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El Mocambo sign lights up the night as snow tumbles down

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You can keep your jokes about politicians who will show up to the opening of an envelope. In this town, the mayor will show up to the flipping of a light switch. If it’s the right switch, for the right lights.

On Thursday night on Spadina Avenue, the velvet ropes were set up on the sidewalk just south of College, and a crowd of people had started to form in clusters of three or four. A steady parade of Cadillac Escalades and Porsche Carrerras pulled to the curb — and some Honda Civics and a Dodge Grand Caravan too — to drop off women in short sparkly skirts and men in cowboy boots and velvet jackets.

The El Mocambo sign on Spadina is lit up again after a ceremony during last night’s snowfall.
The El Mocambo sign on Spadina is lit up again after a ceremony during last night’s snowfall.  (RenÉ Johnston / Toronto Star)

Speakers set up on the sidewalk played a 35-year-old U2 song. “I saw them here!” one woman said.

Another man, with a woman and young child, was walking by and asked who was playing tonight. “No one’s playing,” he was told. They were just planning to relight the neon sign.

“Ah,” he said, smiling and nodding that it was an obvious enough reason for the buzz. Then he said, to his own child as much as to the stranger in front of him, “This is a legendary music venue, The El Mocambo.”

The music historian Nicholas Jennings posted on Facebook this week that the first band to play at the El Mocambo when it opened on March 23, 1948 was a “light jazz combo” called the Ambassador’s Trio. He posted early ads for the bar when it was billed as “a bit of Mexico in Toronto,” a bill from the late 1950s featuring an all-girls singing group called “The Coquettes Quartet” and a “Big Irish Night” lineup from 1965.

The new façade of the under-renovation venue says “Keeping live alive since 1948,” and clearly the history goes way back. The legend most Torontonians under about age 80 are more familiar with is a bit more rock ’n’ roll. This is the place the Rolling Stones recorded a live album — not just them, but Elvis Costello, Stevie Ray Vaughan, April Wine. The Ramones played here. Tom Waits. And U2, like the lady says.

In the 1980s and 1990s, it was also a place a where your buddy from English class might have a gig with his punk band. And the night after you saw him, you might see the hottest local indie act. There was something special in exactly that mix: it hosted legends, yes, but was also home to local scenesters and wannabes and never-weres.

It was shuttered in 2014, a broke bar in a broken down building that was going to become a computer store or something. But Eccentric Billionaire Michael Wekerle bought it, promising to restore it to its former glory.

Four years later, it isn’t ready to reopen yet. But the sign is back.

We love our old signs in this city. I’m old enough to remember the outcry when it briefly seemed Fairmont was planning to take the words “Royal York” off the front of the then-skyline-defining hotel. We have a connection to the neon and the bulbs that spell out our memories of the places that have defined our neighbourhoods.

Lately there’s been a trend to save signs from the trash bin: I reported live from the dismantling of the thousands-of-points-of-lightbulbs at Honest Ed’s, to be reinstalled later on a different building. I wrote about the relighting of the Sam The Record Man spinning discs in January this year, now high above Dundas Square.

But this one is special: The palm tree spelling out EL MOCAMBO in yellow neon along its trunk, the flashing white leaves surrounding purple coconuts and a crescent-moon that may be a banana.

It’s special because of that legendary history. And because it’s actually back here in its original spot at 464 Spadina. But mostly because its restoration and reinstallation anticipates the reopening of the El Mo, renovated and soundproofed and ready to rock again, sometime next spring.

The crowd on the street Thursday night had swelled to more than a hundred as the falling snow accumulated. Everyone laughed when a car collided with a parked police car at the curb. Then, shortly after 7 p.m., Eccentric Billionaire Michael Wekerle himself appeared behind the velvet ropes, wearing a green fur coat and pink gloves and sunglasses. He was bouncing up on the balls of his feet and beaming, shaking hands with the crowd and shouting about how great it all was. He pointed and called out to people in the crowd — “Andy Kim!” — and called the boxer George Chuvalo up to stand next to him. And then, speaking a mile a minute into the microphone, he promised a new great beginning for Canadian music artists, and then introduced the mayor.

“Thank you,” John Tory said to his host, and to the crowd. “If Michael Wekerle hadn’t had the determination, and frankly the money, we wouldn’t be here,” he said. Music is important, he said, bringing people together in a city where they may not share the same language, but can dance to the same beat. “Here’s to the El Mo,” he said, “and to many years of success.”

Then the crowd there on the street counted down from 10, as if it were New Year’s Eve. When they reached one, they all shouted “El Mo!” and the lights came on, purple and green and yellow and white. The familiar opening guitar chords of the Rolling Stones “Start Me Up” came through the speakers. Everyone cheered, many took photos.

A few in the crowd even started dancing in the snow, while others began to make their way around the corner to a private party being held in a back alley to celebrate. A man in a parka and toque smiled and jumped in the air, and shouted. “Rock and roll, baby!”

Edward Keenan is a columnist based in Toronto covering urban affairs. Follow him on Twitter: @thekeenanwire

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Anglais

Nostalgia and much more with Starburst XXXtreme

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Get a taste of adventure with Starburst XXXtreme based on the legendary NetEnt Game. The nostalgic themes are sure to capture fans of the classic version as they get treated to higher intensity, better visuals, and features. The most significant element of the game is its volatility. Patience will not be an essential virtue considering the insane gameplay, and there is a lot of win potential involved. It retains the original makeup of the previous game while adding a healthy dose of adrenaline. 

Starburst Visuals and Symbols

The game is definitely more conspicuous than before. The setting happens over a 5-reel, 3-row game grid with nine fixed win lines, which function if a succession from the left to the right reel is present. Only those players that that attain the highest win per bet line are paid. From a visual standpoint, the Starburst XXXtreme slots illustrates lightning effects behind the reels, which is not surprising as it is inherited from the original version. Available themes include Classic, Jewels, and Space. The game is also available in both desktop and mobile versions, which is advantageous for players considering the global pandemic. According to Techguide, American gamers are increasingly having more engaging gaming experiences to socialize to fill the gap of in-person interaction. Starburst XXXtreme allows them to fill the social void at a time when there is so much time to be had indoors. 

Starburst XXXTreme Features

Players get to alternate on three features which are Starburst Wilds, XXXtreme Spins, and Random Wilds. The first appears on reels 2,3, or 4. When these land, they expand to cover all positions while also calculating the wins. They are also locked for a respin. If a new one hits, it also becomes locked while awarding another respin. Starburst XXXtreme offers a choice between two scenarios for a higher stake. In one scenario with a ten times stake, the Starburst Wild is set on random on reels 2,3, or 4, and a multiplier starts the respin. The second scenario, which has a 95 times stake, starts with two guaranteed starburst wilds on reels 2,3, or 4. it also plays out using respin game sequence and features. The game also increases the potential with the Random Wilds feature to add Starburst Wilds to a vacant reel at the end of a spin. Every Starburst Wild gives a random multiplier with potential wins of x2, x3, x5, x10, x25, x50, x100, or even x150.

The new feature is sure to be a big hit with the gaming market as online gambling has shown significant growth during the lockdown. AdAge indicates the current casino customer base is an estimated one in five Americans, so Starburst XXXtreme’s additional features will achieve considerable popularity. 

What We Think About The Game

The gambling market has continued to diversify post-pandemic, so it is one of the most opportune times to release an online casino-based game. Thankfully Starburst XXXtreme features eye-catching visuals, including the jewels and space themes. These attract audience participation and make the gameplay inviting. The game also has a nostalgic edge. The previous NetEnt iteration featured similar visuals and gameplay, so the audience has some familiarity with it. The producers have revamped this version by tweaking the features to improve the volatility and engagement. 

That is characterized by the potential win cap of 200,000 times the bet. Starburst XXXtreme does not just give betting alternatives for players that want to go big. The increase of multipliers also provides a great experience. If the respins in the previous version were great, knowing that multipliers can go hundreds of times overtakes the game to a new level. 

Players should get excited about this offering. All of the features can be triggered within a single spin. Whether one plays the standard game or takes the XXXtreme spin route, it is possible to activate all of the features. Of course, the potential 200,000 times potential is a huge carrot. However, the bet size is probably going to be restricted and vary depending on the casino. It is also worth pointing out that a malfunction during the gameplay will void all of the payouts and progress. Overall, the game itself has been designed to provide a capped win of 200,000 times the original bet. 

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Anglais

‘We’re back’: Montreal festival promoters happy to return but looking to next year

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In downtown Montreal, it’s festival season.

In the city’s entertainment district, a musical act was conducting a sound check on stage Friday evening — the second day of the French-language version of the renowned Just For Laughs comedy festival. Tickets for many of the festival’s free outdoor shows — limited by COVID-19 regulations — were sold out.

Two blocks away, more than 100 people were watching an acoustic performance by the Isaac Neto Trio — part of the last weekend of the Festival International Nuits d’Afrique, a celebration of music from the African continent and the African diaspora.

With COVID-19 restrictions continuing to limit capacity, festival organizers say they’re glad to be back but looking forward to next year when they hope border restrictions and capacity limits won’t affect their plans.

Charles Décarie, Just For Laughs’ CEO and president, said this is a “transition year.”

“Even though we have major constraints from the public health group in Montreal, we’ve managed to design a festival that can navigate through those constraints,” Décarie said.

The French-language Juste pour rire festival began on July 15 and is followed by the English-language festival until July 31.

When planning began in February and March, Décarie said, organizers came up with a variety of scenarios for different crowd sizes, ranging from no spectators to 50 per cent of usual capacity.

“You’ve got to build scenarios,” he said. “You do have to plan a little bit more than usual because you have to have alternatives.”

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Anglais

MELS new major movie studio to be built in Montreal

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MONTREAL — MELS Studios will build a new film studio in Montreal, filling some of the gap in supply to meet the demand of Hollywood productions.

MELS president Martin Carrier said on Friday that MELS 4 studio construction will begin « as soon as possible », either in the fall or winter of next year. The studio could host productions as early as spring 2023.

The total investment for the project is $76 million, with the Quebec government contributing a $25 million loan. The project will create 110 jobs, according to the company.

The TVA Group subsidiary’s project will enable it to stand out « even more » internationally, according to Quebecor president and CEO Pierre Karl Péladeau. In the past, MELS Studios has hosted several major productions, including chapters of the X-Men franchise. The next Transformers movie is shooting this summer in Montreal.

Péladeau insisted that local cultural productions would also benefit from the new facility, adding that the studio ensures foreign revenues and to showcase talent and maintain an industry of Quebec producers.

STUDIO SHORTAGE

The film industry is cramped in Montreal.

According to a report published last May by the Bureau du cinéma et de la télévision du Québec (BCTQ), there is a shortage of nearly 400,000 square feet of studio space.

With the addition of MELS 4, which will be 160,000 square feet, the company is filling part of the gap.

Carrier admitted that he has had to turn down contracts because of the lack of space, representing missed opportunities of « tens of millions of dollars, not only for MELS, but also for the Quebec economy. »

« Montreal’s expertise is in high demand, » said Montreal Mayor Valérie Plante, who was present at the announcement.

She said she received great testimonials from « Netflix, Disney, HBO and company » during an economic mission to Los Angeles in 2019.

« What stands out is that they love Montreal because of its expertise, knowledge and beauty. We need more space, like MELS 4, » she said.

There is still not enough capacity in Quebec, acknowledged Minister of Finance, the Economy and Innovation Eric Girard.

« It is certain that the government is concerned about fairness and balance, so if other requests come in, we will study them with the same seriousness as we have studied this one, » he said.

Grandé Studios is the second-largest player in the industry. Last May, the company said it had expansion plans that should begin in 2022. Investissement Québec and Bell are minority shareholders in the company.

For its part, MELS will have 400,000 square feet of production space once MELS 4 is completed. The company employs 450 people in Quebec and offers a range of services including studio and equipment rentals, image and sound postproduction, visual effects and a virtual production platform.

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