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I want to thank the world for holding my hand as my father, Harry Leslie Smith, died

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At 3:39 a.m. on Nov. 28, as daybreak prepared to be born, my father, Harry Leslie Smith, at the age of 95, died in my arms.

Politicians, journalists and ordinary folk knew him as “the world’s oldest rebel.” But he was much more than that to me — not only my father but my friend, my political comrade and my mentor, who I had the great fortune to accompany on a spiritual and political odyssey that spanned the last nine years of his life.

Harry Leslie Smith, the “world’s oldest rebel,” and his son John, who will pick up where his father left off and travel by bus to the Mexican border in California to document “the injustice, the cruelty, the inhumanity that is being shown to the caravan of migrants.”
Harry Leslie Smith, the “world’s oldest rebel,” and his son John, who will pick up where his father left off and travel by bus to the Mexican border in California to document “the injustice, the cruelty, the inhumanity that is being shown to the caravan of migrants.”  (Family photo)

Harry, a survivor of the Great Depression and veteran of the Second World War, was on a mission to warn younger generations not to make his past — one filled with politically driven austerity, private health care and raging, intemperate populism — our future.

Driven by the poverty of his childhood that had seen him scavenge through rubbish bins in Depression-ravaged Britain, we travelled the world, much of it at our own expense, so he could speak to both the ordinary and the mighty, to make a last stand for a return to a decent society in the 21st century.

Now, at 55, I am alone, faced with rebuilding my life and preserving the legacy of Harry Leslie Smith. It is why I will resume his refugee tour and complete his Last Stand. This holiday season, I will travel across America by bus to the Mexican border in San Diego to document — on Harry’s enormous social media platform — the injustice, the cruelty, the inhumanity that is being shown to the caravan of migrants by a Trump government intent on ruling by fear and intimidation rather than by compassion, pragmatism and good governance.

Harry feared that humanity was at a juncture in history just as dangerous as Hitler’s rise to power and if we didn’t change course we would spiral into war and economic mayhem.

Over these last years, as he approached the eventide of his life, his intellectual and emotional vitality never seemed to tire, despite many health issues. It’s why it didn’t seem possible to me, even at his deathbed, that he could die.

"With a smile and a joke that it was best to enjoy yourself because it's later than you think, my dad, who had protected and loved me as child, teenager and adult, lost consciousness and never returned," writes son John.
« With a smile and a joke that it was best to enjoy yourself because it’s later than you think, my dad, who had protected and loved me as child, teenager and adult, lost consciousness and never returned, » writes son John.  (Paul Hunter/Toronto Star File Photo)

When I kissed his hands and cheek while telling him how much I loved him, I thought this must be a nightmare, because I felt he had so much left to do and contribute.

But Harry knew. I am sure he knew that only the briefest of moments were left to him because days before his death, Canada’s immigration minister, Ahmed Hussen, came like a pilgrim to his bedside in the ICU of the Belleville hospital to thank him for his advocacy to help stop the refugee crisis.

With a machine pumping compressed air into his lungs, a PICC line in his right arm and bags of IV fluids dripping into his left arm, my dad, in a weak but prophetic voice, told the minister that time was running out for him and for a compassionate solution to the refugee crisis.

John Smith travelled the world with his father, Harry, "so my dad could thunder like a warning from history."
John Smith travelled the world with his father, Harry, « so my dad could thunder like a warning from history. »  (Family Photo)

Still, it just didn’t seem conceivable to me that since we had set out on this journey together nearly a decade before, covering tens of thousands of miles so my dad could thunder like a warning from history, that he would not complete his Last Stand.

But he didn’t. He couldn’t because his body was just too damaged by age and the strain of our travels and advocacy.

My dad’s body, nearing 100 years, didn’t stand a chance against the pneumonia, sepsis, congestive heart failure and weakened kidneys that were killing him. It’s why he gave permission to his doctor and nursing staff to discontinue the medical treatment that was prolonging his life but stripping it of all quality and dignity.

He did it with the words “no more” and a final demand that he be given a beer as he’d been starved of food and fluids for a week because doctors were afraid he’d aspirate.

Author and columnist Harry Leslie Smith and his son John in younger times.
Author and columnist Harry Leslie Smith and his son John in younger times.  (Family Photo)

And with a smile and a joke that it was best to enjoy yourself because it’s later than you think, my dad, who had protected and loved me as child, teenager and adult, lost consciousness and never returned.

Harry held on to life for 12 hours after medical supports were removed, and I did not leave his side for one moment of it. I sat by his bedside in the ICU and played for him his speech to the Labour party conference in 2014, where he galvanized Britain with his reminiscence of the brutal, short and cruel life the working class endured before public health care was introduced.

I read to him from the books he’d written and I’d helped research, five in total — 1923: A Memoir; Love Among the Ruins; The Empress of Australia; Harry’s Last Stand; Don’t Let My Past Be Your Future — stories about the rich working-class canvas of his youth in Depression-era Yorkshire, his experiences during the Second World War and his search for love in the rubble of postwar, Allied-occupied Hamburg, where he was redeemed through his marriage to Friede, my mother.

Author and political activist Harry Leslie Smith at the Calais migrant camps in France in 2016.
Author and political activist Harry Leslie Smith at the Calais migrant camps in France in 2016.  (Family Photo)

I thanked him for teaching me how to be a decent human being while hearing his last breaths. It hurt me so much to feel his body grow cold as death approached. Then I heard, while I whispered to him that it was time to join history, his breathing grow faint, as if he were an exhausted swimmer, too far from shore to reach the safety of land, before sinking beneath the cold, dark waves.

I hovered over his corpse and stroked his cheek, knowing that after that moment, I’d never again have the opportunity to touch my dad. And something lingered in me, still lingers in me — and that was the enormous love, respect and understanding that we had shown each other for my entire life, but especially during the last years of his life when we dared to change the world for the better.

After placing one last kiss on my father’s cold brow, I placed in his hands a picture of my beloved mother and walked from the hospital out into the morning air. Too tired for tears, in the frigid indifference of late November, I made a quiet promise to my father, and to myself. “Dad, I will finish what we started. I will use the example of your life to teach others that a better society can be built on the foundations you and your generation laid at the end of the Second World War. You will not be forgotten, judging by the grief expressed by tens of thousands of people across the world at your death. A new tomorrow is possible.”

"There are no words to express my gratitude to all those people who ... became our friends during our journey of the heart toward a more decent world," writes Harry's son John, seen in an undated photo with his father.
« There are no words to express my gratitude to all those people who … became our friends during our journey of the heart toward a more decent world, » writes Harry’s son John, seen in an undated photo with his father.  (Family Photo)

What Harry accomplished could not have happened without this love and commitment to him. Each time we travelled, both Harry and I were moved by the simple kindness of strangers. I’ve cried many times over the thousands of tweets from people all over the world expressing their condolences and love for my dad. It has made this walk of mourning less lonely. Thank you.

My dad was an ordinary man, born into extreme poverty, then raised out of it by the creation of the welfare state after the Second World War — his generation’s hard-won legacy for future children of this planet. It is truly humbling that his efforts in later life to make society better have been recognized by so many as noble and heroic acts.

However, now, to preserve his legacy, I must conclude his travels to the world’s refugee hot spots, finish his book on the refugee crisis, write my own book about life with my dad, continue his advocacy on social media and begin speaking to anyone who will listen about the life history of this remarkable man, Harry Leslie Smith — my dad.

Harry Leslie Smith, a survivor of the Great Depression and veteran of the Second World War, with a copy of one of five books he wrote in the last years of his life.
Harry Leslie Smith, a survivor of the Great Depression and veteran of the Second World War, with a copy of one of five books he wrote in the last years of his life.  (Facebook)

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Anglais

Nostalgia and much more with Starburst XXXtreme

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Get a taste of adventure with Starburst XXXtreme based on the legendary NetEnt Game. The nostalgic themes are sure to capture fans of the classic version as they get treated to higher intensity, better visuals, and features. The most significant element of the game is its volatility. Patience will not be an essential virtue considering the insane gameplay, and there is a lot of win potential involved. It retains the original makeup of the previous game while adding a healthy dose of adrenaline. 

Starburst Visuals and Symbols

The game is definitely more conspicuous than before. The setting happens over a 5-reel, 3-row game grid with nine fixed win lines, which function if a succession from the left to the right reel is present. Only those players that that attain the highest win per bet line are paid. From a visual standpoint, the Starburst XXXtreme slots illustrates lightning effects behind the reels, which is not surprising as it is inherited from the original version. Available themes include Classic, Jewels, and Space. The game is also available in both desktop and mobile versions, which is advantageous for players considering the global pandemic. According to Techguide, American gamers are increasingly having more engaging gaming experiences to socialize to fill the gap of in-person interaction. Starburst XXXtreme allows them to fill the social void at a time when there is so much time to be had indoors. 

Starburst XXXTreme Features

Players get to alternate on three features which are Starburst Wilds, XXXtreme Spins, and Random Wilds. The first appears on reels 2,3, or 4. When these land, they expand to cover all positions while also calculating the wins. They are also locked for a respin. If a new one hits, it also becomes locked while awarding another respin. Starburst XXXtreme offers a choice between two scenarios for a higher stake. In one scenario with a ten times stake, the Starburst Wild is set on random on reels 2,3, or 4, and a multiplier starts the respin. The second scenario, which has a 95 times stake, starts with two guaranteed starburst wilds on reels 2,3, or 4. it also plays out using respin game sequence and features. The game also increases the potential with the Random Wilds feature to add Starburst Wilds to a vacant reel at the end of a spin. Every Starburst Wild gives a random multiplier with potential wins of x2, x3, x5, x10, x25, x50, x100, or even x150.

The new feature is sure to be a big hit with the gaming market as online gambling has shown significant growth during the lockdown. AdAge indicates the current casino customer base is an estimated one in five Americans, so Starburst XXXtreme’s additional features will achieve considerable popularity. 

What We Think About The Game

The gambling market has continued to diversify post-pandemic, so it is one of the most opportune times to release an online casino-based game. Thankfully Starburst XXXtreme features eye-catching visuals, including the jewels and space themes. These attract audience participation and make the gameplay inviting. The game also has a nostalgic edge. The previous NetEnt iteration featured similar visuals and gameplay, so the audience has some familiarity with it. The producers have revamped this version by tweaking the features to improve the volatility and engagement. 

That is characterized by the potential win cap of 200,000 times the bet. Starburst XXXtreme does not just give betting alternatives for players that want to go big. The increase of multipliers also provides a great experience. If the respins in the previous version were great, knowing that multipliers can go hundreds of times overtakes the game to a new level. 

Players should get excited about this offering. All of the features can be triggered within a single spin. Whether one plays the standard game or takes the XXXtreme spin route, it is possible to activate all of the features. Of course, the potential 200,000 times potential is a huge carrot. However, the bet size is probably going to be restricted and vary depending on the casino. It is also worth pointing out that a malfunction during the gameplay will void all of the payouts and progress. Overall, the game itself has been designed to provide a capped win of 200,000 times the original bet. 

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Anglais

‘We’re back’: Montreal festival promoters happy to return but looking to next year

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In downtown Montreal, it’s festival season.

In the city’s entertainment district, a musical act was conducting a sound check on stage Friday evening — the second day of the French-language version of the renowned Just For Laughs comedy festival. Tickets for many of the festival’s free outdoor shows — limited by COVID-19 regulations — were sold out.

Two blocks away, more than 100 people were watching an acoustic performance by the Isaac Neto Trio — part of the last weekend of the Festival International Nuits d’Afrique, a celebration of music from the African continent and the African diaspora.

With COVID-19 restrictions continuing to limit capacity, festival organizers say they’re glad to be back but looking forward to next year when they hope border restrictions and capacity limits won’t affect their plans.

Charles Décarie, Just For Laughs’ CEO and president, said this is a “transition year.”

“Even though we have major constraints from the public health group in Montreal, we’ve managed to design a festival that can navigate through those constraints,” Décarie said.

The French-language Juste pour rire festival began on July 15 and is followed by the English-language festival until July 31.

When planning began in February and March, Décarie said, organizers came up with a variety of scenarios for different crowd sizes, ranging from no spectators to 50 per cent of usual capacity.

“You’ve got to build scenarios,” he said. “You do have to plan a little bit more than usual because you have to have alternatives.”

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Anglais

MELS new major movie studio to be built in Montreal

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MONTREAL — MELS Studios will build a new film studio in Montreal, filling some of the gap in supply to meet the demand of Hollywood productions.

MELS president Martin Carrier said on Friday that MELS 4 studio construction will begin « as soon as possible », either in the fall or winter of next year. The studio could host productions as early as spring 2023.

The total investment for the project is $76 million, with the Quebec government contributing a $25 million loan. The project will create 110 jobs, according to the company.

The TVA Group subsidiary’s project will enable it to stand out « even more » internationally, according to Quebecor president and CEO Pierre Karl Péladeau. In the past, MELS Studios has hosted several major productions, including chapters of the X-Men franchise. The next Transformers movie is shooting this summer in Montreal.

Péladeau insisted that local cultural productions would also benefit from the new facility, adding that the studio ensures foreign revenues and to showcase talent and maintain an industry of Quebec producers.

STUDIO SHORTAGE

The film industry is cramped in Montreal.

According to a report published last May by the Bureau du cinéma et de la télévision du Québec (BCTQ), there is a shortage of nearly 400,000 square feet of studio space.

With the addition of MELS 4, which will be 160,000 square feet, the company is filling part of the gap.

Carrier admitted that he has had to turn down contracts because of the lack of space, representing missed opportunities of « tens of millions of dollars, not only for MELS, but also for the Quebec economy. »

« Montreal’s expertise is in high demand, » said Montreal Mayor Valérie Plante, who was present at the announcement.

She said she received great testimonials from « Netflix, Disney, HBO and company » during an economic mission to Los Angeles in 2019.

« What stands out is that they love Montreal because of its expertise, knowledge and beauty. We need more space, like MELS 4, » she said.

There is still not enough capacity in Quebec, acknowledged Minister of Finance, the Economy and Innovation Eric Girard.

« It is certain that the government is concerned about fairness and balance, so if other requests come in, we will study them with the same seriousness as we have studied this one, » he said.

Grandé Studios is the second-largest player in the industry. Last May, the company said it had expansion plans that should begin in 2022. Investissement Québec and Bell are minority shareholders in the company.

For its part, MELS will have 400,000 square feet of production space once MELS 4 is completed. The company employs 450 people in Quebec and offers a range of services including studio and equipment rentals, image and sound postproduction, visual effects and a virtual production platform.

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