Ontario’s transportation minister says the TTC subway system is overcrowded and it “makes sense” to ensure a relief line enters service before a new subway extension to Richmond Hill.
The comments by Jeff Yurek are the closest he has come to acknowledging the primacy of what Toronto officials have said is the city’s top transit priority, and come as the Ontario Progressive Conservative government moves to take ownership of the municipal subway system.
Last year, city council passed a motion declaring that the relief line must be operational before the proposed extension of Line 1 (Yonge-University-Spadina) to Hwy. 7 in York Region enters service.
Yurek didn’t commit to honouring that decision and said there’s no reason why construction of both projects couldn’t proceed at the same time, but signalled he understood the importance of opening the relief line first.
“It makes sense. It makes sense to ensure that the Yonge relief line is up and operational prior to the Yonge extension being built,” he said in an interview at his office last week.
The first phase of the relief line would cost more than $6.8 billion and connect Queen and Osgoode stations downtown with Pape on the eastern end of Line 2 (Bloor-Danforth), taking pressure off of Line 1. Line 1 regularly operates above capacity, and the Yonge extension, which is backed by PC political allies in York Region, would only add more riders.
Yurek is a three-term MPP for Elgin-Middlesex-London, and was elevated to the transportation portfolio in Premier Doug Ford’s surprise cabinet shuffle in early November. Before that, the 47-year-old from St. Thomas, Ont., who owns a pharmacy business, was the government’s minister of natural resources.
Although he maintains a residence in his home riding, Yurek said he rides the TTC when he’s in Toronto. “It’s very crowded, especially during the rush hour,” he said. “I really understand the need for improvements or relief.”
Yurek fuelled concerns at city hall last week when, in a speech to the Toronto Region Board of Trade, he spoke about plans to expand the subway network to suburban municipalities in Durham, York and Peel, but made no mention of the relief line.
In the interview, he rejected the idea that the province’s plan to take ownership of the subway amounts to a suburban takeover of the network that would starve the system within Toronto, saying if existing lines become too crowded “that makes the whole system not function to its best potential.”
Yurek also defended the government’s proposal to use the TTC subway to serve the suburbs outside of Toronto. Critics argue the GO Transit network, which is already owned by the province, was designed to serve those regions.
He said that after uploading the subway, the province would use a mix of the TTC and the GO network to serve the entire Greater Toronto and Hamilton Area. GO trains may work best in some contexts, he said, but in others “it makes sense to build subways, either above or below ground.”
The mandate given to the government’s special adviser on the upload plan states that, in addition to the subway system, the province is contemplating taking ownership of “other strategic transit/transportation assets in Toronto.”
Yurek wouldn’t reveal what those additional assets could be.
The minister denied accusations made by the Ontario NDP and the largest TTC workers’ union that the Progressive Conservatives intend to privatize aspects of the subway system. “That’s something that I haven’t looked at,” he said, arguing that the province is simply better positioned than the city to plan, fund and build new subway lines, but would leave operations to the TTC.
The province plans to introduce legislation early next year that would enable the upload, but Yurek said there would be a period of negotiations with the city before any assets are transferred.
On Thursday, the minister sent a letter to Mayor John Tory, seeking his written consent for the city to enter into an information sharing agreement with the province to advance the upload plan. Tory has told the city manager he believes taking part is the best way to protect the city’s interests, but critics on council have said he should stonewall the province and not co-operate in anything that could lead to the province taking over the rail network. Council is expected to debate the issue Dec. 13.
After their election win in June, the Conservatives inherited a host of expensive transit projects from the previous Liberal government. The new regime’s efforts to cut costs to address a $15-billion deficit has led to speculation that some planned new lines will be cancelled, including the $1.2-billion Finch West LRT, which is in the early construction phase and is set to open in northwest Toronto in 2023.
Yurek said the government is conducting a review of all major projects, and did not rule out cancelling Finch.
As of January,Metrolinx had already spent $236.3 million on the light rail line, and ripping up contracts with construction companies and vehicle suppliers would likely result in expensive financial penalties for the government. Yurek said cost would be a factor in the decision on Finch.
“We don’t want to waste any money. We don’t see making decisions that are going to hurt the taxpayer,” he said.
The Conservatives have introduced legislation to give the minister of transportation more direct control over Metrolinx, which was established in 2006 as an arms-length agency of the province. The proposed changes come after the Star revealed in 2017 that then Liberal transportation minister Steven Del Duca interfered in Metrolinx’s planning process to secure approval for two politically sensitive GO stations, including one in his own riding in Vaughan, that weren’t supported by evidence.
Yurek said the location of his hometown, some 90 kilometres from the nearest GO line, made it unlikely he would become embroiled in that kind of controversy.
“You know, that’s the best thing about being from St. Thomas — I’m not going to want a GO station or a subway in my riding,” he said.
Ben Spurr is a Toronto-based reporter covering transportation. Reach him by email at bspurr@thestar.ca or follow him on Twitter: @BenSpurr
Get a taste of adventure with Starburst XXXtreme based on the legendary NetEnt Game. The nostalgic themes are sure to capture fans of the classic version as they get treated to higher intensity, better visuals, and features. The most significant element of the game is its volatility. Patience will not be an essential virtue considering the insane gameplay, and there is a lot of win potential involved. It retains the original makeup of the previous game while adding a healthy dose of adrenaline.
Starburst Visuals and Symbols
The game is definitely more conspicuous than before. The setting happens over a 5-reel, 3-row game grid with nine fixed win lines, which function if a succession from the left to the right reel is present. Only those players that that attain the highest win per bet line are paid. From a visual standpoint, the Starburst XXXtreme slots illustrates lightning effects behind the reels, which is not surprising as it is inherited from the original version. Available themes include Classic, Jewels, and Space. The game is also available in both desktop and mobile versions, which is advantageous for players considering the global pandemic. According to Techguide, American gamers are increasingly having more engaging gaming experiences to socialize to fill the gap of in-person interaction. Starburst XXXtreme allows them to fill the social void at a time when there is so much time to be had indoors.
Starburst XXXTreme Features
Players get to alternate on three features which are Starburst Wilds, XXXtreme Spins, and Random Wilds. The first appears on reels 2,3, or 4. When these land, they expand to cover all positions while also calculating the wins. They are also locked for a respin. If a new one hits, it also becomes locked while awarding another respin. Starburst XXXtreme offers a choice between two scenarios for a higher stake. In one scenario with a ten times stake, the Starburst Wild is set on random on reels 2,3, or 4, and a multiplier starts the respin. The second scenario, which has a 95 times stake, starts with two guaranteed starburst wilds on reels 2,3, or 4. it also plays out using respin game sequence and features. The game also increases the potential with the Random Wilds feature to add Starburst Wilds to a vacant reel at the end of a spin. Every Starburst Wild gives a random multiplier with potential wins of x2, x3, x5, x10, x25, x50, x100, or even x150.
The new feature is sure to be a big hit with the gaming market as online gambling has shown significant growth during the lockdown. AdAge indicates the current casino customer base is an estimated one in five Americans, so Starburst XXXtreme’s additional features will achieve considerable popularity.
What We Think About The Game
The gambling market has continued to diversify post-pandemic, so it is one of the most opportune times to release an online casino-based game. Thankfully Starburst XXXtreme features eye-catching visuals, including the jewels and space themes. These attract audience participation and make the gameplay inviting. The game also has a nostalgic edge. The previous NetEnt iteration featured similar visuals and gameplay, so the audience has some familiarity with it. The producers have revamped this version by tweaking the features to improve the volatility and engagement.
That is characterized by the potential win cap of 200,000 times the bet. Starburst XXXtreme does not just give betting alternatives for players that want to go big. The increase of multipliers also provides a great experience. If the respins in the previous version were great, knowing that multipliers can go hundreds of times overtakes the game to a new level.
Players should get excited about this offering. All of the features can be triggered within a single spin. Whether one plays the standard game or takes the XXXtreme spin route, it is possible to activate all of the features. Of course, the potential 200,000 times potential is a huge carrot. However, the bet size is probably going to be restricted and vary depending on the casino. It is also worth pointing out that a malfunction during the gameplay will void all of the payouts and progress. Overall, the game itself has been designed to provide a capped win of 200,000 times the original bet.
In the city’s entertainment district, a musical act was conducting a sound check on stage Friday evening — the second day of the French-language version of the renowned Just For Laughs comedy festival. Tickets for many of the festival’s free outdoor shows — limited by COVID-19 regulations — were sold out.
Two blocks away, more than 100 people were watching an acoustic performance by the Isaac Neto Trio — part of the last weekend of the Festival International Nuits d’Afrique, a celebration of music from the African continent and the African diaspora.
With COVID-19 restrictions continuing to limit capacity, festival organizers say they’re glad to be back but looking forward to next year when they hope border restrictions and capacity limits won’t affect their plans.
Charles Décarie, Just For Laughs’ CEO and president, said this is a “transition year.”
“Even though we have major constraints from the public health group in Montreal, we’ve managed to design a festival that can navigate through those constraints,” Décarie said.
The French-language Juste pour rire festival began on July 15 and is followed by the English-language festival until July 31.
When planning began in February and March, Décarie said, organizers came up with a variety of scenarios for different crowd sizes, ranging from no spectators to 50 per cent of usual capacity.
“You’ve got to build scenarios,” he said. “You do have to plan a little bit more than usual because you have to have alternatives.”
MONTREAL — MELS Studios will build a new film studio in Montreal, filling some of the gap in supply to meet the demand of Hollywood productions.
MELS president Martin Carrier said on Friday that MELS 4 studio construction will begin « as soon as possible », either in the fall or winter of next year. The studio could host productions as early as spring 2023.
The total investment for the project is $76 million, with the Quebec government contributing a $25 million loan. The project will create 110 jobs, according to the company.
The TVA Group subsidiary’s project will enable it to stand out « even more » internationally, according to Quebecor president and CEO Pierre Karl Péladeau. In the past, MELS Studios has hosted several major productions, including chapters of the X-Men franchise. The next Transformers movie is shooting this summer in Montreal.
Péladeau insisted that local cultural productions would also benefit from the new facility, adding that the studio ensures foreign revenues and to showcase talent and maintain an industry of Quebec producers.
STUDIO SHORTAGE
The film industry is cramped in Montreal.
According to a report published last May by the Bureau du cinéma et de la télévision du Québec (BCTQ), there is a shortage of nearly 400,000 square feet of studio space.
With the addition of MELS 4, which will be 160,000 square feet, the company is filling part of the gap.
Carrier admitted that he has had to turn down contracts because of the lack of space, representing missed opportunities of « tens of millions of dollars, not only for MELS, but also for the Quebec economy. »
« Montreal’s expertise is in high demand, » said Montreal Mayor Valérie Plante, who was present at the announcement.
She said she received great testimonials from « Netflix, Disney, HBO and company » during an economic mission to Los Angeles in 2019.
« What stands out is that they love Montreal because of its expertise, knowledge and beauty. We need more space, like MELS 4, » she said.
There is still not enough capacity in Quebec, acknowledged Minister of Finance, the Economy and Innovation Eric Girard.
« It is certain that the government is concerned about fairness and balance, so if other requests come in, we will study them with the same seriousness as we have studied this one, » he said.
Grandé Studios is the second-largest player in the industry. Last May, the company said it had expansion plans that should begin in 2022. Investissement Québec and Bell are minority shareholders in the company.
For its part, MELS will have 400,000 square feet of production space once MELS 4 is completed. The company employs 450 people in Quebec and offers a range of services including studio and equipment rentals, image and sound postproduction, visual effects and a virtual production platform.