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The unpopular populist: Why former Trump strategist Steve Bannon can’t draw a crowd (outside Toronto)




Welcome to The National Today newsletter, which takes a closer look at what’s happening around some of the day’s most notable stories. Sign up here and it will be delivered directly to your inbox Monday to Friday.


  • Who wants to see Steve Bannon? Not many people.
  • Susan Ormiston debunks myths about the migrant caravan. 
  • What to do with statues of former prime minister Sir John A. Macdonald has become controversial.
  • Find out what it takes to keep a century-old piece of timekeeping technology ticking.
  • 902 ManUp, a grassroots Halifax movement, is trying to curb gun violence and create positive spaces for men in Nova Scotia’s black communities.
  • Missed The National last night? Watch it here.

The unpopular populist

When Steve Bannon speaks in Toronto tonight, there will be 3,000 people in the audience and perhaps as many protestors outside.

Either way, that might be a relief to the former Donald Trump adviser and Republican strategist. Because these days, the man who claims to have ignited a worldwide « populist revolution » is having trouble drawing flies.

A « micro-rally » at a Holiday Inn Express in North Topeka, Kan., on Tuesday drew a crowd of 25, including the organizers and a crew that’s trailing Bannon for a documentary. (To be fair, the event appears to have been publicized strictly via all-caps text messages.)

Bannon himself admits that his « grassroots » tour to whip up Trump’s « deplorables » in advance of next week’s midterms — and screen his self-produced Trump @War documentary — has been an intimate affair, with a half-dozen audiences of fewer than 10 people.

A showing in Staten Island last week attracted 38 Bannon fans. A rally at a firehouse outside a Buffalo, N.Y., firehall a couple of days later drew a comparably huge 200 people, but none of the Republican candidates that he was ostensibly there to support.

What has become increasingly clear is that « Sloppy Steve » is no longer considered polite company.

Bannon had a major hand in helping Trump win the U.S. presidency, but Bannon’s own tenure in the White House was relatively short-lived. (Evan Vucci/Associated Press)

The New Yorker magazine backed away from a plan to feature him in its fall festival after social media was set aflame by angry readers, and other celebrity guests started dropping out.  

An onstage interview event in London, UK, at the Bloomberg Invest Summit went ahead, but provoked a major mutiny among the business network’s employees, with 91 staffers signing their name to a letter criticizing management for « creating space » for a man who « targeted women, black and Muslim populations » when he was working in the White House.

And a scheduled keynote address to the 15th International Conference on Advances in Computer Entertainment Technology at the University of Montana in December — the topic is « how economic nationalism will help minorities obtain more high-tech jobs » — now seems to be in doubt after complaints and boycott calls. (The Fourth International Congress on Love and Sex with Robots, happening in the same space at the same time, is so far unaffected.)

Even the populist politicians who might be benefitting from Bannon’s advice and insights are loathe to admit it.

After Eduardo Bolsonaro, the son of Brazil’s new president, told a magazine that Bannon was helping his dad with voter analysis and data interpretation, Jair Bolsonaro denied having any ties whatsoever to the controversial strategist. « Typical fake news, » said the man who has been nicknamed the « Tropical Trump. »

Bannon’s efforts to launch a pan-European alliance of far-right parties called The Movement is off to a slow start, as leaders like Marine Le Pen and Matteo Salvini blow hot and cold on the idea of being associated with him.

In fact, the only person who really seems to want to hang out with Bannon is Robert Mueller. Last week, the special counsel probing the Trump campaign’s alleged collusion with Russia interviewed Bannon for at least the third time.

The subject of the meeting was apparently the timing of Wikileaks’ release of hacked Clinton campaign emails during the 2016 election.

A walk in their shoes

The National‘s Susan Ormiston reports from Mexico on the myths and realities of the Central American migrants hoping to make their way to the U.S. border.

Travelling with the migrant caravan in Mexico, it’s difficult to square the rising rhetoric from Washington with the worn-out feet here.

Six-year-old Josue has a nasty blister on his toe. It looks infected when he takes off his Croc-like shoes, not good for a 63-kilometre trudge.

His three-year-old sister Jessica begged her mom to stop walking days ago. She relented when Jakeline Cardona secured a stroller, from somewhere, on a rest day in Jichtan, in southern Mexico.

Cordona has a home back in Honduras, but she won’t go back. « Where I used to live, there was a lot of violence, there were no jobs, » she said.

These are the families President Donald Trump said are pushed to the front of the cameras in order to hide the men, whom he referred to as « vicious » and « invaders. »

These migrants are among the thousands who have been making their way from Central America with an eye to reaching the U.S. border. (Mia Sheldon/CBC)

It’s simply not so. None of the parents we met during our week with the caravan were staging their walk. Many signed up in Honduras, on social media, without being persuaded by some unseen political hand.

Among the 4,000 people still walking and riding, there are those who will likely never get into the U.S. legally as a refugee or asylum seeker. We met at least three men in three days who’d already been deported from the U.S. once, leaving wives or girlfriends and kids behind. They are part of this caravan, too.

But we found no evidence to justify the broad condemnations from Washington that these migrants are actors in an evil play.

When the large group of central American migrants first broke out of Guatemala and into Mexico, it appeared they might benefit from the daily news coverage and the focus on « lost countries, » as one woman described her home, Honduras.

But that spotlight has not gone their way, with the U.S. president seizing on a perceived threat to whip up resistance at home, and turn immigration into one of the toxic issues in the U.S. midterm election.

The U.S. is pressuring Mexico to deal with this « problem, » and there are small signs it is working.  This week, buses secured locally for part of the journey north out of Juchitan were cancelled. Organizers say it was due to pressure from the Mexican government.

It was one sign the strategy to keep the caravan wandering down south is working. Far enough away not to pose any real threat to the border — but close enough to be target practice for political mudslinging.

Sir John A. Macdonald’s troubled legacy

The heated controversy over what to do with statues of Sir John A. Macdonald in Canada prompted reporter Nick Purdon and producer Leonardo Palleja to dig down to the roots of the debate.

Sometimes you just have to get out of the way and let the story unfold in front of you.

That’s what happened in Regina when Leonardo Palleja and I were interviewing a man named Patrick Johnson in front of a statue of Sir John A. Macdonald.

Johnson was telling us about the time he loaded a sledgehammer into his car in the middle of the night and drove to the park to attack Sir John.

« I gave it three whacks on this side and three whacks on the other and nothing really moved, » he said. « It was just like a big ding — like a big bell ringing. »

Patrick Johnson says the statue of Sir John A. Macdonald in Regina, seen behind him, should be removed because the former prime minister was the architect of Canada’s residential school system. (Nick Purdon/CBC)

Johnson said he started to laugh, because the sledgehammer did absolutely nothing to the statue … other than provide him with a metaphor.  

« It was frustrating, but also eye-opening that it would take more than me to change something, » he said.

Johnson then told us about the time he sprayed red paint on the Sir John A. statue’s hands. Even though he has publicly admitted to the act, he planned to plead not guilty to the mischief charge.

« The question is, am I guilty of mischief or am I guilty of public education? » he said.

Johnson said the statue should be removed from the park because it is an insult to Indigenous people. Macdonald was the architect of Canada’s residential school system, where thousands of Indigenous children died and many others were abused.

Of course, not everyone agrees with him.

While we were talking to Johnson, a man biked by on his way home from work. He recognized Johnson and yelled: « Vandal, vandal! »

Perfect, I thought.

I stopped the man on the bike, whose name is Gordon Blackmore, and I explained what Johnson and I were discussing. He and Johnson started to argue, and Leonardo filmed the whole thing.

Our goal had always been to capture both sides of the argument over what to do with the statues of Sir John A. Macdonald, and here was the debate unfolding right in front of us.

It was unscripted and real. Have a look.

Patrick Johnson argues with Gordon Blackmore about the statue of Sir John A MacDonald in Victoria Park, Regina. 0:42
  • WATCH: Nick Purdon and Leonardo Palleja’s story on Sir John A. Macdonald’s legacy Sunday on The National on CBC Television or stream it online

Changing the time on a BIG clock

The clocks fall back this weekend, so producer Greg Hobbs went to find out what it takes to keep a century-old timepiece ticking smoothly.

This Sunday, as you relax in bed for the extra hour that the end of Daylight Savings will afford you, spare a thought for John Scott. He’ll be up bright and early to make sure one of Canada’s historic landmarks, the clock tower at Toronto’s Old City Hall, isn’t out of step with the times.

Scott is the horologist tasked with preserving and adjusting the century-old iron and steel mechanism behind the four faces of the tower. He’ll walk up more than 350 steps to get to the clock.

Horologist John Scott works on the 100-year-old clock in the tower of Old City Hall in Toronto. (Greg Hobbs/CBC)

But don’t feel too sorry for him. It’s a labour of love, and he has a contagious passion for the timepiece.

« It’s a work of art, » says Scott, of the fine-tuned cogs and springs that have been meticulously ticking away for more than 100 years.

« And to imagine they were able to put this together and install it … [how they did it] has me baffled. »

It is indeed a wondrous piece of old-world technology. Toronto’s Old City Hall tower clock was built in Croydon, England, and began operating on New Year’s Eve 1900.

However, it’s not without temperamental issues. Sudden changes in the weather can cause the clock’s timekeeping to fluctuate occasionally, for example.

But thanks to Scott’s careful and continuous tinkering, it rarely drifts more than a few seconds out of time per month.

Horologist John Scott explains how he regulates the huge century-old mechanical timepiece at Toronto’s Old City Hall clock tower. 0:33

On Sunday, Scott will stop the pendulum with his foot, and while the clock’s mechanical parts are halted, he’ll spend the extra hour inspecting and cleaning.

« Ever since I took over this contract, I’ve enjoyed every minute in this tower, » he says.

In 2011, at the city’s request, Scott reluctantly put together a budget to replace the old machinery with an automated, satellite-corrected timing system. But he was relieved when the city went with the option of maintaining the original mechanism instead.

« It was a lot of work to put this in. I’m not spoiling all the man-hours of sweat and labour to get all this up in here. I don’t want those guys rolling over in their graves thinking I’ve just deactivated all of their labour. »

Don’t forget to put your clocks back on Nov. 4. Enjoy the extra hour.

  • WATCH: Greg Hobbs’ story about John Scott and the clock tower at Toronto’s Old City Hall tonight on The National on CBC Television or stream it online

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The warmth of ‘Square Town’

Producer Jill English was part of a team from The National that checked out 902 ManUp, a grassroots Halifax movement to curb gun violence and create positive spaces for men in Nova Scotia’s black communities.

When we started looking at the community group 902 ManUp, the story we were pursuing was about transitioning out of prison. It was about gun violence, second chances and finding a way to break the cycle of incarceration.

But then, as many stories we work on do, it evolved.

« What do you know about Uniacke Square? » 20-year-old Trayvone Clayton asked me, reversing our roles halfway through our interview.

Trayvone Clayton, a 20-year-old basketball player who attends Saint Mary’s University, says 902 ManUp’s messages resonate with his community. (Jill English/CBC)

It wasn’t the first time I had been asked that question over the three days CBC News video producer Eric Woolliscroft and I spent in the Halifax public housing block known as « The Square. »

Residents asked because they knew the answer. They were proving a point about how their community is perceived.

Uniacke Square has a reputation for violence, and people like Clayton — a St. Mary’s University basketball player who calls it home — resent that it’s all people know.

« These young people take pride in their community, there’s a lot of good here, » Clayton’s father and the central figure in tonight’s story on The National told us. « But they literally have to fake their street address just to get a [job] interview. »

What residents also want people to see is the warmth that exists in « Square Town » and the support they offer each other.

Members of 902 ManUp run events like a weekly Friday night basketball game, holiday dinners and school supply drives to support the community. (Jill English/CBC)

How to explain that more tangibly? Well, these interviews were unlike any I have ever done.

Everyone we spoke to – whether it was James, his nephew Corey Wright, longtime community member Shawn Parker – made time for every friend and neighbour who passed by. They could be mid-thought with two cameras rolling on them, it didn’t matter — they always stopped to say hello.

It was so telling, our editor Brenda Witmer couldn’t help but build some of that into our story, like this exchange with James:

902 ManUp president Marcus James explains the Halifax group’s approach to issues in the community, but not without acknowledging a neighbour driving by. Formed to address local gun violence, the group of volunteers has become an integral part of the neighbourhood culture. 0:39

It’s this sense of community that tonight’s story profiles, through the lens of a group seeking to empower fellow black men to do better, to help one another and to feel pride in who they are.

As Parker said to us many times when describing Uniacke Square, « the spirit is contagious. »

Catch it tonight on The National.

– Jill English

Quote of the moment

« Let’s rock. »

The final words of Edmund Zagorski, a convicted double-murderer who opted for execution via the electric chair at a Tennessee prison this morning.

What The National is reading

  • Jamal Khashoggi’s body was ‘dissolved,’ says Erdogan adviser (Guardian)
  • UN report: Nearly half a billion people in Asia-Pacific region go hungry (CBC)
  • New Brunswick government falls in confidence vote (CBC)
  • U.S. to give 8 countries oil waivers under Iran sanctions (Straits Times)
  • 2 Quebec seniors confined to basement for years, say police (Montreal Gazette)
  • B.C. man kicked off WestJet flight after falling asleep before takeoff (CBC)
  • Fist fight caused fatal Chinese bus plunge (BBC)
  • Beyond the McRib (Tedium)

Today in history

Nov. 2, 1993: The Royal Canadian Air Farce celebrates 20 years on radio

Three members of Canada’s never-ending comedy troupe sit down with Midday’s Tina Srebotnjak, shortly before two decades on the radio became forever on New Year’s Eve. You know who was funny? That Pete’s Frootique guy.

Three members of CBC radio’s Air Farce appear on Midday to talk about 20 years together 14:27

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Nostalgia and much more with Starburst XXXtreme




Get a taste of adventure with Starburst XXXtreme based on the legendary NetEnt Game. The nostalgic themes are sure to capture fans of the classic version as they get treated to higher intensity, better visuals, and features. The most significant element of the game is its volatility. Patience will not be an essential virtue considering the insane gameplay, and there is a lot of win potential involved. It retains the original makeup of the previous game while adding a healthy dose of adrenaline. 

Starburst Visuals and Symbols

The game is definitely more conspicuous than before. The setting happens over a 5-reel, 3-row game grid with nine fixed win lines, which function if a succession from the left to the right reel is present. Only those players that that attain the highest win per bet line are paid. From a visual standpoint, the Starburst XXXtreme slots illustrates lightning effects behind the reels, which is not surprising as it is inherited from the original version. Available themes include Classic, Jewels, and Space. The game is also available in both desktop and mobile versions, which is advantageous for players considering the global pandemic. According to Techguide, American gamers are increasingly having more engaging gaming experiences to socialize to fill the gap of in-person interaction. Starburst XXXtreme allows them to fill the social void at a time when there is so much time to be had indoors. 

Starburst XXXTreme Features

Players get to alternate on three features which are Starburst Wilds, XXXtreme Spins, and Random Wilds. The first appears on reels 2,3, or 4. When these land, they expand to cover all positions while also calculating the wins. They are also locked for a respin. If a new one hits, it also becomes locked while awarding another respin. Starburst XXXtreme offers a choice between two scenarios for a higher stake. In one scenario with a ten times stake, the Starburst Wild is set on random on reels 2,3, or 4, and a multiplier starts the respin. The second scenario, which has a 95 times stake, starts with two guaranteed starburst wilds on reels 2,3, or 4. it also plays out using respin game sequence and features. The game also increases the potential with the Random Wilds feature to add Starburst Wilds to a vacant reel at the end of a spin. Every Starburst Wild gives a random multiplier with potential wins of x2, x3, x5, x10, x25, x50, x100, or even x150.

The new feature is sure to be a big hit with the gaming market as online gambling has shown significant growth during the lockdown. AdAge indicates the current casino customer base is an estimated one in five Americans, so Starburst XXXtreme’s additional features will achieve considerable popularity. 

What We Think About The Game

The gambling market has continued to diversify post-pandemic, so it is one of the most opportune times to release an online casino-based game. Thankfully Starburst XXXtreme features eye-catching visuals, including the jewels and space themes. These attract audience participation and make the gameplay inviting. The game also has a nostalgic edge. The previous NetEnt iteration featured similar visuals and gameplay, so the audience has some familiarity with it. The producers have revamped this version by tweaking the features to improve the volatility and engagement. 

That is characterized by the potential win cap of 200,000 times the bet. Starburst XXXtreme does not just give betting alternatives for players that want to go big. The increase of multipliers also provides a great experience. If the respins in the previous version were great, knowing that multipliers can go hundreds of times overtakes the game to a new level. 

Players should get excited about this offering. All of the features can be triggered within a single spin. Whether one plays the standard game or takes the XXXtreme spin route, it is possible to activate all of the features. Of course, the potential 200,000 times potential is a huge carrot. However, the bet size is probably going to be restricted and vary depending on the casino. It is also worth pointing out that a malfunction during the gameplay will void all of the payouts and progress. Overall, the game itself has been designed to provide a capped win of 200,000 times the original bet. 

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‘We’re back’: Montreal festival promoters happy to return but looking to next year




In downtown Montreal, it’s festival season.

In the city’s entertainment district, a musical act was conducting a sound check on stage Friday evening — the second day of the French-language version of the renowned Just For Laughs comedy festival. Tickets for many of the festival’s free outdoor shows — limited by COVID-19 regulations — were sold out.

Two blocks away, more than 100 people were watching an acoustic performance by the Isaac Neto Trio — part of the last weekend of the Festival International Nuits d’Afrique, a celebration of music from the African continent and the African diaspora.

With COVID-19 restrictions continuing to limit capacity, festival organizers say they’re glad to be back but looking forward to next year when they hope border restrictions and capacity limits won’t affect their plans.

Charles Décarie, Just For Laughs’ CEO and president, said this is a “transition year.”

“Even though we have major constraints from the public health group in Montreal, we’ve managed to design a festival that can navigate through those constraints,” Décarie said.

The French-language Juste pour rire festival began on July 15 and is followed by the English-language festival until July 31.

When planning began in February and March, Décarie said, organizers came up with a variety of scenarios for different crowd sizes, ranging from no spectators to 50 per cent of usual capacity.

“You’ve got to build scenarios,” he said. “You do have to plan a little bit more than usual because you have to have alternatives.”

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MELS new major movie studio to be built in Montreal




MONTREAL — MELS Studios will build a new film studio in Montreal, filling some of the gap in supply to meet the demand of Hollywood productions.

MELS president Martin Carrier said on Friday that MELS 4 studio construction will begin « as soon as possible », either in the fall or winter of next year. The studio could host productions as early as spring 2023.

The total investment for the project is $76 million, with the Quebec government contributing a $25 million loan. The project will create 110 jobs, according to the company.

The TVA Group subsidiary’s project will enable it to stand out « even more » internationally, according to Quebecor president and CEO Pierre Karl Péladeau. In the past, MELS Studios has hosted several major productions, including chapters of the X-Men franchise. The next Transformers movie is shooting this summer in Montreal.

Péladeau insisted that local cultural productions would also benefit from the new facility, adding that the studio ensures foreign revenues and to showcase talent and maintain an industry of Quebec producers.


The film industry is cramped in Montreal.

According to a report published last May by the Bureau du cinéma et de la télévision du Québec (BCTQ), there is a shortage of nearly 400,000 square feet of studio space.

With the addition of MELS 4, which will be 160,000 square feet, the company is filling part of the gap.

Carrier admitted that he has had to turn down contracts because of the lack of space, representing missed opportunities of « tens of millions of dollars, not only for MELS, but also for the Quebec economy. »

« Montreal’s expertise is in high demand, » said Montreal Mayor Valérie Plante, who was present at the announcement.

She said she received great testimonials from « Netflix, Disney, HBO and company » during an economic mission to Los Angeles in 2019.

« What stands out is that they love Montreal because of its expertise, knowledge and beauty. We need more space, like MELS 4, » she said.

There is still not enough capacity in Quebec, acknowledged Minister of Finance, the Economy and Innovation Eric Girard.

« It is certain that the government is concerned about fairness and balance, so if other requests come in, we will study them with the same seriousness as we have studied this one, » he said.

Grandé Studios is the second-largest player in the industry. Last May, the company said it had expansion plans that should begin in 2022. Investissement Québec and Bell are minority shareholders in the company.

For its part, MELS will have 400,000 square feet of production space once MELS 4 is completed. The company employs 450 people in Quebec and offers a range of services including studio and equipment rentals, image and sound postproduction, visual effects and a virtual production platform.

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