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Indigenous #MeToo catching fire in B.C. First Nations communities

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A recent Facebook post by Lauraleigh Paul, the daughter of Vancouver artist Lawrence Paul, alleging an Indigenous actor had sexually assaulted her, has spurred other Indigenous women to do the same.

Over the past week, scores of Indigenous people have shared their personal stories of sexual assault, harassment and abuse on Facebook. They have also contacted journalists and victim services.

The incidents cited have taken place in a range of settings, including within First Nations organizations, at powwows, during work trips with band councillors, during cultural events, in homes, on film shoots and in government offices.

One Indigenous woman posted to social media and called the CBC to disclose that when she was 15 years old she was sexually assaulted by an older man during a trip to Seattle for a powwow.

At the time the man was a cultural leader in the Indigenous community in B.C., the woman said.

Higher stakes than Hollywood

Despite the recent revelations, several members of Indigenous communities say vulnerable and marginalized peoples are more cautious when it comes to bringing forward accusations of sexual assault and harassment.

And they have good reason.

« It is an extremely, deeply personal thing to disclose and in Indigenous communities you’re dealing with, more often than not, smaller and remote communities, » said Wawmeesh Hamilton, a journalist with The Discourse media outlet. Hamilton has done extensive research on Indigenous sex offenders in First Nations.

« If you have been sexually assaulted or sexually abused, you see your abuser probably every day — whether it’s at home, outside in the community, at the band office, at the gym, at the community centre —​ you see them all the time, » Hamilton said.

The stakes are even higher when you add poverty into the mix, and if one’s abuser is a leader in the community, held in high regard or in charge of critical needs like housing.

Dire need for safe houses and shelters 

Mavis Erickson, a Carrier lawyer who previously worked as a special representative for the protection of First Nations women’s rights for the federal government, said many Indigenous people don’t come forward with sexual assault allegations because there’s a lack of resources such as shelters or victim support services in Indigenous communities.

« [Indigenous] women don’t have the safety and security to name men as aggressors or predators in the community because they don’t have a [safe] place to go to, » said Erickson.

Mavis Erickson is a Carrier lawyer who previously worked as a special representative for the protection of First Nations women’s rights for the federal government. ( Mavis Erickson)

Toronto Star journalist Tanya Talaga spoke about the need for safe houses for Indigenous women and youth during two Massey Lectures this week in Vancouver.

The Anishinaabe author of the book Seven Fallen Feathers told audiences her research revealed a connection between sexual assault and abuse and teen suicide — a phenomenon that is 11 times more likely in some Indigenous communities.

On Thursday, the B.C government announced it is building 280 new transition housing units for women and children fleeing violence, but did not indicate if they will be in Indigenous communities or if spaces will be allocated to Indigenous women.

More women coming forward means a need for more services.

Jenna Forbes, executive director of the Vancouver Aboriginal Transformative Justice Services Society, said many Indigenous people are coming forward with stories of abuse.

« Our community is reliving and getting triggered, but there aren’t enough counsellors, third parties for women to make police reports, and safe spaces for confidential conversations, » Forbes added.

Ingrained code of silence 

Erickson says the reticence of some victims to speak out is not just about poverty and the complexity of close-knit communities. Their reluctance to speak out goes back to the residential school experience.

« It’s the same silence that took over our communities when it came to reporting sexual abuse within the church, » Erickson said.

« I think that it’s hard to come forward and make those allegations and be believed — it’s the silence we learned in residential school to just to be quiet and shut up, » she said.

The Truth and Reconciliation Commission has recorded more than 150,000 Indigenous children who survived residential school, with more than 6,000 deaths.

But today, there are still people who don’t believe abuse took place in the schools.

Erickson says some people’s reluctance to believe this is another reason why some Indigenous people are hesitant to vocalize their abuse.

Jenna Forbes of the Vancouver Aboriginal Transformative Justice Services Society says it’s important there be services for people who come forward with abuse stories. (Jessica Wood)

Forbes says regardless of the difficulty, the truth needs to come out.

« In the work I do, most people accused in a crime of violence want to say, ‘I’m sorry I hurt you,’ and move on. But we teach the person to be accountable because the victim will remember every detail, » she said.

« The only path to closure on both sides of crime is to walk back through the situation, not around it or over it, » she said.


Where to get help 

Rape Crisis Centre 24-hour crisis line: 604-255-6344 or toll free 1-877-392-7583

Battered Women’s Support Services: 604-687-1867

VictimLink B.C.: 1-800-563-0808

Kids Help Phone: 1-800-668-6868; Live Chat counselling at kidshelpphone.ca

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Anglais

Nostalgia and much more with Starburst XXXtreme

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Get a taste of adventure with Starburst XXXtreme based on the legendary NetEnt Game. The nostalgic themes are sure to capture fans of the classic version as they get treated to higher intensity, better visuals, and features. The most significant element of the game is its volatility. Patience will not be an essential virtue considering the insane gameplay, and there is a lot of win potential involved. It retains the original makeup of the previous game while adding a healthy dose of adrenaline. 

Starburst Visuals and Symbols

The game is definitely more conspicuous than before. The setting happens over a 5-reel, 3-row game grid with nine fixed win lines, which function if a succession from the left to the right reel is present. Only those players that that attain the highest win per bet line are paid. From a visual standpoint, the Starburst XXXtreme slots illustrates lightning effects behind the reels, which is not surprising as it is inherited from the original version. Available themes include Classic, Jewels, and Space. The game is also available in both desktop and mobile versions, which is advantageous for players considering the global pandemic. According to Techguide, American gamers are increasingly having more engaging gaming experiences to socialize to fill the gap of in-person interaction. Starburst XXXtreme allows them to fill the social void at a time when there is so much time to be had indoors. 

Starburst XXXTreme Features

Players get to alternate on three features which are Starburst Wilds, XXXtreme Spins, and Random Wilds. The first appears on reels 2,3, or 4. When these land, they expand to cover all positions while also calculating the wins. They are also locked for a respin. If a new one hits, it also becomes locked while awarding another respin. Starburst XXXtreme offers a choice between two scenarios for a higher stake. In one scenario with a ten times stake, the Starburst Wild is set on random on reels 2,3, or 4, and a multiplier starts the respin. The second scenario, which has a 95 times stake, starts with two guaranteed starburst wilds on reels 2,3, or 4. it also plays out using respin game sequence and features. The game also increases the potential with the Random Wilds feature to add Starburst Wilds to a vacant reel at the end of a spin. Every Starburst Wild gives a random multiplier with potential wins of x2, x3, x5, x10, x25, x50, x100, or even x150.

The new feature is sure to be a big hit with the gaming market as online gambling has shown significant growth during the lockdown. AdAge indicates the current casino customer base is an estimated one in five Americans, so Starburst XXXtreme’s additional features will achieve considerable popularity. 

What We Think About The Game

The gambling market has continued to diversify post-pandemic, so it is one of the most opportune times to release an online casino-based game. Thankfully Starburst XXXtreme features eye-catching visuals, including the jewels and space themes. These attract audience participation and make the gameplay inviting. The game also has a nostalgic edge. The previous NetEnt iteration featured similar visuals and gameplay, so the audience has some familiarity with it. The producers have revamped this version by tweaking the features to improve the volatility and engagement. 

That is characterized by the potential win cap of 200,000 times the bet. Starburst XXXtreme does not just give betting alternatives for players that want to go big. The increase of multipliers also provides a great experience. If the respins in the previous version were great, knowing that multipliers can go hundreds of times overtakes the game to a new level. 

Players should get excited about this offering. All of the features can be triggered within a single spin. Whether one plays the standard game or takes the XXXtreme spin route, it is possible to activate all of the features. Of course, the potential 200,000 times potential is a huge carrot. However, the bet size is probably going to be restricted and vary depending on the casino. It is also worth pointing out that a malfunction during the gameplay will void all of the payouts and progress. Overall, the game itself has been designed to provide a capped win of 200,000 times the original bet. 

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Anglais

‘We’re back’: Montreal festival promoters happy to return but looking to next year

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In downtown Montreal, it’s festival season.

In the city’s entertainment district, a musical act was conducting a sound check on stage Friday evening — the second day of the French-language version of the renowned Just For Laughs comedy festival. Tickets for many of the festival’s free outdoor shows — limited by COVID-19 regulations — were sold out.

Two blocks away, more than 100 people were watching an acoustic performance by the Isaac Neto Trio — part of the last weekend of the Festival International Nuits d’Afrique, a celebration of music from the African continent and the African diaspora.

With COVID-19 restrictions continuing to limit capacity, festival organizers say they’re glad to be back but looking forward to next year when they hope border restrictions and capacity limits won’t affect their plans.

Charles Décarie, Just For Laughs’ CEO and president, said this is a “transition year.”

“Even though we have major constraints from the public health group in Montreal, we’ve managed to design a festival that can navigate through those constraints,” Décarie said.

The French-language Juste pour rire festival began on July 15 and is followed by the English-language festival until July 31.

When planning began in February and March, Décarie said, organizers came up with a variety of scenarios for different crowd sizes, ranging from no spectators to 50 per cent of usual capacity.

“You’ve got to build scenarios,” he said. “You do have to plan a little bit more than usual because you have to have alternatives.”

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MELS new major movie studio to be built in Montreal

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MONTREAL — MELS Studios will build a new film studio in Montreal, filling some of the gap in supply to meet the demand of Hollywood productions.

MELS president Martin Carrier said on Friday that MELS 4 studio construction will begin « as soon as possible », either in the fall or winter of next year. The studio could host productions as early as spring 2023.

The total investment for the project is $76 million, with the Quebec government contributing a $25 million loan. The project will create 110 jobs, according to the company.

The TVA Group subsidiary’s project will enable it to stand out « even more » internationally, according to Quebecor president and CEO Pierre Karl Péladeau. In the past, MELS Studios has hosted several major productions, including chapters of the X-Men franchise. The next Transformers movie is shooting this summer in Montreal.

Péladeau insisted that local cultural productions would also benefit from the new facility, adding that the studio ensures foreign revenues and to showcase talent and maintain an industry of Quebec producers.

STUDIO SHORTAGE

The film industry is cramped in Montreal.

According to a report published last May by the Bureau du cinéma et de la télévision du Québec (BCTQ), there is a shortage of nearly 400,000 square feet of studio space.

With the addition of MELS 4, which will be 160,000 square feet, the company is filling part of the gap.

Carrier admitted that he has had to turn down contracts because of the lack of space, representing missed opportunities of « tens of millions of dollars, not only for MELS, but also for the Quebec economy. »

« Montreal’s expertise is in high demand, » said Montreal Mayor Valérie Plante, who was present at the announcement.

She said she received great testimonials from « Netflix, Disney, HBO and company » during an economic mission to Los Angeles in 2019.

« What stands out is that they love Montreal because of its expertise, knowledge and beauty. We need more space, like MELS 4, » she said.

There is still not enough capacity in Quebec, acknowledged Minister of Finance, the Economy and Innovation Eric Girard.

« It is certain that the government is concerned about fairness and balance, so if other requests come in, we will study them with the same seriousness as we have studied this one, » he said.

Grandé Studios is the second-largest player in the industry. Last May, the company said it had expansion plans that should begin in 2022. Investissement Québec and Bell are minority shareholders in the company.

For its part, MELS will have 400,000 square feet of production space once MELS 4 is completed. The company employs 450 people in Quebec and offers a range of services including studio and equipment rentals, image and sound postproduction, visual effects and a virtual production platform.

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