the province’s emergency management commissioner, a role created in 2004 to ensure a co-ordinated response to emergency situations.

Gwen Boniface, commissioner from 1998 to 2006

Then Premier Mike Harris, right, congratulates Gwen Boniface at her change of command ceremony in Orillia in a May 28, 1998, file photo.
Then Premier Mike Harris, right, congratulates Gwen Boniface at her change of command ceremony in Orillia in a May 28, 1998, file photo.  (FRANK GUNN/CP PHOTO)

Boniface joined the OPP as a constable in 1977. She held a number of positions, including superintendent in the First Nations and contract policing branch, and chief superintendent in the organizational development bureau.

Boniface had a bachelor of arts degree from York University and took a leave from the OPP to earn a bachelor of laws degree from Osgoode Hall Law School in 1988.

At the time of her appointment, she was a member of the Law Society of Upper Canada and an adjunct law professor at the University of Western Ontario.

Her last post before being named commissioner was chief superintendent, and regional commander of the Western Ontario branches, a rank below deputy commissioner.

Sources: Toronto Star files, The Canadian Press, Government of Ontario, Ontario Provincial Police, iPolitics

May Warren is a breaking news reporter based in Toronto. Follow her on Twitter: @maywarren11

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Nostalgia and much more with Starburst XXXtreme

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Get a taste of adventure with Starburst XXXtreme based on the legendary NetEnt Game. The nostalgic themes are sure to capture fans of the classic version as they get treated to higher intensity, better visuals, and features. The most significant element of the game is its volatility. Patience will not be an essential virtue considering the insane gameplay, and there is a lot of win potential involved. It retains the original makeup of the previous game while adding a healthy dose of adrenaline. 

Starburst Visuals and Symbols

The game is definitely more conspicuous than before. The setting happens over a 5-reel, 3-row game grid with nine fixed win lines, which function if a succession from the left to the right reel is present. Only those players that that attain the highest win per bet line are paid. From a visual standpoint, the Starburst XXXtreme slots illustrates lightning effects behind the reels, which is not surprising as it is inherited from the original version. Available themes include Classic, Jewels, and Space. The game is also available in both desktop and mobile versions, which is advantageous for players considering the global pandemic. According to Techguide, American gamers are increasingly having more engaging gaming experiences to socialize to fill the gap of in-person interaction. Starburst XXXtreme allows them to fill the social void at a time when there is so much time to be had indoors. 

Starburst XXXTreme Features

Players get to alternate on three features which are Starburst Wilds, XXXtreme Spins, and Random Wilds. The first appears on reels 2,3, or 4. When these land, they expand to cover all positions while also calculating the wins. They are also locked for a respin. If a new one hits, it also becomes locked while awarding another respin. Starburst XXXtreme offers a choice between two scenarios for a higher stake. In one scenario with a ten times stake, the Starburst Wild is set on random on reels 2,3, or 4, and a multiplier starts the respin. The second scenario, which has a 95 times stake, starts with two guaranteed starburst wilds on reels 2,3, or 4. it also plays out using respin game sequence and features. The game also increases the potential with the Random Wilds feature to add Starburst Wilds to a vacant reel at the end of a spin. Every Starburst Wild gives a random multiplier with potential wins of x2, x3, x5, x10, x25, x50, x100, or even x150.

The new feature is sure to be a big hit with the gaming market as online gambling has shown significant growth during the lockdown. AdAge indicates the current casino customer base is an estimated one in five Americans, so Starburst XXXtreme’s additional features will achieve considerable popularity. 

What We Think About The Game

The gambling market has continued to diversify post-pandemic, so it is one of the most opportune times to release an online casino-based game. Thankfully Starburst XXXtreme features eye-catching visuals, including the jewels and space themes. These attract audience participation and make the gameplay inviting. The game also has a nostalgic edge. The previous NetEnt iteration featured similar visuals and gameplay, so the audience has some familiarity with it. The producers have revamped this version by tweaking the features to improve the volatility and engagement. 

That is characterized by the potential win cap of 200,000 times the bet. Starburst XXXtreme does not just give betting alternatives for players that want to go big. The increase of multipliers also provides a great experience. If the respins in the previous version were great, knowing that multipliers can go hundreds of times overtakes the game to a new level. 

Players should get excited about this offering. All of the features can be triggered within a single spin. Whether one plays the standard game or takes the XXXtreme spin route, it is possible to activate all of the features. Of course, the potential 200,000 times potential is a huge carrot. However, the bet size is probably going to be restricted and vary depending on the casino. It is also worth pointing out that a malfunction during the gameplay will void all of the payouts and progress. Overall, the game itself has been designed to provide a capped win of 200,000 times the original bet. 

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Anglais

‘We’re back’: Montreal festival promoters happy to return but looking to next year

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In downtown Montreal, it’s festival season.

In the city’s entertainment district, a musical act was conducting a sound check on stage Friday evening — the second day of the French-language version of the renowned Just For Laughs comedy festival. Tickets for many of the festival’s free outdoor shows — limited by COVID-19 regulations — were sold out.

Two blocks away, more than 100 people were watching an acoustic performance by the Isaac Neto Trio — part of the last weekend of the Festival International Nuits d’Afrique, a celebration of music from the African continent and the African diaspora.

With COVID-19 restrictions continuing to limit capacity, festival organizers say they’re glad to be back but looking forward to next year when they hope border restrictions and capacity limits won’t affect their plans.

Charles Décarie, Just For Laughs’ CEO and president, said this is a “transition year.”

“Even though we have major constraints from the public health group in Montreal, we’ve managed to design a festival that can navigate through those constraints,” Décarie said.

The French-language Juste pour rire festival began on July 15 and is followed by the English-language festival until July 31.

When planning began in February and March, Décarie said, organizers came up with a variety of scenarios for different crowd sizes, ranging from no spectators to 50 per cent of usual capacity.

“You’ve got to build scenarios,” he said. “You do have to plan a little bit more than usual because you have to have alternatives.”

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Anglais

MELS new major movie studio to be built in Montreal

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MONTREAL — MELS Studios will build a new film studio in Montreal, filling some of the gap in supply to meet the demand of Hollywood productions.

MELS president Martin Carrier said on Friday that MELS 4 studio construction will begin « as soon as possible », either in the fall or winter of next year. The studio could host productions as early as spring 2023.

The total investment for the project is $76 million, with the Quebec government contributing a $25 million loan. The project will create 110 jobs, according to the company.

The TVA Group subsidiary’s project will enable it to stand out « even more » internationally, according to Quebecor president and CEO Pierre Karl Péladeau. In the past, MELS Studios has hosted several major productions, including chapters of the X-Men franchise. The next Transformers movie is shooting this summer in Montreal.

Péladeau insisted that local cultural productions would also benefit from the new facility, adding that the studio ensures foreign revenues and to showcase talent and maintain an industry of Quebec producers.

STUDIO SHORTAGE

The film industry is cramped in Montreal.

According to a report published last May by the Bureau du cinéma et de la télévision du Québec (BCTQ), there is a shortage of nearly 400,000 square feet of studio space.

With the addition of MELS 4, which will be 160,000 square feet, the company is filling part of the gap.

Carrier admitted that he has had to turn down contracts because of the lack of space, representing missed opportunities of « tens of millions of dollars, not only for MELS, but also for the Quebec economy. »

« Montreal’s expertise is in high demand, » said Montreal Mayor Valérie Plante, who was present at the announcement.

She said she received great testimonials from « Netflix, Disney, HBO and company » during an economic mission to Los Angeles in 2019.

« What stands out is that they love Montreal because of its expertise, knowledge and beauty. We need more space, like MELS 4, » she said.

There is still not enough capacity in Quebec, acknowledged Minister of Finance, the Economy and Innovation Eric Girard.

« It is certain that the government is concerned about fairness and balance, so if other requests come in, we will study them with the same seriousness as we have studied this one, » he said.

Grandé Studios is the second-largest player in the industry. Last May, the company said it had expansion plans that should begin in 2022. Investissement Québec and Bell are minority shareholders in the company.

For its part, MELS will have 400,000 square feet of production space once MELS 4 is completed. The company employs 450 people in Quebec and offers a range of services including studio and equipment rentals, image and sound postproduction, visual effects and a virtual production platform.

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