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I loved being class president at St. Mike’s. Here’s what it is getting wrong

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Liam Mather is a former class president at St. Michael’s College School who graduated in 2013. He holds a B.A. in History from McGill University. Mather is now based in Beijing where he manages a high school debate league. This piece is adapted from a posting he originally wrote on Facebook.

After much painful reflection about the recent sexual assault at St. Michael’s College School, I have a few thoughts that I want to share.

Liam Mather seen in Beijing this year. He is wearing a St. Mike's sweater.
Liam Mather seen in Beijing this year. He is wearing a St. Mike’s sweater.  (Courtesy Liam Mather)

I am deeply saddened for the victim. The assault was unspeakably violent. I am disturbed that he was repeatedly victimized as images of the assault were shared across social media, and I am upset by the school administration’s initial response. I pray that this boy is receiving support.

There is a powerful stigma against victims of sexual violence. Our conversations must be focused on caring for this boy and other victims that are coming forward. We must talk about how the school can prevent and respond to future assaults, or this story will repeat itself.

Personally, I have been struggling to reconcile my overwhelmingly positive experience at St. Mike’s with this horrific assault. I cherished my time at the school. Serving as the student government president made me proud. I wasn’t an athlete, but I benefited from the school’s academic rigour and rich extracurricular programming. I had wonderful mentors, such as Father Malo, who taught me values like compassion, personal discipline, and love of scholarship. I became politically conscious through the fine teaching of Paul Barry, Norah Higgins-Burnham, and too many others to name. My parents made sacrifices to send me and my brother, Thomas, to St. Mike’s — and we worked hard to make those sacrifices worthwhile. I had great friendships that transcended social cliques. I felt safe, happy, and supported.

Read more:

Rosie DiManno: Media are not the enemy in the St. Michael’s sex assault scandal

St. Michael’s College School president and principal resign in wake of sexual assault scandal

What we know and don’t know about the scandal at St. Michael’s College School — and what we can’t report

Since news of the sexual assault broke, I’ve felt a range of emotions: depression, anger, humiliation, confusion, even guilt. I felt devastated that such a violent assault occurred on campus. I also felt discomfort watching national and international media outlets attack the sanctity of my positive memories of the school. Were they wrong? Or had I overlooked something as a student?

But let’s be clear about the main issue. The school is not a victim. The alumni who feel defensive are not victims. A student was sexually assaulted within the school. He is the victim. The ones who perpetrated the assault, the ones who filmed and posted it on social media, and the ones who stood by and said nothing as the assault happened, they were also students. What compelled them to commit or enable this terrible crime?

It is morally imperative and prudent that graduates critically reflect on the school’s culture. It is convenient, dishonest and dangerous for graduates to frame the assault as the independent behaviour of a few exceptionally bad students. The school needs to assess the factors that contributed to these students’ destructive behaviour — and prevent this story from happening again. As alumni, if any harmful values were cultivated during our time at the school, we need to identify those values and discard them. That is the courageous way to move forward.

Liam Mather, right, with his younger brother, Thomas, at Thomas's graduation from St. Mike's in 2017.
Liam Mather, right, with his younger brother, Thomas, at Thomas’s graduation from St. Mike’s in 2017.

My personal reflections and my discussions with some alumni have led me to the following conclusions.

First, the assault absolutely reflects a cultural failure of the school. The notions that define manhood are changing. Society used to demand that men be physically strong, emotionless and chauvinistic. But increasingly, empathy and intelligence are valued. What version of manhood is St. Mike’s imparting onto its boys?

The school seemed to be grappling with this question when I was a student. Long renowned for its athletic programs, the school also began promoting music, dance, theatre, media production and visual arts. It built a multimillion dollar performance centre on campus, which opened in 2010. The space for artists, writers and dedicated students expanded; I genuinely felt that the school encouraged my intellectual curiosity. Teachers and the administration began promoting mental health awareness. The Basilians preached a liberal interpretation of doctrine. There was more collaboration with girls’ schools.

However, the school retained a hypermasculine subculture, in which conventional masculine values were incubated. When I was a student, this subculture lurked in the shadows of the locker hallways and the changing rooms. If you put teenage boys together, without adult supervision, aggressive behaviour can carry social rewards. Boys can feel an urge to act dominant; other boys will feel reluctant to challenge the alphas. This is well-established in psychology literature. When I was at St. Mike’s, hypermasculinity sometimes degenerated into bullying. I think the recent assault is a particularly heinous outgrowth of hypermasculinity. This subculture might not be unique to St. Mike’s, and might not define St. Mike’s, but it is there.

The St. Mike’s administration has a responsibility to correct the perverse psychological incentives of its students. It must establish a zero-tolerance policy for “boys being boys” behaviour. It needs to delineate the spaces where controlled aggression is acceptable (on the football field) and where it is not (in the locker room, everywhere else). It needs to reaffirm to all of its boys that it is OK to be gentle, caring and artistic. While there is obviously a significant difference between a dust-up in the hallway and sexual assault, the line is finer than people think. I don’t say this to be glib, but consider Piggy’s death in Lord of the Flies. The dominant tendencies of young boys, when unchecked, can have catastrophic consequences. St. Mike’s never fully focused its efforts on stamping out these tendencies.

A second and related problem is that St. Mike’s, overall, was not a nurturing place for gay students. I am straight, and I do not wish to speak on behalf of all gay former students. I have reached this conclusion after speaking with many of my close friends at St. Mike’s who were gay, as well as through personal retrospection about the culture. Many gay students thrived at the school. However, they did not receive outward institutional support and faced widespread homophobic attitudes from students — and even from a few teachers. It was common for boys to use homophobic language in an effort to emasculate and assert dominance over their peers. Many gay students were not comfortable coming out at St. Mike’s. I do not think this has changed since I graduated in 2013. This is unacceptable.

I want to echo the call of my courageous friend and former class vice-president, Jonah Macan, for the school to found a gay-straight alliance to fight homophobia and promote inclusiveness.

The third problem is also related to hypermasculinity. It is an issue that I have been reflecting on since Dr. Christine Blasey Ford bravely went public with her sexual assault allegation against Brett Kavanaugh. I was troubled by the media’s portrayal of Kavanaugh’s high school, an all-boys Catholic private school where gross sexism was ingrained into the student body. It haunted me because Kavanaugh’s school reminded me of St. Mike’s.

When I was a student, many of my classmates had a hyper-sexualized view of women. This toxic attitude went mostly unchallenged by the school, except by a few teachers and staff. The school did not actively promote positive relationships with women. It did not rigorously teach feminism or consent. For the students who tried to resist sexist social currents, many still did not a develop a deep understanding of women’s health, social or political issues. Everyone has some personal responsibility for their attitudes and behaviours; I also call on my classmates to reflect on how they treat the women in their lives. But St. Mike’s should impart on its students a positive understanding of what it means to respect women. A new program, aimed at teaching Grade 11 and 12 students about consent, is a step in the right direction.

Some of you might still insist on disconnecting the assault from the school’s culture. To you, I say the following. Even if you think the assault is an outlier, society does not tolerate the male behaviours and attitudes that I have described. We can use recent events as an opportunity for critical self-reflection and growth. For the interests of the school as an institution — not to mention for the well-being of future students, women and everyone else — St. Mike’s needs to confront the negative parts of its culture.

The final point I would like to make concerns the response to the assault by the school and the broader community. First, the administration’s initial response was wrong. The administration should have reported the assault to the police immediately. After all, private institutions have powerful incentives (their reputation, money) to cover up sexual assaults.

Maybe we can give the previous administration the benefit of the doubt regarding its intentions. However, the optics are still damaging to all victims within the school, who might lose trust in the administration and authority figures more broadly. The response is especially unacceptable given the recent history of the Catholic Church covering up sexual assault. As members of a Catholic community, we must hold the school to a high standard.

Gregory Reeves, the St. Michael's College School principal when the scandal about alleged school sexual assaults broke. Reeves resigned just over a week ago.
Gregory Reeves, the St. Michael’s College School principal when the scandal about alleged school sexual assaults broke. Reeves resigned just over a week ago.  (Christopher Katsarov)

With the resignations of Principal Greg Reeves and President Father Jefferson Thompson, the incoming administration must undergo training on how to respond to sexual assault in a manner that is consistent with victims’ interests.

Second, I am disappointed that so many former students have blindly defended the school, without also acknowledging the suffering of the victim. One implication of some graduates’ nostalgic Facebook posts is that they stand in solidarity with the school as its reputation tanks, and not in solidarity with the victim. This is probably unintentional, but it is inexcusable. We should focus our energies on supporting the victim and asking hard questions about the school’s culture.

These posts have another negative implication. They might deter other victims in the St. Mike’s community from speaking out, because they will feel uneasy about further tarnishing the school’s reputation. There are almost certainly other victims of sexual assault or bullying in the community who have been suffering in silence. I urge alumni to express support for all victims of sexual assault and severe bullying. You might not have been a bully. You might have not been bullied. You might have enjoyed your time at the school, as I did. But evidently, it was not a safe place for every student. We must validate the experiences of victims, rather than stifle their voices.

I am also a little embarrassed by the parents and alumni who have criticized the media. Again, the school is not the victim. The victim is the victim. The assault was a brutal crime and is a matter of public interest. The media uncovered this story; they have been hawkish because the school was not immediately transparent; they have kept the story in the news cycle because more assaults came to light. The broader public is judging our community’s capacity to respond with empathy. If you pretend the school is the primary victim, you are not only being insensitive to real victims, you are actively reinforcing negative tropes about the community.

At the end of the culture review, the leadership of St. Michael’s must make a decision. It can pretend nothing is wrong. In doing so, it will edge out a new niche in the Toronto private school market as the bastion of male chauvinism. Maybe this version of the school can still win football championships. But I will not want anything to do with it.

Alternatively, after a long and difficult introspection, the school can make the difficult choice. It can build out progressive programming that confronts its cultural problems and prevents future assaults. There is going to be resistance to these changes, because our beloved school is old, and old places are bad at changing.

But hopefully, over time, the phrase “St. Michael’s Man” can acquire a new, robust meaning: a man that excels in the classroom, on the field, on the stage and in the debating hall. A man who treats women with respect. A man who has the space to explore alternative sexualities. A man who respects his peers. A man who will still win a Metro Bowl ring. I have faith that the good people at St. Michael’s will make this choice. The right choice.

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Nostalgia and much more with Starburst XXXtreme

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Get a taste of adventure with Starburst XXXtreme based on the legendary NetEnt Game. The nostalgic themes are sure to capture fans of the classic version as they get treated to higher intensity, better visuals, and features. The most significant element of the game is its volatility. Patience will not be an essential virtue considering the insane gameplay, and there is a lot of win potential involved. It retains the original makeup of the previous game while adding a healthy dose of adrenaline. 

Starburst Visuals and Symbols

The game is definitely more conspicuous than before. The setting happens over a 5-reel, 3-row game grid with nine fixed win lines, which function if a succession from the left to the right reel is present. Only those players that that attain the highest win per bet line are paid. From a visual standpoint, the Starburst XXXtreme slots illustrates lightning effects behind the reels, which is not surprising as it is inherited from the original version. Available themes include Classic, Jewels, and Space. The game is also available in both desktop and mobile versions, which is advantageous for players considering the global pandemic. According to Techguide, American gamers are increasingly having more engaging gaming experiences to socialize to fill the gap of in-person interaction. Starburst XXXtreme allows them to fill the social void at a time when there is so much time to be had indoors. 

Starburst XXXTreme Features

Players get to alternate on three features which are Starburst Wilds, XXXtreme Spins, and Random Wilds. The first appears on reels 2,3, or 4. When these land, they expand to cover all positions while also calculating the wins. They are also locked for a respin. If a new one hits, it also becomes locked while awarding another respin. Starburst XXXtreme offers a choice between two scenarios for a higher stake. In one scenario with a ten times stake, the Starburst Wild is set on random on reels 2,3, or 4, and a multiplier starts the respin. The second scenario, which has a 95 times stake, starts with two guaranteed starburst wilds on reels 2,3, or 4. it also plays out using respin game sequence and features. The game also increases the potential with the Random Wilds feature to add Starburst Wilds to a vacant reel at the end of a spin. Every Starburst Wild gives a random multiplier with potential wins of x2, x3, x5, x10, x25, x50, x100, or even x150.

The new feature is sure to be a big hit with the gaming market as online gambling has shown significant growth during the lockdown. AdAge indicates the current casino customer base is an estimated one in five Americans, so Starburst XXXtreme’s additional features will achieve considerable popularity. 

What We Think About The Game

The gambling market has continued to diversify post-pandemic, so it is one of the most opportune times to release an online casino-based game. Thankfully Starburst XXXtreme features eye-catching visuals, including the jewels and space themes. These attract audience participation and make the gameplay inviting. The game also has a nostalgic edge. The previous NetEnt iteration featured similar visuals and gameplay, so the audience has some familiarity with it. The producers have revamped this version by tweaking the features to improve the volatility and engagement. 

That is characterized by the potential win cap of 200,000 times the bet. Starburst XXXtreme does not just give betting alternatives for players that want to go big. The increase of multipliers also provides a great experience. If the respins in the previous version were great, knowing that multipliers can go hundreds of times overtakes the game to a new level. 

Players should get excited about this offering. All of the features can be triggered within a single spin. Whether one plays the standard game or takes the XXXtreme spin route, it is possible to activate all of the features. Of course, the potential 200,000 times potential is a huge carrot. However, the bet size is probably going to be restricted and vary depending on the casino. It is also worth pointing out that a malfunction during the gameplay will void all of the payouts and progress. Overall, the game itself has been designed to provide a capped win of 200,000 times the original bet. 

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Anglais

‘We’re back’: Montreal festival promoters happy to return but looking to next year

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In downtown Montreal, it’s festival season.

In the city’s entertainment district, a musical act was conducting a sound check on stage Friday evening — the second day of the French-language version of the renowned Just For Laughs comedy festival. Tickets for many of the festival’s free outdoor shows — limited by COVID-19 regulations — were sold out.

Two blocks away, more than 100 people were watching an acoustic performance by the Isaac Neto Trio — part of the last weekend of the Festival International Nuits d’Afrique, a celebration of music from the African continent and the African diaspora.

With COVID-19 restrictions continuing to limit capacity, festival organizers say they’re glad to be back but looking forward to next year when they hope border restrictions and capacity limits won’t affect their plans.

Charles Décarie, Just For Laughs’ CEO and president, said this is a “transition year.”

“Even though we have major constraints from the public health group in Montreal, we’ve managed to design a festival that can navigate through those constraints,” Décarie said.

The French-language Juste pour rire festival began on July 15 and is followed by the English-language festival until July 31.

When planning began in February and March, Décarie said, organizers came up with a variety of scenarios for different crowd sizes, ranging from no spectators to 50 per cent of usual capacity.

“You’ve got to build scenarios,” he said. “You do have to plan a little bit more than usual because you have to have alternatives.”

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Anglais

MELS new major movie studio to be built in Montreal

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MONTREAL — MELS Studios will build a new film studio in Montreal, filling some of the gap in supply to meet the demand of Hollywood productions.

MELS president Martin Carrier said on Friday that MELS 4 studio construction will begin « as soon as possible », either in the fall or winter of next year. The studio could host productions as early as spring 2023.

The total investment for the project is $76 million, with the Quebec government contributing a $25 million loan. The project will create 110 jobs, according to the company.

The TVA Group subsidiary’s project will enable it to stand out « even more » internationally, according to Quebecor president and CEO Pierre Karl Péladeau. In the past, MELS Studios has hosted several major productions, including chapters of the X-Men franchise. The next Transformers movie is shooting this summer in Montreal.

Péladeau insisted that local cultural productions would also benefit from the new facility, adding that the studio ensures foreign revenues and to showcase talent and maintain an industry of Quebec producers.

STUDIO SHORTAGE

The film industry is cramped in Montreal.

According to a report published last May by the Bureau du cinéma et de la télévision du Québec (BCTQ), there is a shortage of nearly 400,000 square feet of studio space.

With the addition of MELS 4, which will be 160,000 square feet, the company is filling part of the gap.

Carrier admitted that he has had to turn down contracts because of the lack of space, representing missed opportunities of « tens of millions of dollars, not only for MELS, but also for the Quebec economy. »

« Montreal’s expertise is in high demand, » said Montreal Mayor Valérie Plante, who was present at the announcement.

She said she received great testimonials from « Netflix, Disney, HBO and company » during an economic mission to Los Angeles in 2019.

« What stands out is that they love Montreal because of its expertise, knowledge and beauty. We need more space, like MELS 4, » she said.

There is still not enough capacity in Quebec, acknowledged Minister of Finance, the Economy and Innovation Eric Girard.

« It is certain that the government is concerned about fairness and balance, so if other requests come in, we will study them with the same seriousness as we have studied this one, » he said.

Grandé Studios is the second-largest player in the industry. Last May, the company said it had expansion plans that should begin in 2022. Investissement Québec and Bell are minority shareholders in the company.

For its part, MELS will have 400,000 square feet of production space once MELS 4 is completed. The company employs 450 people in Quebec and offers a range of services including studio and equipment rentals, image and sound postproduction, visual effects and a virtual production platform.

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