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Catholic archbishop asks forgiveness from Mi’kmaq for Shubenacadie Indian Residential School

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The leader of a Roman Catholic archdiocese in Nova Scotia knelt in front of a congregation including residential school survivors Monday and personally apologized for the church’s conduct at the Shubenacadie Indian Residential School. 

The apology was offered during a special mass held at St. Mary’s Basilica in Halifax on Treaty Day, which marks the signing of the Peace and Friendship Treaties between the British Crown and Mi’kmaq, Wolastoqiyik and Peskotomuhkati in 1752 and 1760.

Archbishop Anthony Mancini of the Halifax-Yarmouth Archdiocese read a homily that recognized the Mi’kmaq’s autonomy and unceded territory, and touched on the « failures of the past » during the residential school era. 

He and Bishop Brian Dunn from the Diocese of Antigonish then knelt in front of the congregation to read a « Rite of Forgiveness. » 

Halifax-Yarmouth Archbishop Anthony Mancini says ‘We failed miserably in this whole thing.’ (CBC News)

« On this day, we personally and in our roles as leaders of the Catholic Church in Nova Scotia, kneel before the representatives of the Mi’kmaq nation to express our regret, sorrow and apology for the hurts, violence and abuse experienced in the residential school of Shubenacadie, for the participation of the Church in the promotion of misguided policies of assimilation and for our involvement in undermining aboriginal culture, language and spirituality, » the bishops said. 

The Rite’s text went on to address the church’s support of racist practices, and the involvement of church members in maintaining « inhuman and inadequate life conditions » for the Mi’kmaq and « indifference » to their plight.

They then requested the forgiveness needed « if reconciliation is to take place. »

‘I felt so emotional’

« When I talk about it, my eyes fill up now, » said Margaret Poulette of We’koqma’q First Nation, who was at the Treaty Day service. 

She attended the Shubenacadie residential school from 1940 to 1945. Though she’s hard of hearing and couldn’t see the front of the church, Poulette said she still felt the importance of the moment. 

As the archbishop spoke, she said, her thoughts were of her sister, brother and friends who also attended the school. 

« I felt so emotional when they were walking out after [the service], » she said.

« It was positive for me, anyway. My two daughters were there … After church they came and hugged me. They were crying. »

Mi’kmaq girls in sewing class at the Roman Catholic-run Shubenacadie Indian Residential School in Shubenacadie, N.S. (Library and Archives Canada)

Poulette said she thought the service was emotional for survivors in attendance, some of whom she said are steadfast against the Roman Catholic religion as a result of their time at the schools, and attended only as part of Treaty Day celebrations. She said no one expected an apology.

Poulette, who goes to mass every Sunday, said her daughters have questioned why she remains a practising Catholic despite the history of the schools. 

« I told them, it wasn’t God that did it. It was individual people that did it, » she said.

‘A gesture of respect’

Archbishop Mancini told CBC News the apology was « intended to be a gesture of respect, a gesture of acknowledgement — humility for our weak humanity. »

« We failed miserably in this whole thing. »

Pope Francis has yet to apologize for the church’s role in residential schools, but Archbishop Anthony Mancini said he believes it could still happen. (Andrew Medichini/Associated Press)

Mancini said he understands the impact that an apology from Pope Francis could have, and said he believes it will come, eventually. But in the meantime, he said work to rebuild the relationship between the church and Indigenous Peoples in Canada will take place in each individual community.

Mancini said his apology stemmed from listening sessions the church has been holding with Mi’kmaq leaders and Elders since April. 

He said kneeling before the Mi’kmaq in the congregation was important, given the gesture’s meaning in Catholicism — to be less than perfect or dependent on God’s support, as sinners. 

« I thought that this situation with the Mi’kmaq was such that the failings of our past were sufficiently serious that it needed something powerful like the gesture of kneeling to indicate that we, or I am, really sorry for what took place. »

More discussions to come

The archbishop said that further to the apology, he hopes to implement some « concrete actions » like having a Mi’kmaq flag in every parish and acknowledging Mi’kmaq burial grounds around the province and « honouring them » in an appropriate way. But he said before any of that happens, more discussions with Mi’kmaq leaders and Elders will take place, as well as internal discussions with his colleagues.

Rose Marie Prosper, also of We’koqma’q First Nation, wasn’t able to attend the church service, but saw social media posts of the Rite of Forgiveness. She said she hasn’t stopped thinking about it. 

« I would’ve been shocked myself, if I was there, » she said. « It’s something I would not have expected, especially on Treaty Day. » 

Prosper attended Shubenacadie residential school from 1960 to 1967, when the school closed. She said that her time there has left her with flashbacks and painful memories of isolation.

She said she’s strayed from Catholicism for most of her life as a result of its practice being forced on her but that she’s recently begun to pray again. While she said it will take time for her to accept the apology and what it means to her, she said it may help her to heal. 

« It’s given me more time to pray, and a reason: forgiveness, healing, » she said. 

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Anglais

Nostalgia and much more with Starburst XXXtreme

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Get a taste of adventure with Starburst XXXtreme based on the legendary NetEnt Game. The nostalgic themes are sure to capture fans of the classic version as they get treated to higher intensity, better visuals, and features. The most significant element of the game is its volatility. Patience will not be an essential virtue considering the insane gameplay, and there is a lot of win potential involved. It retains the original makeup of the previous game while adding a healthy dose of adrenaline. 

Starburst Visuals and Symbols

The game is definitely more conspicuous than before. The setting happens over a 5-reel, 3-row game grid with nine fixed win lines, which function if a succession from the left to the right reel is present. Only those players that that attain the highest win per bet line are paid. From a visual standpoint, the Starburst XXXtreme slots illustrates lightning effects behind the reels, which is not surprising as it is inherited from the original version. Available themes include Classic, Jewels, and Space. The game is also available in both desktop and mobile versions, which is advantageous for players considering the global pandemic. According to Techguide, American gamers are increasingly having more engaging gaming experiences to socialize to fill the gap of in-person interaction. Starburst XXXtreme allows them to fill the social void at a time when there is so much time to be had indoors. 

Starburst XXXTreme Features

Players get to alternate on three features which are Starburst Wilds, XXXtreme Spins, and Random Wilds. The first appears on reels 2,3, or 4. When these land, they expand to cover all positions while also calculating the wins. They are also locked for a respin. If a new one hits, it also becomes locked while awarding another respin. Starburst XXXtreme offers a choice between two scenarios for a higher stake. In one scenario with a ten times stake, the Starburst Wild is set on random on reels 2,3, or 4, and a multiplier starts the respin. The second scenario, which has a 95 times stake, starts with two guaranteed starburst wilds on reels 2,3, or 4. it also plays out using respin game sequence and features. The game also increases the potential with the Random Wilds feature to add Starburst Wilds to a vacant reel at the end of a spin. Every Starburst Wild gives a random multiplier with potential wins of x2, x3, x5, x10, x25, x50, x100, or even x150.

The new feature is sure to be a big hit with the gaming market as online gambling has shown significant growth during the lockdown. AdAge indicates the current casino customer base is an estimated one in five Americans, so Starburst XXXtreme’s additional features will achieve considerable popularity. 

What We Think About The Game

The gambling market has continued to diversify post-pandemic, so it is one of the most opportune times to release an online casino-based game. Thankfully Starburst XXXtreme features eye-catching visuals, including the jewels and space themes. These attract audience participation and make the gameplay inviting. The game also has a nostalgic edge. The previous NetEnt iteration featured similar visuals and gameplay, so the audience has some familiarity with it. The producers have revamped this version by tweaking the features to improve the volatility and engagement. 

That is characterized by the potential win cap of 200,000 times the bet. Starburst XXXtreme does not just give betting alternatives for players that want to go big. The increase of multipliers also provides a great experience. If the respins in the previous version were great, knowing that multipliers can go hundreds of times overtakes the game to a new level. 

Players should get excited about this offering. All of the features can be triggered within a single spin. Whether one plays the standard game or takes the XXXtreme spin route, it is possible to activate all of the features. Of course, the potential 200,000 times potential is a huge carrot. However, the bet size is probably going to be restricted and vary depending on the casino. It is also worth pointing out that a malfunction during the gameplay will void all of the payouts and progress. Overall, the game itself has been designed to provide a capped win of 200,000 times the original bet. 

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Anglais

‘We’re back’: Montreal festival promoters happy to return but looking to next year

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In downtown Montreal, it’s festival season.

In the city’s entertainment district, a musical act was conducting a sound check on stage Friday evening — the second day of the French-language version of the renowned Just For Laughs comedy festival. Tickets for many of the festival’s free outdoor shows — limited by COVID-19 regulations — were sold out.

Two blocks away, more than 100 people were watching an acoustic performance by the Isaac Neto Trio — part of the last weekend of the Festival International Nuits d’Afrique, a celebration of music from the African continent and the African diaspora.

With COVID-19 restrictions continuing to limit capacity, festival organizers say they’re glad to be back but looking forward to next year when they hope border restrictions and capacity limits won’t affect their plans.

Charles Décarie, Just For Laughs’ CEO and president, said this is a “transition year.”

“Even though we have major constraints from the public health group in Montreal, we’ve managed to design a festival that can navigate through those constraints,” Décarie said.

The French-language Juste pour rire festival began on July 15 and is followed by the English-language festival until July 31.

When planning began in February and March, Décarie said, organizers came up with a variety of scenarios for different crowd sizes, ranging from no spectators to 50 per cent of usual capacity.

“You’ve got to build scenarios,” he said. “You do have to plan a little bit more than usual because you have to have alternatives.”

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MELS new major movie studio to be built in Montreal

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MONTREAL — MELS Studios will build a new film studio in Montreal, filling some of the gap in supply to meet the demand of Hollywood productions.

MELS president Martin Carrier said on Friday that MELS 4 studio construction will begin « as soon as possible », either in the fall or winter of next year. The studio could host productions as early as spring 2023.

The total investment for the project is $76 million, with the Quebec government contributing a $25 million loan. The project will create 110 jobs, according to the company.

The TVA Group subsidiary’s project will enable it to stand out « even more » internationally, according to Quebecor president and CEO Pierre Karl Péladeau. In the past, MELS Studios has hosted several major productions, including chapters of the X-Men franchise. The next Transformers movie is shooting this summer in Montreal.

Péladeau insisted that local cultural productions would also benefit from the new facility, adding that the studio ensures foreign revenues and to showcase talent and maintain an industry of Quebec producers.

STUDIO SHORTAGE

The film industry is cramped in Montreal.

According to a report published last May by the Bureau du cinéma et de la télévision du Québec (BCTQ), there is a shortage of nearly 400,000 square feet of studio space.

With the addition of MELS 4, which will be 160,000 square feet, the company is filling part of the gap.

Carrier admitted that he has had to turn down contracts because of the lack of space, representing missed opportunities of « tens of millions of dollars, not only for MELS, but also for the Quebec economy. »

« Montreal’s expertise is in high demand, » said Montreal Mayor Valérie Plante, who was present at the announcement.

She said she received great testimonials from « Netflix, Disney, HBO and company » during an economic mission to Los Angeles in 2019.

« What stands out is that they love Montreal because of its expertise, knowledge and beauty. We need more space, like MELS 4, » she said.

There is still not enough capacity in Quebec, acknowledged Minister of Finance, the Economy and Innovation Eric Girard.

« It is certain that the government is concerned about fairness and balance, so if other requests come in, we will study them with the same seriousness as we have studied this one, » he said.

Grandé Studios is the second-largest player in the industry. Last May, the company said it had expansion plans that should begin in 2022. Investissement Québec and Bell are minority shareholders in the company.

For its part, MELS will have 400,000 square feet of production space once MELS 4 is completed. The company employs 450 people in Quebec and offers a range of services including studio and equipment rentals, image and sound postproduction, visual effects and a virtual production platform.

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