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Sick Kids orders ‘systematic’ review of Dr. Gideon Koren’s published works

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Toronto’s Hospital for Sick Children has announced a wholesale review of the vast body of published work by Dr. Gideon Koren, the former director of the discredited Motherisk lab, amid a Star investigation that identified what appear to be problems in more than 400 of Koren’s papers.

Sick Kids reacted after the Star presented the hospital with the results of the newspaper’s review that found these papers had been inadequately peer-reviewed, fail to declare, perhaps even obscure, conflicts of interest and, in a handful of cases, contain lies about the methodology used to test hair for drugs.

Many of these articles stand in the scientific literature, despite two government commissioned inquiries and an internal investigation by the hospital into Motherisk, following concerns that were first raised about the program by the Star four years ago.

“Despite the actions taken to date, fresh concerns have surfaced in the area of scientific reliability and academic publication conflict of interest disclosures,” Sick Kids said in a news release on Friday. “Here SickKids wishes to acknowledge the investigative work of reporters Rachel Mendleson and Michele Henry of The Star who brought relevant findings to the organization’s attention. They have unearthed publications where, on initial review, it appears that Dr. Koren did not disclose industry support that appears relevant to the primary focus of the publication or otherwise related to the published work.”

Sick Kids acknowledged that while institutions rely on the good faith of scientists to disclose conflicts that could bias their work, “it is regrettable that the Hospital did not conduct any audits of Dr. Koren’s publications which may have identified disclosure issues sooner.”

A prolific author, Koren has published more than 1,500 research papers over the last 40 years, Sick Kids has said. The Motherisk Program he founded at the hospital in 1985 became a trusted source of drug-safety advice for pregnant women and their doctors. Motherisk’s affiliated hair-testing lab made more than $11 million from 2007 to 2015 alone, selling its drug and alcohol tests, primarily to child welfare agencies, as evidence of parental substance abuse in child protection cases.

Sick Kids closed the Motherisk lab in 2015. The counselling function of the Motherisk Program continues at the hospital under new leadership.

The hospital said it will conduct a “systematic examination” of Koren’s published work in an effort to “protect the integrity of the existing medical literature.” It will also undertake a “focused scientific review” of Koren’s hair-testing papers and his “primary research” related to the popular morning-sickness drug Diclectin — two of the problems areas the Star flagged — and will add “new measures to strengthen institutional oversight of publication disclosure practices.”

Koren held cross appointments in the faculties of medicine and pharmacy at the University of Toronto. In an email, Vivek Goel, Vice-President, Research and Innovation, at the university, said the Sick Kids reviews “relate to the clinical testing done by the Motherisk laboratory which is in its jurisdiction.”

“If in the course of the SickKids reviews, issues are identified that involve research conducted under the auspices of the University, then we will be engaged, as appropriate,” he said, adding that the university will “take appropriate actions” if the hospital’s findings involve individuals at U of T.

The more than 400 papers co-authored by Koren that the Star flagged as possibly containing problems include research articles, conference papers, literature reviews, editorials, book chapters, and magazine articles.

We found more than 60 papers that relate to drug and alcohol hair-testing that we deemed problematic because retired judge Susan Lang’s 2015 review of Motherisk exposed failings in the lab, including that hair test results were “inadequate and unreliable” but were used in thousands of child protection cases and a handful of criminal cases.

Sick Kids said it is “in the process of identifying” publications related to the Motherisk drug-testing lab “that could potentially have therapeutic or diagnostic implications to conduct a review.”

“The journals that have published these studies share responsibility for addressing this issue and to the extent our work results in any findings, our plan is to disclose same to the journals,” the hospital said.

Lang, in her 2015 report, pinpointed five papers that falsely claimed that lab’s results had been verified with gold-standard testing, when in fact Motherisk rarely confirmed its screening test results before 2010, contrary to international standards for evidence presented in court. Following Lang’s report, Sick Kids said the hospital’s research integrity adviser reviewed these papers and found that Koren violated some of the guidelines that govern the use of federal research funds, which it reported to the Secretariat for Responsible Conduct of Research, which oversees the Canadian Institute for Health Research.

Koren sent letters identifying “corrigendum” — or correction — to the editors of the journals in which these articles appeared, and corrigenda were published in relation to three of the papers.

However, Sick Kids said that pediatrician-in-chief Ronald Cohn took issue with Koren’s claim in the corrections that “the fact that not all positive results had been (confirmed with gold-standard testing) had no impact on the results,” and wrote to the journals. One of the journals, Therapeutic Drug Monitoring, revised its position and this past summer issued a more severe “expression of concern” in relation to a 2007 article on cocaine detection in maternal and neonatal hair.

The Star, in its ongoing investigation, found that Therapeutic Drug Monitoring, which Koren edited from 2003 to 2015, has recently flagged six more of his papers as requiring further scrutiny. Sick Kids said it is “looking into these articles,” following questions from the Star.

The hospital’s promise to investigate Koren’s work on Diclectin comes five years after Dr. Nav Persaud, a researcher and family physician at St. Michael’s Hospital, co-authored a paper exposing inaccuracies in a 1997 article Koren co-authored on the safety and effectiveness of the drug.

Persaud praised Sick Kids for undertaking a thorough review of Koren’s work, but said, “It’s sad that it took questions from journalists for this to happen.”

“Many red flags have been raised over the years, and hopefully this announcement from Sick Kids means that the red flags will be heeded,” he said.

The Star’s review identified roughly 30 articles that reference morning sickness or Diclectin but do not disclose his financial ties to the manufacturer of the drug, Duchesnay. Koren has served as a paid consultant to the Quebec-based pharmaceutical company, which was also a long-time sponsor of the Motherisk Program, until the relationship ended in 2015.

The hospital reassigned oversight of Motherisk in the spring of 2015 after the Star asked about a morning sickness booklet — co-authored by Koren — posted on the Motherisk website that recommended the drug Diclectin but failed to disclose financial support from Duchesnay.

The Star found about 270 papers that reference, in some way, “The Research Leadership for Better Pharmacotherapy during Pregnancy and Lactation.” Sick Kids disclosed in 2015 that Koren created this name to refer to donated funds, and that the primary donor in the years leading up to the Motherisk scandal was Duchesnay.

Sick Kids said Friday that the hospital “was unaware that Dr. Koren had published on morning sickness and/or Diclectin without disclosing his relationship with Duchesnay.”

“The responsibility for disclosing relationships (conflicts of interest) in a publication rests with the author,” Sick Kids said.

In addition to reviewing the financial disclosures on nearly 20 years of Koren’s published work, the hospital told the Star it is “undertaking an analysis of Dr. Koren’s industry funding over time with a view to aligning funds on hand with dates of disclosures, for purposes of notification.”

Sick Kids will also review the science behind seven of his studies on the effectiveness of Diclectin.

Following questions from the Star last month, Sick Kids interim CEO, Dr. David Naylor, sent a letter to Koren asking him to contact journals to inform them of papers about morning sickness or Diclectin in which he did not disclose support from Duchesnay as well as all papers referencing The Research Leadership for Better Pharmacotherapy during Pregnancy and Lactation in which he did not disclose funding sources. Naylor, in the letter which has been posted on the Sick Kids website, also warned Koren to “cease and desist” from identifying himself in publications as being affiliated with Sick Kids.

“Falsely claiming an ongoing affiliation with an institution where you no longer work is a form of academic misconduct,” Naylor said.

The Star also identified nearly 200 articles that appeared in Canadian Family Physician, the official journal of the College of Family Physicians of Canada. The journal acknowledged in an editorial last year that it did not subject these articles — published regularly beginning in at least 1995 as “Motherisk Updates” — to a double-blind, peer-review process because of its “longstanding relationship with Motherisk.” The journal withdrew its recommendation of Diclectin as a first-line treatment for morning sickness, citing Persaud’s findings.

Sick Kids said on Friday that it “would be pleased to assist Canadian Family Physician in reviewing a sample of these studies to determine whether they accurately reflected the literature available at the time of publication, and is prepared to do so independently as needed.”

Dr. Nick Pimlott, Scientific Editor of Canadian Family Physician, said that it will work with its editorial advisory board to “systematically and thoroughly review articles authored by Dr. Koren.” Articles with evidence of fraud or scientific misconduct would be retracted, he wrote to the Star in an email. Pimlott said it is “highly likely” the advisory board would implement “a process of peer review for all such articles” going forward.

In regards to the 1997 study that Persaud raised concerns about, Sick Kids said on Friday that, after confirming that the study overstated the number of subjects, the hospital retained an independent reviewer to assess the paper’s claim that antihistamines — one of the main ingredients of Diclectin — have a protective effect against major malformations. The review found this claim was not supported by the data, concluding that antihistamines are neither protective nor harmful.

Koren then sent these findings to the journal where the study appeared but the journal declined to print a correction “given the length of time that had passed,” Sick Kids said.

The Star’s investigation into Koren’s publications is being conducted in partnership with Ryerson University School of Journalism students Stefanie Phillips, Emerald Bensadoun, Kate Skelly and Alanna Rizza.

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Anglais

Nostalgia and much more with Starburst XXXtreme

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Get a taste of adventure with Starburst XXXtreme based on the legendary NetEnt Game. The nostalgic themes are sure to capture fans of the classic version as they get treated to higher intensity, better visuals, and features. The most significant element of the game is its volatility. Patience will not be an essential virtue considering the insane gameplay, and there is a lot of win potential involved. It retains the original makeup of the previous game while adding a healthy dose of adrenaline. 

Starburst Visuals and Symbols

The game is definitely more conspicuous than before. The setting happens over a 5-reel, 3-row game grid with nine fixed win lines, which function if a succession from the left to the right reel is present. Only those players that that attain the highest win per bet line are paid. From a visual standpoint, the Starburst XXXtreme slots illustrates lightning effects behind the reels, which is not surprising as it is inherited from the original version. Available themes include Classic, Jewels, and Space. The game is also available in both desktop and mobile versions, which is advantageous for players considering the global pandemic. According to Techguide, American gamers are increasingly having more engaging gaming experiences to socialize to fill the gap of in-person interaction. Starburst XXXtreme allows them to fill the social void at a time when there is so much time to be had indoors. 

Starburst XXXTreme Features

Players get to alternate on three features which are Starburst Wilds, XXXtreme Spins, and Random Wilds. The first appears on reels 2,3, or 4. When these land, they expand to cover all positions while also calculating the wins. They are also locked for a respin. If a new one hits, it also becomes locked while awarding another respin. Starburst XXXtreme offers a choice between two scenarios for a higher stake. In one scenario with a ten times stake, the Starburst Wild is set on random on reels 2,3, or 4, and a multiplier starts the respin. The second scenario, which has a 95 times stake, starts with two guaranteed starburst wilds on reels 2,3, or 4. it also plays out using respin game sequence and features. The game also increases the potential with the Random Wilds feature to add Starburst Wilds to a vacant reel at the end of a spin. Every Starburst Wild gives a random multiplier with potential wins of x2, x3, x5, x10, x25, x50, x100, or even x150.

The new feature is sure to be a big hit with the gaming market as online gambling has shown significant growth during the lockdown. AdAge indicates the current casino customer base is an estimated one in five Americans, so Starburst XXXtreme’s additional features will achieve considerable popularity. 

What We Think About The Game

The gambling market has continued to diversify post-pandemic, so it is one of the most opportune times to release an online casino-based game. Thankfully Starburst XXXtreme features eye-catching visuals, including the jewels and space themes. These attract audience participation and make the gameplay inviting. The game also has a nostalgic edge. The previous NetEnt iteration featured similar visuals and gameplay, so the audience has some familiarity with it. The producers have revamped this version by tweaking the features to improve the volatility and engagement. 

That is characterized by the potential win cap of 200,000 times the bet. Starburst XXXtreme does not just give betting alternatives for players that want to go big. The increase of multipliers also provides a great experience. If the respins in the previous version were great, knowing that multipliers can go hundreds of times overtakes the game to a new level. 

Players should get excited about this offering. All of the features can be triggered within a single spin. Whether one plays the standard game or takes the XXXtreme spin route, it is possible to activate all of the features. Of course, the potential 200,000 times potential is a huge carrot. However, the bet size is probably going to be restricted and vary depending on the casino. It is also worth pointing out that a malfunction during the gameplay will void all of the payouts and progress. Overall, the game itself has been designed to provide a capped win of 200,000 times the original bet. 

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Anglais

‘We’re back’: Montreal festival promoters happy to return but looking to next year

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In downtown Montreal, it’s festival season.

In the city’s entertainment district, a musical act was conducting a sound check on stage Friday evening — the second day of the French-language version of the renowned Just For Laughs comedy festival. Tickets for many of the festival’s free outdoor shows — limited by COVID-19 regulations — were sold out.

Two blocks away, more than 100 people were watching an acoustic performance by the Isaac Neto Trio — part of the last weekend of the Festival International Nuits d’Afrique, a celebration of music from the African continent and the African diaspora.

With COVID-19 restrictions continuing to limit capacity, festival organizers say they’re glad to be back but looking forward to next year when they hope border restrictions and capacity limits won’t affect their plans.

Charles Décarie, Just For Laughs’ CEO and president, said this is a “transition year.”

“Even though we have major constraints from the public health group in Montreal, we’ve managed to design a festival that can navigate through those constraints,” Décarie said.

The French-language Juste pour rire festival began on July 15 and is followed by the English-language festival until July 31.

When planning began in February and March, Décarie said, organizers came up with a variety of scenarios for different crowd sizes, ranging from no spectators to 50 per cent of usual capacity.

“You’ve got to build scenarios,” he said. “You do have to plan a little bit more than usual because you have to have alternatives.”

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Anglais

MELS new major movie studio to be built in Montreal

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MONTREAL — MELS Studios will build a new film studio in Montreal, filling some of the gap in supply to meet the demand of Hollywood productions.

MELS president Martin Carrier said on Friday that MELS 4 studio construction will begin « as soon as possible », either in the fall or winter of next year. The studio could host productions as early as spring 2023.

The total investment for the project is $76 million, with the Quebec government contributing a $25 million loan. The project will create 110 jobs, according to the company.

The TVA Group subsidiary’s project will enable it to stand out « even more » internationally, according to Quebecor president and CEO Pierre Karl Péladeau. In the past, MELS Studios has hosted several major productions, including chapters of the X-Men franchise. The next Transformers movie is shooting this summer in Montreal.

Péladeau insisted that local cultural productions would also benefit from the new facility, adding that the studio ensures foreign revenues and to showcase talent and maintain an industry of Quebec producers.

STUDIO SHORTAGE

The film industry is cramped in Montreal.

According to a report published last May by the Bureau du cinéma et de la télévision du Québec (BCTQ), there is a shortage of nearly 400,000 square feet of studio space.

With the addition of MELS 4, which will be 160,000 square feet, the company is filling part of the gap.

Carrier admitted that he has had to turn down contracts because of the lack of space, representing missed opportunities of « tens of millions of dollars, not only for MELS, but also for the Quebec economy. »

« Montreal’s expertise is in high demand, » said Montreal Mayor Valérie Plante, who was present at the announcement.

She said she received great testimonials from « Netflix, Disney, HBO and company » during an economic mission to Los Angeles in 2019.

« What stands out is that they love Montreal because of its expertise, knowledge and beauty. We need more space, like MELS 4, » she said.

There is still not enough capacity in Quebec, acknowledged Minister of Finance, the Economy and Innovation Eric Girard.

« It is certain that the government is concerned about fairness and balance, so if other requests come in, we will study them with the same seriousness as we have studied this one, » he said.

Grandé Studios is the second-largest player in the industry. Last May, the company said it had expansion plans that should begin in 2022. Investissement Québec and Bell are minority shareholders in the company.

For its part, MELS will have 400,000 square feet of production space once MELS 4 is completed. The company employs 450 people in Quebec and offers a range of services including studio and equipment rentals, image and sound postproduction, visual effects and a virtual production platform.

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