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Death of Clark Sissons highlights vulnerability of older men on the streets

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Clark Sissons was known as a quiet and tidy man who kept to himself and loved poetry and literature.

A four-year resident of a transitional housing program run out of the former New Edwin Hotel, he was also described as thoughtful and a hard-worker, who treated people with respect and had been employed as a teacher.

Last week, Sissons, 67, was counted as the 84th homicide in Toronto in 2018. He was found behind a community centre in the east end in the morning hours of Oct. 5. Allan Alexander MacDonald, 57, was arrested on Tuesday. He has been charged with second-degree murder.

A spokesperson for Haven Toronto said Sissons and MacDonald were both clients of the daytime drop-in on Jarvis St. that provides meals and social supports to older men. The Star has not confirmed if or how well the men knew each other.

What made Sissons uniquely vulnerable, or at increased risk of violence, was the combined factors of his age and struggles with alcohol and experiences with homelessness, or being precariously housed. While the bulk of people who use emergency shelters are men, between the ages of 25 and 49, the number of people at age 65 and above who use shelters is rising, according to 2016 research published through the Canadian Observatory on Homelessness.

The place where Sissons lived and was working to rebuild his life is the site of the First Step to Home transitional housing program, run by WoodGreen Community Services, at 650 Queen St. E. The former hotel holds 28 self-contained bachelor units with full kitchens and the program serves men ages 55 and older.

“So many of these folks are so vulnerable, particularly when they are out on the street and programs like ours really give them a place to call home — even if it is on a transitional basis,” said program manager Thomas Krause, who knew Sissons for about a year and a half.

Their clients have all been street involved and have struggled with addiction or mental health issues, said Krause, who explained that as part of the transitional housing program the men can also see in-house social workers. There are also regular visits from a registered nurse.

Krause said Sissons was very pleasant and polite and had told him that he had worked as an English teacher. During most days he was away from the property, often finding work as a day labourer, he said.

“For the most part, throughout the program, he kept to himself,” Krause said. “He was really fond of reading books and poetry and different literature.”

Online records from the Ontario College of Teachers show that a Clark Franklin Sissons completed the professional education program offered through the Faculty of Education at the University of Toronto in 1982.

Krause said during the time he knew him, Sissons struggled with alcohol use, but was working towards getting his life back together. He said his death has shocked fellow residents.

“There were ups and downs for sure, but overall he was doing quite well,” said Krause, who would not say if MacDonald had used the program.

They will be holding a private memorial, something they do each time anybody who is part of the program dies, to give people a chance to share memories and debrief. The date has not been set.

Haven Toronto, the drop-in where Sissons and MacDonald may have crossed paths, provides services for older men, up to their late 80s. The drop-in runs from 8 a.m. and 5 p.m., 365 days a year and they serve 250 to 400 men every day.

Executive director Lauro Monteiro said Sissons became a client at Haven in June. MacDonald started using services in 2010.

Monteiro said extreme violence is an all too common reality for the people they serve. There have been at least four men lost to homicide since he joined the agency in 2010 and assaults are extremely common, he said.

“Older men particularly are extremely vulnerable and are usually victims of assault and a number of other crimes. They are frail, they are older and they are quite frankly targets for younger people looking to victimize the community,” Monteiro said.

Monteiro said men who experience chronic homelessness can be as many as 15 years older than their chronological age because of the compounded stresses caused by addiction, mental health issues, illness, violence, exposure and neglect.

Haven staff will be speaking with clients and checking if they need help finding additional support services, he said. The men are part of a tight community and this news, he said, will hurt and likely cause anger.

“The last time this happened a lot of the guys were really upset. It forces them to confront their own mortality. They really do look out for each other.”

The last time Monteiro was referring to was 2016, when a fight between several men near the St. Lawrence market resulted in the death of 50-year-old Paul Crombie, who was described as having no fixed address.

Levon Jolen Gammon, also of no fixed address, was charged with manslaughter.

Monteiro said older men who come to experience homelessness later in life usually do so because of trauma or financial losses. Once inside the system they often also stay longer than younger men, he said.

“Increasingly what we are seeing is economic reasons for people being homeless. Often people don’t come to us with mental health issues, but it grinds on them,” and struggles with mental health are often the result, he said.

“It really weighs on these guys and that is unique to this population.”

Emily Mathieu is a Toronto-based reporter covering affordable and precarious housing. Follow her on Twitter: @emathieustar

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Anglais

Nostalgia and much more with Starburst XXXtreme

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Get a taste of adventure with Starburst XXXtreme based on the legendary NetEnt Game. The nostalgic themes are sure to capture fans of the classic version as they get treated to higher intensity, better visuals, and features. The most significant element of the game is its volatility. Patience will not be an essential virtue considering the insane gameplay, and there is a lot of win potential involved. It retains the original makeup of the previous game while adding a healthy dose of adrenaline. 

Starburst Visuals and Symbols

The game is definitely more conspicuous than before. The setting happens over a 5-reel, 3-row game grid with nine fixed win lines, which function if a succession from the left to the right reel is present. Only those players that that attain the highest win per bet line are paid. From a visual standpoint, the Starburst XXXtreme slots illustrates lightning effects behind the reels, which is not surprising as it is inherited from the original version. Available themes include Classic, Jewels, and Space. The game is also available in both desktop and mobile versions, which is advantageous for players considering the global pandemic. According to Techguide, American gamers are increasingly having more engaging gaming experiences to socialize to fill the gap of in-person interaction. Starburst XXXtreme allows them to fill the social void at a time when there is so much time to be had indoors. 

Starburst XXXTreme Features

Players get to alternate on three features which are Starburst Wilds, XXXtreme Spins, and Random Wilds. The first appears on reels 2,3, or 4. When these land, they expand to cover all positions while also calculating the wins. They are also locked for a respin. If a new one hits, it also becomes locked while awarding another respin. Starburst XXXtreme offers a choice between two scenarios for a higher stake. In one scenario with a ten times stake, the Starburst Wild is set on random on reels 2,3, or 4, and a multiplier starts the respin. The second scenario, which has a 95 times stake, starts with two guaranteed starburst wilds on reels 2,3, or 4. it also plays out using respin game sequence and features. The game also increases the potential with the Random Wilds feature to add Starburst Wilds to a vacant reel at the end of a spin. Every Starburst Wild gives a random multiplier with potential wins of x2, x3, x5, x10, x25, x50, x100, or even x150.

The new feature is sure to be a big hit with the gaming market as online gambling has shown significant growth during the lockdown. AdAge indicates the current casino customer base is an estimated one in five Americans, so Starburst XXXtreme’s additional features will achieve considerable popularity. 

What We Think About The Game

The gambling market has continued to diversify post-pandemic, so it is one of the most opportune times to release an online casino-based game. Thankfully Starburst XXXtreme features eye-catching visuals, including the jewels and space themes. These attract audience participation and make the gameplay inviting. The game also has a nostalgic edge. The previous NetEnt iteration featured similar visuals and gameplay, so the audience has some familiarity with it. The producers have revamped this version by tweaking the features to improve the volatility and engagement. 

That is characterized by the potential win cap of 200,000 times the bet. Starburst XXXtreme does not just give betting alternatives for players that want to go big. The increase of multipliers also provides a great experience. If the respins in the previous version were great, knowing that multipliers can go hundreds of times overtakes the game to a new level. 

Players should get excited about this offering. All of the features can be triggered within a single spin. Whether one plays the standard game or takes the XXXtreme spin route, it is possible to activate all of the features. Of course, the potential 200,000 times potential is a huge carrot. However, the bet size is probably going to be restricted and vary depending on the casino. It is also worth pointing out that a malfunction during the gameplay will void all of the payouts and progress. Overall, the game itself has been designed to provide a capped win of 200,000 times the original bet. 

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Anglais

‘We’re back’: Montreal festival promoters happy to return but looking to next year

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In downtown Montreal, it’s festival season.

In the city’s entertainment district, a musical act was conducting a sound check on stage Friday evening — the second day of the French-language version of the renowned Just For Laughs comedy festival. Tickets for many of the festival’s free outdoor shows — limited by COVID-19 regulations — were sold out.

Two blocks away, more than 100 people were watching an acoustic performance by the Isaac Neto Trio — part of the last weekend of the Festival International Nuits d’Afrique, a celebration of music from the African continent and the African diaspora.

With COVID-19 restrictions continuing to limit capacity, festival organizers say they’re glad to be back but looking forward to next year when they hope border restrictions and capacity limits won’t affect their plans.

Charles Décarie, Just For Laughs’ CEO and president, said this is a “transition year.”

“Even though we have major constraints from the public health group in Montreal, we’ve managed to design a festival that can navigate through those constraints,” Décarie said.

The French-language Juste pour rire festival began on July 15 and is followed by the English-language festival until July 31.

When planning began in February and March, Décarie said, organizers came up with a variety of scenarios for different crowd sizes, ranging from no spectators to 50 per cent of usual capacity.

“You’ve got to build scenarios,” he said. “You do have to plan a little bit more than usual because you have to have alternatives.”

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Anglais

MELS new major movie studio to be built in Montreal

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MONTREAL — MELS Studios will build a new film studio in Montreal, filling some of the gap in supply to meet the demand of Hollywood productions.

MELS president Martin Carrier said on Friday that MELS 4 studio construction will begin « as soon as possible », either in the fall or winter of next year. The studio could host productions as early as spring 2023.

The total investment for the project is $76 million, with the Quebec government contributing a $25 million loan. The project will create 110 jobs, according to the company.

The TVA Group subsidiary’s project will enable it to stand out « even more » internationally, according to Quebecor president and CEO Pierre Karl Péladeau. In the past, MELS Studios has hosted several major productions, including chapters of the X-Men franchise. The next Transformers movie is shooting this summer in Montreal.

Péladeau insisted that local cultural productions would also benefit from the new facility, adding that the studio ensures foreign revenues and to showcase talent and maintain an industry of Quebec producers.

STUDIO SHORTAGE

The film industry is cramped in Montreal.

According to a report published last May by the Bureau du cinéma et de la télévision du Québec (BCTQ), there is a shortage of nearly 400,000 square feet of studio space.

With the addition of MELS 4, which will be 160,000 square feet, the company is filling part of the gap.

Carrier admitted that he has had to turn down contracts because of the lack of space, representing missed opportunities of « tens of millions of dollars, not only for MELS, but also for the Quebec economy. »

« Montreal’s expertise is in high demand, » said Montreal Mayor Valérie Plante, who was present at the announcement.

She said she received great testimonials from « Netflix, Disney, HBO and company » during an economic mission to Los Angeles in 2019.

« What stands out is that they love Montreal because of its expertise, knowledge and beauty. We need more space, like MELS 4, » she said.

There is still not enough capacity in Quebec, acknowledged Minister of Finance, the Economy and Innovation Eric Girard.

« It is certain that the government is concerned about fairness and balance, so if other requests come in, we will study them with the same seriousness as we have studied this one, » he said.

Grandé Studios is the second-largest player in the industry. Last May, the company said it had expansion plans that should begin in 2022. Investissement Québec and Bell are minority shareholders in the company.

For its part, MELS will have 400,000 square feet of production space once MELS 4 is completed. The company employs 450 people in Quebec and offers a range of services including studio and equipment rentals, image and sound postproduction, visual effects and a virtual production platform.

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