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Former employee sues MPAC alleging workplace ‘violence’ following Trump-themed training video

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A former employee of the Municipal Property Assessment Corporation has launched a lawsuit alleging she was traumatized by a “violent” dressing down over an in-house staff video that satirized soon-to-be U.S. president Donald Trump, and then let go while on medical leave.

Darlene Rich is seeking $340,000 in damages for wrongful dismissal from MPAC, the not-for-profit corporation that assesses all properties in Ontario, and $150,000 in damages from Linda Hall, MPAC’s vice-president of communications and marketing.

In a joint statement of defence filed last week, MPAC and Hall deny nearly all of Rich’s allegations and allege she was fired for cause after failing to meet a deadline to provide medical documents. They also allege Rich’s “performance often fell below accepted standards.”

Rich’s allegations, contained in a statement of claim filed in Toronto last month, and those made by MPAC and Hall have not been proven in court.

Both MPAC and Hall declined to answer specific questions from the Star.

A spokesperson for MPAC, which is funded by municipalities and employs 1,700 people across the province, said it “takes matters relating to the health and safety of its employees very seriously and is committed to fostering a climate of collegiality and mutual respect.”

In July 2015, according to her statement of claim, Rich was hired as a media relations specialist in MPAC’s public affairs branch, which is headquartered in Pickering, after previously working as a senior communications adviser in four Ontario government ministries.

According to her statement of claim, Rich was hired to “help improve” MPAC’s public reputation, which had been “suffering for years.”

“By all accounts, (Rich) was on track to have a successful career at MPAC,” her suit states, until she was “violently verbally assaulted” by Hall, a supervisor, and ultimately fired.

During the summer of 2016, a director of valuation for the corporation created a video “satirizing” Trump in which members of the communications department were asked to participate, including Rich, according to her statement of claim.

Rich told the Star through lawyer Hendrik Nieuwland that she’s never seen the video, but said it was meant to be a “parody” training video, with the director dressed as Trump saying, “Let’s make assessing great again!”

“I assume it was an attempt to use humour to motivate people,” she said through her lawyer.

The video was briefly posted internally when, according to her statement of claim, it drew a complaint from a female employee who called it “discriminatory against women because Trump is a misogynist.”

Following the complaint, on Oct. 20, 2016, Rich’s suit alleges Hall called Rich into a closed-door meeting and, standing between her and the door, “furiously” screamed “What the f— were you thinking?!” over and over again.

“Shocked and very afraid” and feeling blocked from leaving, Rich’s suit says she was confused by Hall’s anger until she realized it was over the video, at which point she “repeatedly” explained she had nothing to do with creating it and had felt she had no choice but to comply with the request to participate.

Hall, the suit alleges, continued to “violently” berate Rich, referred to her co-workers as “total f—ups” and said they would “get their’s (sic) too.”

Rich’s suit says she felt “intimidated, frightened, humiliated and trapped” and left the meeting feeling ill with her heart “pounding.”

In their statement of defence, MPAC and Hall tell a different version of that day, saying Rich was free to leave a pre-arranged meeting in which she was an “active participant” in a 15-minute conversation.

In their statement, MPAC and Hall say the meeting was about a “potential reputational risk and public relations issue” and deny Hall swore or engaged in any coercion or violence.

The statement also alleges Rich later admitted to “yelling” at Hall in the meeting, “displayed a deep animosity toward” her and “used threatening language.”

In her suit, Rich says she is a survivor of historic verbal abuse related to family and has struggled with anxiety and depression, a fact she alleges Hall knew about from when the two briefly worked together at Metrolinx.

Hall’s “misconduct” in the meeting, she alleges, was “calculated” to cause harm.

In her suit, Rich says she is suffering from “severe depressive disorder” and post-traumatic stress disorder as a result of the meeting.

In the statement of defence, Hall states she was unaware of Rich’s mental health issues.

According to her suit, Rich filed a workplace complaint the day after the meeting, tried to work from home and did not return to work.

In January, following an external investigation, MPAC’s human resources director her Hall had violated the corporation’s “Workplace Discrimination, Harassment and Violence Prevention Policy” but would not say if she had been disciplined, according to the statement of claim.

Then, to Rich’s “surprise and dismay,” the HR director insisted Rich return to work, sit in an office next to Hall’s and continue to report to her, Rich’s suit alleges.

In their statement of defence, MPAC and Hall say the investigation findings “confirmed that there was no aspect of violence” in the interaction.

Rich next went on sick leave.

In her suit, Rich says her doctor completed a required medical form on April 17 but, through an “administrative oversight,” failed to submit it on time, leading MPAC to cut her short-term disability payments. The form was delivered about a month later and described a number of reasons, including panic disorder and panic attacks, why Rich could not function at work, her suit states.

Two days later, on May 17, MPAC fired Rich, “paid no severance” and cut her benefits, the suit states.

Rich is seeking damages for wrongful dismissal, discrimination based on disability, lost short-term disability payments, discrimination on the basis of disability, bad faith and conduct causing mental distress. From Hall, she seeks damages for “intentional infliction” of mental distress.

MPAC says it continued to fund short-term disability payments to Rich even after repeated attempts to get required documents and, after a warning to return to work, fired her for reasons “completely unconnected to any disability she may have had.”

Rich, her suit states, received no severance, had her benefits cut off and “has been unable to obtain reasonable alternative employment.”

Nieuwland, Rich’s lawyer, told the Star by email that employees with “mental illness continue to struggle for understanding and acceptance in the workplace,” and he hopes Rich’s lawsuit “reminds all employers of their obligations in dealing with persons under a disability.”

Jim Rankin is a reporter based in Toronto. Follow him on Twitter: @Jleerankin

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Nostalgia and much more with Starburst XXXtreme

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Get a taste of adventure with Starburst XXXtreme based on the legendary NetEnt Game. The nostalgic themes are sure to capture fans of the classic version as they get treated to higher intensity, better visuals, and features. The most significant element of the game is its volatility. Patience will not be an essential virtue considering the insane gameplay, and there is a lot of win potential involved. It retains the original makeup of the previous game while adding a healthy dose of adrenaline. 

Starburst Visuals and Symbols

The game is definitely more conspicuous than before. The setting happens over a 5-reel, 3-row game grid with nine fixed win lines, which function if a succession from the left to the right reel is present. Only those players that that attain the highest win per bet line are paid. From a visual standpoint, the Starburst XXXtreme slots illustrates lightning effects behind the reels, which is not surprising as it is inherited from the original version. Available themes include Classic, Jewels, and Space. The game is also available in both desktop and mobile versions, which is advantageous for players considering the global pandemic. According to Techguide, American gamers are increasingly having more engaging gaming experiences to socialize to fill the gap of in-person interaction. Starburst XXXtreme allows them to fill the social void at a time when there is so much time to be had indoors. 

Starburst XXXTreme Features

Players get to alternate on three features which are Starburst Wilds, XXXtreme Spins, and Random Wilds. The first appears on reels 2,3, or 4. When these land, they expand to cover all positions while also calculating the wins. They are also locked for a respin. If a new one hits, it also becomes locked while awarding another respin. Starburst XXXtreme offers a choice between two scenarios for a higher stake. In one scenario with a ten times stake, the Starburst Wild is set on random on reels 2,3, or 4, and a multiplier starts the respin. The second scenario, which has a 95 times stake, starts with two guaranteed starburst wilds on reels 2,3, or 4. it also plays out using respin game sequence and features. The game also increases the potential with the Random Wilds feature to add Starburst Wilds to a vacant reel at the end of a spin. Every Starburst Wild gives a random multiplier with potential wins of x2, x3, x5, x10, x25, x50, x100, or even x150.

The new feature is sure to be a big hit with the gaming market as online gambling has shown significant growth during the lockdown. AdAge indicates the current casino customer base is an estimated one in five Americans, so Starburst XXXtreme’s additional features will achieve considerable popularity. 

What We Think About The Game

The gambling market has continued to diversify post-pandemic, so it is one of the most opportune times to release an online casino-based game. Thankfully Starburst XXXtreme features eye-catching visuals, including the jewels and space themes. These attract audience participation and make the gameplay inviting. The game also has a nostalgic edge. The previous NetEnt iteration featured similar visuals and gameplay, so the audience has some familiarity with it. The producers have revamped this version by tweaking the features to improve the volatility and engagement. 

That is characterized by the potential win cap of 200,000 times the bet. Starburst XXXtreme does not just give betting alternatives for players that want to go big. The increase of multipliers also provides a great experience. If the respins in the previous version were great, knowing that multipliers can go hundreds of times overtakes the game to a new level. 

Players should get excited about this offering. All of the features can be triggered within a single spin. Whether one plays the standard game or takes the XXXtreme spin route, it is possible to activate all of the features. Of course, the potential 200,000 times potential is a huge carrot. However, the bet size is probably going to be restricted and vary depending on the casino. It is also worth pointing out that a malfunction during the gameplay will void all of the payouts and progress. Overall, the game itself has been designed to provide a capped win of 200,000 times the original bet. 

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Anglais

‘We’re back’: Montreal festival promoters happy to return but looking to next year

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In downtown Montreal, it’s festival season.

In the city’s entertainment district, a musical act was conducting a sound check on stage Friday evening — the second day of the French-language version of the renowned Just For Laughs comedy festival. Tickets for many of the festival’s free outdoor shows — limited by COVID-19 regulations — were sold out.

Two blocks away, more than 100 people were watching an acoustic performance by the Isaac Neto Trio — part of the last weekend of the Festival International Nuits d’Afrique, a celebration of music from the African continent and the African diaspora.

With COVID-19 restrictions continuing to limit capacity, festival organizers say they’re glad to be back but looking forward to next year when they hope border restrictions and capacity limits won’t affect their plans.

Charles Décarie, Just For Laughs’ CEO and president, said this is a “transition year.”

“Even though we have major constraints from the public health group in Montreal, we’ve managed to design a festival that can navigate through those constraints,” Décarie said.

The French-language Juste pour rire festival began on July 15 and is followed by the English-language festival until July 31.

When planning began in February and March, Décarie said, organizers came up with a variety of scenarios for different crowd sizes, ranging from no spectators to 50 per cent of usual capacity.

“You’ve got to build scenarios,” he said. “You do have to plan a little bit more than usual because you have to have alternatives.”

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MELS new major movie studio to be built in Montreal

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MONTREAL — MELS Studios will build a new film studio in Montreal, filling some of the gap in supply to meet the demand of Hollywood productions.

MELS president Martin Carrier said on Friday that MELS 4 studio construction will begin « as soon as possible », either in the fall or winter of next year. The studio could host productions as early as spring 2023.

The total investment for the project is $76 million, with the Quebec government contributing a $25 million loan. The project will create 110 jobs, according to the company.

The TVA Group subsidiary’s project will enable it to stand out « even more » internationally, according to Quebecor president and CEO Pierre Karl Péladeau. In the past, MELS Studios has hosted several major productions, including chapters of the X-Men franchise. The next Transformers movie is shooting this summer in Montreal.

Péladeau insisted that local cultural productions would also benefit from the new facility, adding that the studio ensures foreign revenues and to showcase talent and maintain an industry of Quebec producers.

STUDIO SHORTAGE

The film industry is cramped in Montreal.

According to a report published last May by the Bureau du cinéma et de la télévision du Québec (BCTQ), there is a shortage of nearly 400,000 square feet of studio space.

With the addition of MELS 4, which will be 160,000 square feet, the company is filling part of the gap.

Carrier admitted that he has had to turn down contracts because of the lack of space, representing missed opportunities of « tens of millions of dollars, not only for MELS, but also for the Quebec economy. »

« Montreal’s expertise is in high demand, » said Montreal Mayor Valérie Plante, who was present at the announcement.

She said she received great testimonials from « Netflix, Disney, HBO and company » during an economic mission to Los Angeles in 2019.

« What stands out is that they love Montreal because of its expertise, knowledge and beauty. We need more space, like MELS 4, » she said.

There is still not enough capacity in Quebec, acknowledged Minister of Finance, the Economy and Innovation Eric Girard.

« It is certain that the government is concerned about fairness and balance, so if other requests come in, we will study them with the same seriousness as we have studied this one, » he said.

Grandé Studios is the second-largest player in the industry. Last May, the company said it had expansion plans that should begin in 2022. Investissement Québec and Bell are minority shareholders in the company.

For its part, MELS will have 400,000 square feet of production space once MELS 4 is completed. The company employs 450 people in Quebec and offers a range of services including studio and equipment rentals, image and sound postproduction, visual effects and a virtual production platform.

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