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A silence in Mons: How Canadians saw the final moments of WW I

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In the days leading up to the Armistice that ended the Great War, Lance Cpl.Frank Teskey was almost killed twice by the relentless shelling of the retreating Germans.

You’d have never known it from the letter he wrote (in pencil) to his mother on Nov. 11, 1918. He made no mention of the close calls. It’s not the kind of stuff soldiers tell their families — even today.

Instead, he focused on the Canadian Army’s advance into Belgium and the outburst of joy among the people of Mons that followed the arrival of the 11 a.m. armistice.

« They decorate us with colours and flowers, but the best of all, the young maidens are right there with beaucoup kisses, » he wrote.

Lance-Cpl. Frank Teskey’s letters and diaries provide a vivid account of the final days before the Armistice and the Canadian battle to recapture Mons. (Canadian War Museum)

The terror of those final moments in what would come to be called the First World War — and the capricious quality of the violence he experienced as the war churned to what appeared at the time to be a precarious conclusion — he confined to his weathered, leather-bound diary.

The archive of the Canadian War Museum contains many compelling eyewitness accounts of that final day, when battle-hardened and nearly exhausted Canadian troops ended the war in the ancient Belgian coal-mining city that had been the scene of the very first clash between the British and the Germans four years earlier.

Recapturing Mons was a point of pride for the Commonwealth armies — and the Canadians, who had shown their mettle at Vimy Ridge, Passchendaele and Amiens, led the way.

Newly awarded the Victoria Cross for action the previous summer, Sgt. Herman Good reflected on the moment as the Canadians confronted a German rearguard action in the war’s final hours late on Nov. 10.

Sgt. Herman Good, winner of the Victoria Cross. (Canadian War Museum)

The war will finish where it started « but it will take a little time to settle it, » he wrote in a letter to his family.

Lt.-Col. Warring Gerald Cosbie scribbled his thoughts on the back of the postcards he sent home, voicing the hope that he’d be in either London or Paris when the shooting finally stopped — and bursting with pride at the thought that the Canadians « had the honour taking this place. »

Days before the Canadians arrived, German combat engineers wired all of the bridges in the area for demolition. The Allies feared the Germans would stand and fight for Mons, reducing it — like so many French communities to the west — to mud and rubble.

But on the morning of Nov. 6, the people of Mons woke to find that most of their erstwhile occupiers were gone. The Germans had staged a major evacuation overnight, leaving behind piles of paper and trash outside their offices on the Grande Place.

The book Mons 1914-1918: The Beginning and the End by British author Don Farr, recounts how the town’s German commandant, in a letter, thanked the city’s mayor, Jean Lecarts, « for the intelligent and conscientious way » he had carried out his duties, and praised ordinary citizens for their « dignified and calm demeanour. »

A bloody retreat

The Germans fought a delaying action using a series of tough rearguard formations as 15 divisions leapfrogged over one another in retreat. They also laid on the artillery, which fired viciously and indiscriminately in the final days and hours.

Billeted in a civilian house just before the ceasefire with a father, mother and teenage daughter, Teskey watched in horror as a gas shell fell into the family’s backyard.

« The young girl there was overcome, » he wrote. « She screamed during an artillery barrage. It took us a while to calm her down. »

Teskey’s first major close call came on the Friday night, three days before the ceasefire, when another house in which he was billeted was flattened moments after he’d left to deliver rations to fellow Princess Patricia’s Canadian Light Infantry soldiers in forward positions.

The next day, when the regiment liberated a village west of Mons, jubilant Belgians swarmed the Canadians. They lined the streets and showered soldiers with kisses and food — until the German artillery woke up.

« A shell fell in the street behind us and got 17 people. Other kills around us, » Teskey wrote.

When dusk arrived on Nov. 9, the Patricias had fought their way into Jemappes on the outskirts of Mons.

The war was nearly over and the troops could sense it.

« It is too bad that chaps should have been killed within the last few days, » Teskey wrote to his mother — without mentioning his own narrow escapes. « I would hate to have been wounded and miss the rest of the fun. »

‘I wondered when it was all going to end’

To Teskey, it also seemed as if the suffering of the civilians had reached a climax.

« Last night I saw wounded soldiers and civvies being carried to the dressing station and I wondered when it was all going to end, » Teskey wrote on Nov. 11.

« One old man was hit in the arm and managed to walk as far as our billet and collapsed so we got a stretcher and I carried him the rest of the way. Even little children are among the casualties. »

From his vantage point a few villages away, Good was also struck by the extraordinary suffering and destruction of innocent lives that filled the war’s final hours.

« The people had some pretty hard times while the Germans were there, » he wrote in a letter on the day of the Armistice.

The 42nd Battalion — the Royal Highlanders of Canada — began scouting northern entrances into Mons on the afternoon of Nov. 10 and moved forward in the face of enemy machine guns trained on each of the crossroads.

Troops ducked behind buildings, jumped over walls and cut through gardens in a painstaking street-by-street advance.

By 11 that night, 12 hours before the ceasefire, the Highlanders had crossed the city’s railway yard. At the same time, a battalion of the Royal Canadian Regiment (RCR) trotted across a hastily erected plank bridge into the northwest suburb of Mons, according to the Canadian Army’s official history.

Canadian troops approaching from the south were held up by demolished bridges and machine guns in the thickly tangled forest known as Bois la Haut.

The guns fired all night, according to an account written by the Sisters of Sacré​-Coeur and reprinted in the book Mons 1918-1918: The Beginning and the End.

« Sunday finished with a racket of cannons, » the sisters’ diarist wrote. « We were convinced staying on the ground floor was dangerous as the noise doubled in intensity … We hurried through supper and spent a few moments recreation in the common room without any notion of the peril.

« Then after prayers we went down into the cellar where, despite the noise of the shelling, we fell asleep immediately after our previous sleepless nights. »

‘An extraordinary calm’

The bombardment went on long after midnight. When it finally ceased, one of the sisters tiptoed up the stairs and into the courtyard.

« There was an extraordinary calm, » wrote the diarist. « One could believe that the war had never existed here, or at least that it was well and truly finished. »

L’Eglise Sainte Waudru in Mons, Belgium before the First World War. Sisters belonging to the Sisters of Sacré-Coeur recorded in their diary the efforts of Canadian troops to retake the city in the early hours of Nov. 11, 1918. (Canadian War Museum)

Fighting had carried on all night and « German dead still lay in the streets and were kicked by the inhabitants as they lay, » according to an account in the book Canada’s 100 Days by Canadian journalist J.F.B. Livesay, published in 1919.

The Canadian Army’s official history recorded how a disagreement broke out after the war about whether it was the 42 Battalion or the RCR which was the first to reach the centre of Mons in the predawn darkness of Nov. 11.

In the city’s Golden Book, the signature of an RCR officer appears above those of three Highlanders.

Just after daybreak, the Canadian Corps Headquarters was notified that the Armistice would take effect at 11 a.m.

The date is circled in black ink in Teskey’s diary.

« It was rather a surprise to us to hear this morning that the whole show was over, » he wrote to his mother. « We can scarcely believe that the Germans have gone. We haven’t been shelled this morning so it must be true. »

There were still pockets of resistance as Canadian guns — including an 18-pounder belonging to the 19th Battery — rolled over the cobblestones in the centre of the city.

The last shot

« In the early hours of Nov. 11, they passed through the Grand Place of Mons and went into action on the ‘Champ de Mars,' » reads a transfer certificate for the gun, which was later donated to the Belgians. « This was the first battery through Mons before the ceasefire was given and the above gun fired the last round. »

That round « shot off the arm of a German staff officer in a headquarter chateau by Hill 85, east of Mons, » said the book Canada’s 100 Days.

That gun is now on display at the Canadian War Museum.

Just before the clock ran down on the war, Good was in the town of Frameries, south of Mons, as civilians started celebrating before the shooting stopped.

« They came out in the streets to meet us as we came along and kissed us and put their arms around our necks and did not want to let go, » Good wrote to his family.

The knowledge that he had won the Victoria Cross, which would be presented by King George V the following April, had only started to sink in. Good ended the war on Nov. 11 emotionally numb and homesick.

« I’ve had four years of a pretty hard life and wish I was back [home] again, » he wrote.

The bells in the Mons cathedral started ringing just before 11 that morning. They played La Marseillaise, the French national anthem, and La Brabançonne, the Belgian anthem. The sound caused Cosbie to stop in his tracks.

« It is hard to realize that it is all over and when one wakes up it seems strange to think that we will never again listen to the ominous whine of a shell or going to bed not be be awakened by the whining crash of the odd bomb, » he wrote.

A photo of war-damaged Mons following its recapture by Canadian troops on Nov. 11, 1918. This photo is contained in the archives of the Canadian War Museum. (Canadian War Museum)

On the outskirts of Mons, Pte. George Price, a conscript from Saskatchewan originally from Nova Scotia, slipped out of the cover of a house where his patrol had taken cover. They had been ambushed by a German machine gun.

He was hit by a sniper’s bullet in the chest.

Price was pulled off the street and treated by a young Belgian nurse, but died a minute later at 10:58 a.m. — two minutes before the end of the war.

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Anglais

Nostalgia and much more with Starburst XXXtreme

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Get a taste of adventure with Starburst XXXtreme based on the legendary NetEnt Game. The nostalgic themes are sure to capture fans of the classic version as they get treated to higher intensity, better visuals, and features. The most significant element of the game is its volatility. Patience will not be an essential virtue considering the insane gameplay, and there is a lot of win potential involved. It retains the original makeup of the previous game while adding a healthy dose of adrenaline. 

Starburst Visuals and Symbols

The game is definitely more conspicuous than before. The setting happens over a 5-reel, 3-row game grid with nine fixed win lines, which function if a succession from the left to the right reel is present. Only those players that that attain the highest win per bet line are paid. From a visual standpoint, the Starburst XXXtreme slots illustrates lightning effects behind the reels, which is not surprising as it is inherited from the original version. Available themes include Classic, Jewels, and Space. The game is also available in both desktop and mobile versions, which is advantageous for players considering the global pandemic. According to Techguide, American gamers are increasingly having more engaging gaming experiences to socialize to fill the gap of in-person interaction. Starburst XXXtreme allows them to fill the social void at a time when there is so much time to be had indoors. 

Starburst XXXTreme Features

Players get to alternate on three features which are Starburst Wilds, XXXtreme Spins, and Random Wilds. The first appears on reels 2,3, or 4. When these land, they expand to cover all positions while also calculating the wins. They are also locked for a respin. If a new one hits, it also becomes locked while awarding another respin. Starburst XXXtreme offers a choice between two scenarios for a higher stake. In one scenario with a ten times stake, the Starburst Wild is set on random on reels 2,3, or 4, and a multiplier starts the respin. The second scenario, which has a 95 times stake, starts with two guaranteed starburst wilds on reels 2,3, or 4. it also plays out using respin game sequence and features. The game also increases the potential with the Random Wilds feature to add Starburst Wilds to a vacant reel at the end of a spin. Every Starburst Wild gives a random multiplier with potential wins of x2, x3, x5, x10, x25, x50, x100, or even x150.

The new feature is sure to be a big hit with the gaming market as online gambling has shown significant growth during the lockdown. AdAge indicates the current casino customer base is an estimated one in five Americans, so Starburst XXXtreme’s additional features will achieve considerable popularity. 

What We Think About The Game

The gambling market has continued to diversify post-pandemic, so it is one of the most opportune times to release an online casino-based game. Thankfully Starburst XXXtreme features eye-catching visuals, including the jewels and space themes. These attract audience participation and make the gameplay inviting. The game also has a nostalgic edge. The previous NetEnt iteration featured similar visuals and gameplay, so the audience has some familiarity with it. The producers have revamped this version by tweaking the features to improve the volatility and engagement. 

That is characterized by the potential win cap of 200,000 times the bet. Starburst XXXtreme does not just give betting alternatives for players that want to go big. The increase of multipliers also provides a great experience. If the respins in the previous version were great, knowing that multipliers can go hundreds of times overtakes the game to a new level. 

Players should get excited about this offering. All of the features can be triggered within a single spin. Whether one plays the standard game or takes the XXXtreme spin route, it is possible to activate all of the features. Of course, the potential 200,000 times potential is a huge carrot. However, the bet size is probably going to be restricted and vary depending on the casino. It is also worth pointing out that a malfunction during the gameplay will void all of the payouts and progress. Overall, the game itself has been designed to provide a capped win of 200,000 times the original bet. 

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Anglais

‘We’re back’: Montreal festival promoters happy to return but looking to next year

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In downtown Montreal, it’s festival season.

In the city’s entertainment district, a musical act was conducting a sound check on stage Friday evening — the second day of the French-language version of the renowned Just For Laughs comedy festival. Tickets for many of the festival’s free outdoor shows — limited by COVID-19 regulations — were sold out.

Two blocks away, more than 100 people were watching an acoustic performance by the Isaac Neto Trio — part of the last weekend of the Festival International Nuits d’Afrique, a celebration of music from the African continent and the African diaspora.

With COVID-19 restrictions continuing to limit capacity, festival organizers say they’re glad to be back but looking forward to next year when they hope border restrictions and capacity limits won’t affect their plans.

Charles Décarie, Just For Laughs’ CEO and president, said this is a “transition year.”

“Even though we have major constraints from the public health group in Montreal, we’ve managed to design a festival that can navigate through those constraints,” Décarie said.

The French-language Juste pour rire festival began on July 15 and is followed by the English-language festival until July 31.

When planning began in February and March, Décarie said, organizers came up with a variety of scenarios for different crowd sizes, ranging from no spectators to 50 per cent of usual capacity.

“You’ve got to build scenarios,” he said. “You do have to plan a little bit more than usual because you have to have alternatives.”

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MELS new major movie studio to be built in Montreal

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MONTREAL — MELS Studios will build a new film studio in Montreal, filling some of the gap in supply to meet the demand of Hollywood productions.

MELS president Martin Carrier said on Friday that MELS 4 studio construction will begin « as soon as possible », either in the fall or winter of next year. The studio could host productions as early as spring 2023.

The total investment for the project is $76 million, with the Quebec government contributing a $25 million loan. The project will create 110 jobs, according to the company.

The TVA Group subsidiary’s project will enable it to stand out « even more » internationally, according to Quebecor president and CEO Pierre Karl Péladeau. In the past, MELS Studios has hosted several major productions, including chapters of the X-Men franchise. The next Transformers movie is shooting this summer in Montreal.

Péladeau insisted that local cultural productions would also benefit from the new facility, adding that the studio ensures foreign revenues and to showcase talent and maintain an industry of Quebec producers.

STUDIO SHORTAGE

The film industry is cramped in Montreal.

According to a report published last May by the Bureau du cinéma et de la télévision du Québec (BCTQ), there is a shortage of nearly 400,000 square feet of studio space.

With the addition of MELS 4, which will be 160,000 square feet, the company is filling part of the gap.

Carrier admitted that he has had to turn down contracts because of the lack of space, representing missed opportunities of « tens of millions of dollars, not only for MELS, but also for the Quebec economy. »

« Montreal’s expertise is in high demand, » said Montreal Mayor Valérie Plante, who was present at the announcement.

She said she received great testimonials from « Netflix, Disney, HBO and company » during an economic mission to Los Angeles in 2019.

« What stands out is that they love Montreal because of its expertise, knowledge and beauty. We need more space, like MELS 4, » she said.

There is still not enough capacity in Quebec, acknowledged Minister of Finance, the Economy and Innovation Eric Girard.

« It is certain that the government is concerned about fairness and balance, so if other requests come in, we will study them with the same seriousness as we have studied this one, » he said.

Grandé Studios is the second-largest player in the industry. Last May, the company said it had expansion plans that should begin in 2022. Investissement Québec and Bell are minority shareholders in the company.

For its part, MELS will have 400,000 square feet of production space once MELS 4 is completed. The company employs 450 people in Quebec and offers a range of services including studio and equipment rentals, image and sound postproduction, visual effects and a virtual production platform.

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