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There are thousands of intergenerational survivors’ stories — this is mine

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This story is part of CBC North’s series Children of Survivors | Impact of residential schools. This week we’re highlighting the stories of several children of residential school survivors and the effect intergenerational trauma has had on their lives. 

My name is Sharon Shorty and I am from Whitehorse. I am the child of residential school survivors.

The impact of residential school is intergenerational, and I am in the first generation to feel the effects of this trauma. My parents, aunts and uncles, and one brother attended residential schools in the Yukon, British Columbia and Alberta.

My mother Winnie Peterson is a Tlingit woman. She lost access to stories, her language, traditional beliefs and practices like sewing because of residential school.

Black and white pictures of my mother, late father, and her sisters at Yukon’s Baptist Mission School in a book called Finding Our Faces, which acknowledges the survivors and what they endured: separation from family, bullying from other students, and loss of their culture.

A photo of residential school students on the cover of the book Finding Our Faces. (Submitted by Sharon Shorty)

In the book, she shares: « I wasn’t quite six years old and, 64 years later, I am finally starting to deal with the issues. »

I see this as the start of my story.

When I was in Grade 4 she left me with her sisters (my aunties) to flee to B.C. from an abusive relationship with my father. It was a traditional practice to leave me with my aunties, and I thank God she did it and for their support.

Before that, life at home was confusing.

I felt alone and lonesome growing up. I didn’t understand where my dad’s anger and hurtful words toward me came from.

My dad, the late Joe Shorty, was angry a lot and it was scary.

My mom was sad a lot. I felt alone and lonesome growing up. I didn’t understand where my dad’s anger and hurtful words toward me came from.

I also liked to go to church as a child and my dad would mock me for it. There was very little affection in the home. I did not know that since my parents didn’t grow up with their families, they didn’t learn parenting skills.

Years later as a new mother, I struggled with being affectionate to my son. I felt that part of the syndrome can be beaten though, and I learned to show my feelings. But it takes a lot of strength.

Healing through humour

As a storyteller, playwright and comic, I have turned to humour for 20 years.

Winnie Peterson, Sharon Shorty’s mother, in residential school. This photo is in the book Finding Our Faces. (Submitted by Sharon Shorty)

During the Truth and Reconciliation Commission hearings, Chief Justice Murray Sinclair asked me and my performing partner to do our comedy act, Gramma Susie and Charlie, at several national events.

He said survivors would need laughter during the difficult hearings.

In the routine, we dress as elders and share stories of life. I had discovered that recalling the wisdom and humour of our grandparents and aunties could be a way to reconnect the older and younger generations. It’s also a restorative and healing experience.

It was a privilege to be able to connect with survivors and listen to their stories. I was even more honoured to make people laugh, so they could heal a little more.

It was challenging to hear about the abuses in public, with so many people listening. I also went into a witnessing room and recounted my experiences as a young child, growing up among people who attended residential school.

It was a privilege to be able to connect with survivors and listen to their stories.

I witnessed the trauma of the generation before me.

During the events, there was a birthday party for survivors to acknowledge that their birthdays had never been recognized in residential school.

It was wonderful to see them childlike, enjoying the balloons, birthday cards and cupcakes. I took a cupcake for my late father.

It made me realize why we didn’t have many birthday parties as kids, and why it was so important for me to have parties for my son.

‘Reconciliation is a journey’

Sharon Shorty and Duane Aucoin in costume during a Gramma Susie and Charlie performance at the Dawson City Music Festival. (Submitted by Sharon Shorty)

When something new comes up in my life, I realize the impact intergenerational trauma has on me — my initial reaction is always fear and anxiety.

For example, I recently had to get a CPAP machine to treat sleep apnea. Dealing with the specialist, who is an authority figure, adds to my stress.

When I feel sad in the fall — back-to-school time — it’s not just coming from me and my family but from the past seven generations and what they have gone through.

It has been proven that these memories get passed through our DNA and I totally believe that it can.

Sometimes life can become too much to handle, it overwhelms me a great deal and I feel lost. The reconciliation that I need to do is with the survivors in my life and my son. This is an ongoing process through private talks, sharing my story, and prayer.

When I was dating my husband, he invited me to church. It took me a long time to attend. It helped that it was the United Church and knowing it was one of the first churches to apologize to residential school survivors in 1986 — an act of reconciliation helped make me feel safe to go.

When I was at TRC events over the years, I noticed there were more intergenerational survivors than residential school survivors.

I would like to see more opportunities for us. I hope there are conferences, gatherings, and healing events for us to share and understand the impact it has had on the children.

Photos of Sharon Shorty’s relatives are in this book, Finding Our Faces, which acknowledges former students of Yukon’s Indian Mission School. (Submitted by Sharon Shorty)

I also hope other Canadians realize that reconciliation is for everyone, and that reconciliation is a journey.

When I say I get overwhelmed, it is because I often wonder if I’ll ever be healed from the intergenerational trauma of Indian residential school syndrome.

For my son, I hope it will be easier than what I’ve gone through.

He needs the second generation to be there to support and encourage him, and to stop the cycle of trauma, so healing can gradually grow over the generations.

To the survivors before me who have had the courage to share what they went through at residential school — I am really happy for that.

I’ve seen it make a difference in my life, that in their truth I can find my own ways to heal and to search for my own truth.

CBC North is hosting a panel discussion on this topic on Nov. 8 in Whitehorse at the Kwanlin Dun Cultural Centre at 7 p.m. It is open to the public.

If you need support, call the Yukon Distress and Support Line at 1-844-533-3030 or the Inuit and First Nations Hope and Wellness Helpline at 1-855-242-3310.

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Anglais

Nostalgia and much more with Starburst XXXtreme

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Get a taste of adventure with Starburst XXXtreme based on the legendary NetEnt Game. The nostalgic themes are sure to capture fans of the classic version as they get treated to higher intensity, better visuals, and features. The most significant element of the game is its volatility. Patience will not be an essential virtue considering the insane gameplay, and there is a lot of win potential involved. It retains the original makeup of the previous game while adding a healthy dose of adrenaline. 

Starburst Visuals and Symbols

The game is definitely more conspicuous than before. The setting happens over a 5-reel, 3-row game grid with nine fixed win lines, which function if a succession from the left to the right reel is present. Only those players that that attain the highest win per bet line are paid. From a visual standpoint, the Starburst XXXtreme slots illustrates lightning effects behind the reels, which is not surprising as it is inherited from the original version. Available themes include Classic, Jewels, and Space. The game is also available in both desktop and mobile versions, which is advantageous for players considering the global pandemic. According to Techguide, American gamers are increasingly having more engaging gaming experiences to socialize to fill the gap of in-person interaction. Starburst XXXtreme allows them to fill the social void at a time when there is so much time to be had indoors. 

Starburst XXXTreme Features

Players get to alternate on three features which are Starburst Wilds, XXXtreme Spins, and Random Wilds. The first appears on reels 2,3, or 4. When these land, they expand to cover all positions while also calculating the wins. They are also locked for a respin. If a new one hits, it also becomes locked while awarding another respin. Starburst XXXtreme offers a choice between two scenarios for a higher stake. In one scenario with a ten times stake, the Starburst Wild is set on random on reels 2,3, or 4, and a multiplier starts the respin. The second scenario, which has a 95 times stake, starts with two guaranteed starburst wilds on reels 2,3, or 4. it also plays out using respin game sequence and features. The game also increases the potential with the Random Wilds feature to add Starburst Wilds to a vacant reel at the end of a spin. Every Starburst Wild gives a random multiplier with potential wins of x2, x3, x5, x10, x25, x50, x100, or even x150.

The new feature is sure to be a big hit with the gaming market as online gambling has shown significant growth during the lockdown. AdAge indicates the current casino customer base is an estimated one in five Americans, so Starburst XXXtreme’s additional features will achieve considerable popularity. 

What We Think About The Game

The gambling market has continued to diversify post-pandemic, so it is one of the most opportune times to release an online casino-based game. Thankfully Starburst XXXtreme features eye-catching visuals, including the jewels and space themes. These attract audience participation and make the gameplay inviting. The game also has a nostalgic edge. The previous NetEnt iteration featured similar visuals and gameplay, so the audience has some familiarity with it. The producers have revamped this version by tweaking the features to improve the volatility and engagement. 

That is characterized by the potential win cap of 200,000 times the bet. Starburst XXXtreme does not just give betting alternatives for players that want to go big. The increase of multipliers also provides a great experience. If the respins in the previous version were great, knowing that multipliers can go hundreds of times overtakes the game to a new level. 

Players should get excited about this offering. All of the features can be triggered within a single spin. Whether one plays the standard game or takes the XXXtreme spin route, it is possible to activate all of the features. Of course, the potential 200,000 times potential is a huge carrot. However, the bet size is probably going to be restricted and vary depending on the casino. It is also worth pointing out that a malfunction during the gameplay will void all of the payouts and progress. Overall, the game itself has been designed to provide a capped win of 200,000 times the original bet. 

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Anglais

‘We’re back’: Montreal festival promoters happy to return but looking to next year

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In downtown Montreal, it’s festival season.

In the city’s entertainment district, a musical act was conducting a sound check on stage Friday evening — the second day of the French-language version of the renowned Just For Laughs comedy festival. Tickets for many of the festival’s free outdoor shows — limited by COVID-19 regulations — were sold out.

Two blocks away, more than 100 people were watching an acoustic performance by the Isaac Neto Trio — part of the last weekend of the Festival International Nuits d’Afrique, a celebration of music from the African continent and the African diaspora.

With COVID-19 restrictions continuing to limit capacity, festival organizers say they’re glad to be back but looking forward to next year when they hope border restrictions and capacity limits won’t affect their plans.

Charles Décarie, Just For Laughs’ CEO and president, said this is a “transition year.”

“Even though we have major constraints from the public health group in Montreal, we’ve managed to design a festival that can navigate through those constraints,” Décarie said.

The French-language Juste pour rire festival began on July 15 and is followed by the English-language festival until July 31.

When planning began in February and March, Décarie said, organizers came up with a variety of scenarios for different crowd sizes, ranging from no spectators to 50 per cent of usual capacity.

“You’ve got to build scenarios,” he said. “You do have to plan a little bit more than usual because you have to have alternatives.”

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Anglais

MELS new major movie studio to be built in Montreal

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MONTREAL — MELS Studios will build a new film studio in Montreal, filling some of the gap in supply to meet the demand of Hollywood productions.

MELS president Martin Carrier said on Friday that MELS 4 studio construction will begin « as soon as possible », either in the fall or winter of next year. The studio could host productions as early as spring 2023.

The total investment for the project is $76 million, with the Quebec government contributing a $25 million loan. The project will create 110 jobs, according to the company.

The TVA Group subsidiary’s project will enable it to stand out « even more » internationally, according to Quebecor president and CEO Pierre Karl Péladeau. In the past, MELS Studios has hosted several major productions, including chapters of the X-Men franchise. The next Transformers movie is shooting this summer in Montreal.

Péladeau insisted that local cultural productions would also benefit from the new facility, adding that the studio ensures foreign revenues and to showcase talent and maintain an industry of Quebec producers.

STUDIO SHORTAGE

The film industry is cramped in Montreal.

According to a report published last May by the Bureau du cinéma et de la télévision du Québec (BCTQ), there is a shortage of nearly 400,000 square feet of studio space.

With the addition of MELS 4, which will be 160,000 square feet, the company is filling part of the gap.

Carrier admitted that he has had to turn down contracts because of the lack of space, representing missed opportunities of « tens of millions of dollars, not only for MELS, but also for the Quebec economy. »

« Montreal’s expertise is in high demand, » said Montreal Mayor Valérie Plante, who was present at the announcement.

She said she received great testimonials from « Netflix, Disney, HBO and company » during an economic mission to Los Angeles in 2019.

« What stands out is that they love Montreal because of its expertise, knowledge and beauty. We need more space, like MELS 4, » she said.

There is still not enough capacity in Quebec, acknowledged Minister of Finance, the Economy and Innovation Eric Girard.

« It is certain that the government is concerned about fairness and balance, so if other requests come in, we will study them with the same seriousness as we have studied this one, » he said.

Grandé Studios is the second-largest player in the industry. Last May, the company said it had expansion plans that should begin in 2022. Investissement Québec and Bell are minority shareholders in the company.

For its part, MELS will have 400,000 square feet of production space once MELS 4 is completed. The company employs 450 people in Quebec and offers a range of services including studio and equipment rentals, image and sound postproduction, visual effects and a virtual production platform.

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