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While she sits in healing lodge, there is little sign Terri-Lynne McClintic has changed her ways

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Rafferty had already violated the little girl once, in his car, down a lonely rural road. Tori — as she was known to friends and family — needed to urinate. It was McClintic who led her a few metres away.

“I told her she was a very strong girl. She said, like you? I said, you are much stronger.”

That was McClintic, speaking from the witness box, at Rafferty’s first-degree murder trial in 2012.

She took Tori back to her boyfriend. Tori didn’t want to let go of McClintic’s hand.

Read more:

Trudeau accuses Tories of ‘playing politics’ over Tori Stafford murder

“She asked me to stay with her. I tried to hold on to her hand but I couldn’t stay because I knew what was going to happen. I couldn’t be there for that. I left.”

McClintic, as the star witness against Rafferty, told court how she heard screams and, when she went back, saw Tori on the ground.

Put a garbage bag over the youngster’s head. Kicked her. Struck her over the head with a hammer.

Helped bury her under a nearby pile of rocks.

At her own half-day trial, two years earlier — most of the proceedings kept out of the media for seven months because of a publication ban — McClintic pleaded guilty to first-degree murder.

“You are admitting you’re guilty of murdering Victoria Stafford?” Justice Dougald McDermid asked.

Yes.

“You understand that I will have no choice but to sentence you to life?”

Yes.

“Have you been threatened or coerced in any way to plead guilty?”

No.

“And why are you entering a guilty plea today?”

McClintic: “Because I feel it’s the right thing to do. A little girl lost her life. I need to give something back.”

Ninety-seven days passed before Tori’s remains were found.

Eight years into a mandatory life sentence with no chance for parole until the quarter-century mark, McClintic is doing cushy time at an Aboriginal healing lodge in Maple Leaf, Saskatchewan, although it’s unclear whether she has a drop of Indigenous blood in her.

The graphic details of Tori’s suffering during her last years on earth, well, Prime Minister Justin Trudeau didn’t want to hear them. “Ambulance-chasing politicians,” Trudeau called Conservative MPs, who hammered away at the Liberals this week in the House of Commons, decrying the child-killer’s transfer from the high-security Grand Valley Institution for Women in Kitchener.

A Tory motion on Wednesday to reverse the transfer was easily defeated. Trudeau didn’t even stay for the vote. He bailed.

In all likelihood, the opposition was indeed milking the gruesome details of abduction, rape and murder for political ends, jabbing the Liberals in their vulnerable wheelhouse underbelly as soft on crime. So what? There is no high road in covering one’s ears to the brutality Tori endured. Those of us who were in court, heard it from McClintic, were sickened too. But bearing witness is the least we can do for Tori. Trudeau must be made of daintier stuff.

Public Safety Minister Ralph Goodale had already countered, limply, by punting the controversy to Correctional Services Canada, for a review of whether the move to the lodge was in accordance with the law. Correctional Services Canada, via commissioner Anne Kelly, is “comfortable” with the relocation. A relocation that took place last December, although McClintic had earlier been transferred to medium security on the Tory government watch.

Tori’s dad, Rodney Stafford, only learned of it a few weeks ago, when told by his mother she’d been contacted by Corrections, trying to reach him, because McClintic had applied for day passes. First he knew the murderess was at an Aboriginal healing lodge — a place without fences, with both single and family residential units so that children can stay with offenders. The emphasis is on reintegration, restorative justice, following Aboriginal practices and spirituality.

Rodney Stafford has been on a mission ever since, one he doesn’t consider political. He is imploring as a father, even posting a message to Trudeau on Facebook: “From father to father, can you kneel before your child’s headstone knowing they spent the last three hours of their life begging and pleading for mommy and daddy to come save them, alone, 8, scared, can you sleep soundly knowing there’s more injustice unfolding before you.”

This is not an indictment of healing lodges — nine of them across the country — which serve a useful purpose, created by 1992 national legislation to allow Aboriginal communities to provide correctional services, part of a larger undertaking to address overrepresentation of Indigenous people in the prison system.

The minimum security Okimaw Ohci Healing Lodge, where McClintic now resides in apartment-like units that include kitchenette, eating area and living room, is on land that belongs to Nekaneet First Nation. In has emerged that the band wasn’t happy about getting McClintic dumped on them either but had no choice; they lost having any input on prisoner selection six years ago.

“We have no say in who goes where,” Band Chief Alvin Francis told the CBC. “My heart goes out to the Stafford family because it’s a horrible crime.

“I can’t say it’s acceptable. (Elders) are concerned about who comes there. Because with no fence there, she can walk off, right?”

Band member Cherish Francis told CKOM News Talk Radio this week: “When you have cases like this that are horrendous it is a safety concern for everybody because we have children in our community and I know there are mothers out there in our community that are absolutely concerned for their children.”

McClintic had a crummy life, born to a stripper mother who gave her up to another stripper to raise, shuffled among foster homes, in trouble with the law from a young age, with booze and drugs persistent themes in her chaotic life. Only 18 herself on the day, April 8, 2009, when Tori was abducted and slain.

She is deeply, perhaps irreversibly damaged. But even the most bleeding heart among us grasp that she is also guilty of a ghastly crime, fully deserving of a life sentence. More worrisomely, there’s been little indication that McClintic has changed her violent ways at all since incarceration.

In 2012, she was back in court, pleading guilty — “yeah” — to a frenzied assault against another inmate at Grand Valley. Had planned to plead innocent on that charge until a damning letter, seized by a guard, surfaced during disclosure.

“I got in a couple shots, good ones, like one or two decent face shots, but the f—-n b—- totally threw me for a spin,” McClintic wrote to another incarcerated friend. “She pretty well curled up in the f—-n fetal position on the floor, arms over her face, legs curled, sometimes kicking. I was standing over her tryin to get some shots through her arms, finally I brought my foot up, tried stompin on her face a couple times … threw a couple kicks in the whole time. She’s like, what the f— Terri, what the f—, just saying it over and over … »

Head-stomping is what an enraged Terri-Lynne McClintic does.

Something she might want to ponder during “nature walks” at unfenced Okimaw Ohci Healing Lodge.

Rosie DiManno is a columnist based in Toronto covering sports and current affairs. Follow her on Twitter: @rdimanno

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Anglais

Nostalgia and much more with Starburst XXXtreme

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Get a taste of adventure with Starburst XXXtreme based on the legendary NetEnt Game. The nostalgic themes are sure to capture fans of the classic version as they get treated to higher intensity, better visuals, and features. The most significant element of the game is its volatility. Patience will not be an essential virtue considering the insane gameplay, and there is a lot of win potential involved. It retains the original makeup of the previous game while adding a healthy dose of adrenaline. 

Starburst Visuals and Symbols

The game is definitely more conspicuous than before. The setting happens over a 5-reel, 3-row game grid with nine fixed win lines, which function if a succession from the left to the right reel is present. Only those players that that attain the highest win per bet line are paid. From a visual standpoint, the Starburst XXXtreme slots illustrates lightning effects behind the reels, which is not surprising as it is inherited from the original version. Available themes include Classic, Jewels, and Space. The game is also available in both desktop and mobile versions, which is advantageous for players considering the global pandemic. According to Techguide, American gamers are increasingly having more engaging gaming experiences to socialize to fill the gap of in-person interaction. Starburst XXXtreme allows them to fill the social void at a time when there is so much time to be had indoors. 

Starburst XXXTreme Features

Players get to alternate on three features which are Starburst Wilds, XXXtreme Spins, and Random Wilds. The first appears on reels 2,3, or 4. When these land, they expand to cover all positions while also calculating the wins. They are also locked for a respin. If a new one hits, it also becomes locked while awarding another respin. Starburst XXXtreme offers a choice between two scenarios for a higher stake. In one scenario with a ten times stake, the Starburst Wild is set on random on reels 2,3, or 4, and a multiplier starts the respin. The second scenario, which has a 95 times stake, starts with two guaranteed starburst wilds on reels 2,3, or 4. it also plays out using respin game sequence and features. The game also increases the potential with the Random Wilds feature to add Starburst Wilds to a vacant reel at the end of a spin. Every Starburst Wild gives a random multiplier with potential wins of x2, x3, x5, x10, x25, x50, x100, or even x150.

The new feature is sure to be a big hit with the gaming market as online gambling has shown significant growth during the lockdown. AdAge indicates the current casino customer base is an estimated one in five Americans, so Starburst XXXtreme’s additional features will achieve considerable popularity. 

What We Think About The Game

The gambling market has continued to diversify post-pandemic, so it is one of the most opportune times to release an online casino-based game. Thankfully Starburst XXXtreme features eye-catching visuals, including the jewels and space themes. These attract audience participation and make the gameplay inviting. The game also has a nostalgic edge. The previous NetEnt iteration featured similar visuals and gameplay, so the audience has some familiarity with it. The producers have revamped this version by tweaking the features to improve the volatility and engagement. 

That is characterized by the potential win cap of 200,000 times the bet. Starburst XXXtreme does not just give betting alternatives for players that want to go big. The increase of multipliers also provides a great experience. If the respins in the previous version were great, knowing that multipliers can go hundreds of times overtakes the game to a new level. 

Players should get excited about this offering. All of the features can be triggered within a single spin. Whether one plays the standard game or takes the XXXtreme spin route, it is possible to activate all of the features. Of course, the potential 200,000 times potential is a huge carrot. However, the bet size is probably going to be restricted and vary depending on the casino. It is also worth pointing out that a malfunction during the gameplay will void all of the payouts and progress. Overall, the game itself has been designed to provide a capped win of 200,000 times the original bet. 

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Anglais

‘We’re back’: Montreal festival promoters happy to return but looking to next year

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In downtown Montreal, it’s festival season.

In the city’s entertainment district, a musical act was conducting a sound check on stage Friday evening — the second day of the French-language version of the renowned Just For Laughs comedy festival. Tickets for many of the festival’s free outdoor shows — limited by COVID-19 regulations — were sold out.

Two blocks away, more than 100 people were watching an acoustic performance by the Isaac Neto Trio — part of the last weekend of the Festival International Nuits d’Afrique, a celebration of music from the African continent and the African diaspora.

With COVID-19 restrictions continuing to limit capacity, festival organizers say they’re glad to be back but looking forward to next year when they hope border restrictions and capacity limits won’t affect their plans.

Charles Décarie, Just For Laughs’ CEO and president, said this is a “transition year.”

“Even though we have major constraints from the public health group in Montreal, we’ve managed to design a festival that can navigate through those constraints,” Décarie said.

The French-language Juste pour rire festival began on July 15 and is followed by the English-language festival until July 31.

When planning began in February and March, Décarie said, organizers came up with a variety of scenarios for different crowd sizes, ranging from no spectators to 50 per cent of usual capacity.

“You’ve got to build scenarios,” he said. “You do have to plan a little bit more than usual because you have to have alternatives.”

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MELS new major movie studio to be built in Montreal

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MONTREAL — MELS Studios will build a new film studio in Montreal, filling some of the gap in supply to meet the demand of Hollywood productions.

MELS president Martin Carrier said on Friday that MELS 4 studio construction will begin « as soon as possible », either in the fall or winter of next year. The studio could host productions as early as spring 2023.

The total investment for the project is $76 million, with the Quebec government contributing a $25 million loan. The project will create 110 jobs, according to the company.

The TVA Group subsidiary’s project will enable it to stand out « even more » internationally, according to Quebecor president and CEO Pierre Karl Péladeau. In the past, MELS Studios has hosted several major productions, including chapters of the X-Men franchise. The next Transformers movie is shooting this summer in Montreal.

Péladeau insisted that local cultural productions would also benefit from the new facility, adding that the studio ensures foreign revenues and to showcase talent and maintain an industry of Quebec producers.

STUDIO SHORTAGE

The film industry is cramped in Montreal.

According to a report published last May by the Bureau du cinéma et de la télévision du Québec (BCTQ), there is a shortage of nearly 400,000 square feet of studio space.

With the addition of MELS 4, which will be 160,000 square feet, the company is filling part of the gap.

Carrier admitted that he has had to turn down contracts because of the lack of space, representing missed opportunities of « tens of millions of dollars, not only for MELS, but also for the Quebec economy. »

« Montreal’s expertise is in high demand, » said Montreal Mayor Valérie Plante, who was present at the announcement.

She said she received great testimonials from « Netflix, Disney, HBO and company » during an economic mission to Los Angeles in 2019.

« What stands out is that they love Montreal because of its expertise, knowledge and beauty. We need more space, like MELS 4, » she said.

There is still not enough capacity in Quebec, acknowledged Minister of Finance, the Economy and Innovation Eric Girard.

« It is certain that the government is concerned about fairness and balance, so if other requests come in, we will study them with the same seriousness as we have studied this one, » he said.

Grandé Studios is the second-largest player in the industry. Last May, the company said it had expansion plans that should begin in 2022. Investissement Québec and Bell are minority shareholders in the company.

For its part, MELS will have 400,000 square feet of production space once MELS 4 is completed. The company employs 450 people in Quebec and offers a range of services including studio and equipment rentals, image and sound postproduction, visual effects and a virtual production platform.

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