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Tech expert resigns from advisory panel on Sidewalk Toronto over data ownership concerns

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A member of an expert panel guiding Waterfront Toronto on Sidewalk Labs’ “smart city” proposal has resigned in large part because she wants to see the city, rather than a private company, control potentially valuable data linked to the project.

On Thursday, tech entrepreneur Saadia Muzaffar became the second member to recently resign from the advisory panel, formed in late April to assist Waterfront Toronto with how best to deal with data privacy issues, digital systems, as well as ethical and safety issues around the use of technology in its Sidewalk Toronto plan — a partnership with Manhattan-based Sidewalk Labs, an urban innovation firm and sister company of Google.

Muzaffar, a founder of TechGirls Canada, a hub promoting women in science, technology, engineering and math (STEM), resigned her position on the panel amid her concerns that financial benefits stemming from the project will all go to a U.S. company — Sidewalk Labs — rather than local innovators or the general public.

In her resignation letter, she blasted Waterfront Toronto, a corporation representing the city, province and federal governments, for showing “apathy and an utter lack of leadership” on the Sidewalk Toronto project.

“The most recent public roundtable in August displayed a blatant disregard for resident concerns about data and digital infrastructure,” she said in her letter. Muzaffar said she wants to see the data around Sidewalk Toronto end up in the hands of the City of Toronto.

“There is nothing innovative about city-building that disenfranchises its residents in insidious ways and robs valuable earnings out of public budgets,” she said in the letter.

In a telephone interview Thursday, Muzaffar said she feels that Waterfront Toronto’s responsibility to the public as guardian in the Sidewalk plan is being undermined by Sidewalk Labs, whose duty is to their shareholders and profits.

“Sidewalk is a vendor. You can’t design public policy with a vendor,” she told the Star.

Muzaffar, a “tech activist” and co-founder of Tech Reset, a “pro-growth, pro-innovation group” that monitors how urban data is collected and turned into a commodity, is the second member to step down from the advisory panel, which originally included 15 leading experts in Canada on digital technology, privacy and governance.

Two members of Waterfront Toronto’s senior leadership also resigned recently amid tensions surrounding Sidewalk Toronto.

Muzaffar said when she first came on the panel she was “open minded” about the process, but has since been turned off by Waterfront Toronto’s “anti-democratic” public engagement process regarding Sidewalk Toronto.

Dan Levitan, a spokesperson for Sidewalk Labs, said Thursday that the “panel is independent from (Sidewalk) and the resignation of a long-standing critic of the project is not a surprise. But we take seriously questions about data and expect in the months ahead to present and consult with the public on a comprehensive plan for data collection, use, and governance.”

Michael Geist, a law professor at the University of Ottawa where he is Canada research chair in internet and e-commerce law, said the panel’s work will continue.

“We are committed to helping shape the future of data and digital policy in Canada, and I will be working with Waterfront Toronto and my fellow panel members to make sure that (the panel) can achieve what it set out to do, namely to provide expert advice on emerging issues related to privacy and data ownership,” Geist said in a statement.

Added Michael Nobrega, acting CEO of Waterfront Toronto: “we are unwavering in our commitment to serving the public interest and look forward to receiving the advice of the panel.”

He went on to say, “we are also well supported by external privacy and legal experts.”

In May, Sidewalk Labs released a responsible data use policy framework, including a promise to make data collected as part of the project “open and accessible” without breaching privacy.

In terms of data stewardship, Sidewalk says it continues to explore “conventional approaches to data ownership in cities, the responsibilities that come with “owning” data, the technological and economic advantages of storing data in Canada, and innovative models of governing urban data, such as establishing a non-profit data trust.

Donovan Vincent is a housing reporter based in Toronto. Follow him on Twitter: @donovanvincent

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Nostalgia and much more with Starburst XXXtreme

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Get a taste of adventure with Starburst XXXtreme based on the legendary NetEnt Game. The nostalgic themes are sure to capture fans of the classic version as they get treated to higher intensity, better visuals, and features. The most significant element of the game is its volatility. Patience will not be an essential virtue considering the insane gameplay, and there is a lot of win potential involved. It retains the original makeup of the previous game while adding a healthy dose of adrenaline. 

Starburst Visuals and Symbols

The game is definitely more conspicuous than before. The setting happens over a 5-reel, 3-row game grid with nine fixed win lines, which function if a succession from the left to the right reel is present. Only those players that that attain the highest win per bet line are paid. From a visual standpoint, the Starburst XXXtreme slots illustrates lightning effects behind the reels, which is not surprising as it is inherited from the original version. Available themes include Classic, Jewels, and Space. The game is also available in both desktop and mobile versions, which is advantageous for players considering the global pandemic. According to Techguide, American gamers are increasingly having more engaging gaming experiences to socialize to fill the gap of in-person interaction. Starburst XXXtreme allows them to fill the social void at a time when there is so much time to be had indoors. 

Starburst XXXTreme Features

Players get to alternate on three features which are Starburst Wilds, XXXtreme Spins, and Random Wilds. The first appears on reels 2,3, or 4. When these land, they expand to cover all positions while also calculating the wins. They are also locked for a respin. If a new one hits, it also becomes locked while awarding another respin. Starburst XXXtreme offers a choice between two scenarios for a higher stake. In one scenario with a ten times stake, the Starburst Wild is set on random on reels 2,3, or 4, and a multiplier starts the respin. The second scenario, which has a 95 times stake, starts with two guaranteed starburst wilds on reels 2,3, or 4. it also plays out using respin game sequence and features. The game also increases the potential with the Random Wilds feature to add Starburst Wilds to a vacant reel at the end of a spin. Every Starburst Wild gives a random multiplier with potential wins of x2, x3, x5, x10, x25, x50, x100, or even x150.

The new feature is sure to be a big hit with the gaming market as online gambling has shown significant growth during the lockdown. AdAge indicates the current casino customer base is an estimated one in five Americans, so Starburst XXXtreme’s additional features will achieve considerable popularity. 

What We Think About The Game

The gambling market has continued to diversify post-pandemic, so it is one of the most opportune times to release an online casino-based game. Thankfully Starburst XXXtreme features eye-catching visuals, including the jewels and space themes. These attract audience participation and make the gameplay inviting. The game also has a nostalgic edge. The previous NetEnt iteration featured similar visuals and gameplay, so the audience has some familiarity with it. The producers have revamped this version by tweaking the features to improve the volatility and engagement. 

That is characterized by the potential win cap of 200,000 times the bet. Starburst XXXtreme does not just give betting alternatives for players that want to go big. The increase of multipliers also provides a great experience. If the respins in the previous version were great, knowing that multipliers can go hundreds of times overtakes the game to a new level. 

Players should get excited about this offering. All of the features can be triggered within a single spin. Whether one plays the standard game or takes the XXXtreme spin route, it is possible to activate all of the features. Of course, the potential 200,000 times potential is a huge carrot. However, the bet size is probably going to be restricted and vary depending on the casino. It is also worth pointing out that a malfunction during the gameplay will void all of the payouts and progress. Overall, the game itself has been designed to provide a capped win of 200,000 times the original bet. 

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Anglais

‘We’re back’: Montreal festival promoters happy to return but looking to next year

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In downtown Montreal, it’s festival season.

In the city’s entertainment district, a musical act was conducting a sound check on stage Friday evening — the second day of the French-language version of the renowned Just For Laughs comedy festival. Tickets for many of the festival’s free outdoor shows — limited by COVID-19 regulations — were sold out.

Two blocks away, more than 100 people were watching an acoustic performance by the Isaac Neto Trio — part of the last weekend of the Festival International Nuits d’Afrique, a celebration of music from the African continent and the African diaspora.

With COVID-19 restrictions continuing to limit capacity, festival organizers say they’re glad to be back but looking forward to next year when they hope border restrictions and capacity limits won’t affect their plans.

Charles Décarie, Just For Laughs’ CEO and president, said this is a “transition year.”

“Even though we have major constraints from the public health group in Montreal, we’ve managed to design a festival that can navigate through those constraints,” Décarie said.

The French-language Juste pour rire festival began on July 15 and is followed by the English-language festival until July 31.

When planning began in February and March, Décarie said, organizers came up with a variety of scenarios for different crowd sizes, ranging from no spectators to 50 per cent of usual capacity.

“You’ve got to build scenarios,” he said. “You do have to plan a little bit more than usual because you have to have alternatives.”

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MELS new major movie studio to be built in Montreal

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MONTREAL — MELS Studios will build a new film studio in Montreal, filling some of the gap in supply to meet the demand of Hollywood productions.

MELS president Martin Carrier said on Friday that MELS 4 studio construction will begin « as soon as possible », either in the fall or winter of next year. The studio could host productions as early as spring 2023.

The total investment for the project is $76 million, with the Quebec government contributing a $25 million loan. The project will create 110 jobs, according to the company.

The TVA Group subsidiary’s project will enable it to stand out « even more » internationally, according to Quebecor president and CEO Pierre Karl Péladeau. In the past, MELS Studios has hosted several major productions, including chapters of the X-Men franchise. The next Transformers movie is shooting this summer in Montreal.

Péladeau insisted that local cultural productions would also benefit from the new facility, adding that the studio ensures foreign revenues and to showcase talent and maintain an industry of Quebec producers.

STUDIO SHORTAGE

The film industry is cramped in Montreal.

According to a report published last May by the Bureau du cinéma et de la télévision du Québec (BCTQ), there is a shortage of nearly 400,000 square feet of studio space.

With the addition of MELS 4, which will be 160,000 square feet, the company is filling part of the gap.

Carrier admitted that he has had to turn down contracts because of the lack of space, representing missed opportunities of « tens of millions of dollars, not only for MELS, but also for the Quebec economy. »

« Montreal’s expertise is in high demand, » said Montreal Mayor Valérie Plante, who was present at the announcement.

She said she received great testimonials from « Netflix, Disney, HBO and company » during an economic mission to Los Angeles in 2019.

« What stands out is that they love Montreal because of its expertise, knowledge and beauty. We need more space, like MELS 4, » she said.

There is still not enough capacity in Quebec, acknowledged Minister of Finance, the Economy and Innovation Eric Girard.

« It is certain that the government is concerned about fairness and balance, so if other requests come in, we will study them with the same seriousness as we have studied this one, » he said.

Grandé Studios is the second-largest player in the industry. Last May, the company said it had expansion plans that should begin in 2022. Investissement Québec and Bell are minority shareholders in the company.

For its part, MELS will have 400,000 square feet of production space once MELS 4 is completed. The company employs 450 people in Quebec and offers a range of services including studio and equipment rentals, image and sound postproduction, visual effects and a virtual production platform.

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