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Hologram concerts pose questions about ethics, quality – National

Published

4 années ago

décembre 30, 2018

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TORONTO — Bringing back late guitarist Jeff Healey as a hologram might seem like sacrilege to many of his fans, but the possibility intrigued one of his former bandmates.

Tom Stephen, one-time drummer and manager of the Jeff Healey Band, says he was of two minds when an Australian entertainment company approached him several years ago with a proposal to incorporate Healey’s likeness in a blues revue.

The show was pictured as a celebration of the genre’s icons, with other names like B.B. King floated as holograms who might appear.

The company suggested the Canadian blues-rock outfit’s two surviving members reunite alongside a hologram of their star player, who died of cancer at age 41. It would give audiences a chance to witness Healey’s unconventional live performances, which involved him laying an electric guitar flat across his lap to play it.

WATCH: French presidential candidate uses hologram to travel campaign trail

But Stephen was reluctant to hop on the hologram bandwagon.

“It felt a little exploitative,” he says of the pitch.

“Are you really getting to see that musical experience you missed?”

He imagined the soullessness of performing a set of favourites like “Angel Eyes” with a digital version of Healey. The comradery would be missing, he decided.

“How would it be to interact night-to-night with a hologram of a bandmate you spent 18 years with?” he remembers thinking.

“Personally, I would find that very difficult.”

WATCH: Roy Orbison goes on tour 30 years after his death

Stephen declined the company’s offer, but acknowledges the possibility of a Healey hologram could be revived again as the technology seeps further into the mainstream.

In the coming year, both musicians and concertgoers will confront the growing presence of “hologram” shows at local concert venues.

The experiment has already dipped into some North American venues where the virtual likeness of deceased crooner Roy Orbison received mixed reviews a few months ago. Opera singer Maria Callas was also resurrected in a performance some critics say looked more like she was a floating ghost than a physical entity.

Glenn Gould will be added to the hologram circuit in 2019, with the late Canadian pianist accompanied by live orchestras as part of a tour organized in co-operation with his estate.

WATCH: Michael Jackson’s holographic performance

Around the same time, Amy Winehouse’s hologram is set to embark on a multi-year run with a backing band, while Swedish pop superstars ABBA will launch a digital reunion.

These shows aren’t true holograms in the technical sense, but rather three-dimensional images projected through mirrors onto a transparent screen, kind of like a movie.

And most performances aren’t just an illusion on the stage, they’re also part of an elaborate studio production where the faces of the deceased performers are transposed onto the bodies of living actors. In the case of Orbison, another musician imitated his performance before the singer’s famous face was digitally pasted onto the body of the stand-in.

So many levels of artificiality can be difficult to pull off convincingly, suggests Kiran Bhumber, co-creator of Telepresence, a recent virtual reality experience at Vancouver’s Western Front arts centre that merged a live trumpet player with visuals displayed on a VR headset.

“(The challenge is) how to create a meaningful experience that stays with audiences,” she says.

“Because it risks becoming a gimmick.”

WATCH: Walk Off The Earth on new Christmas album

Last summer at Toronto’s Yonge and Dundas Square the perils of a virtual performance were on full display. Casual onlookers gathered for a showcase of famous faces converted into holograms, including a young Michael Jackson circa his Jackson 5 years, Frank Sinatra, Billie Holiday, and members of the Black Eyed Peas.

Most people watched the holograms like they might a television screen and occasionally held up their smartphones to capture footage for their social media feeds. But the smattering of applause suggested the excitement was muted, even as real-life hosts encouraged more energy.

While audiences consider how to respond to holograms, some performers are fascinated with the potential of the evolving technology.

Walk Off the Earth singer Sarah Blackwood was intrigued after she witnessed a projection of Feist that was beamed simultaneously to crowds in three Canadian cities as part of a smartphone launch in 2012. She says the moment inspired her to think about the benefits of a holographic future.

“As an artist, one of things we always talk about is how we’re going to leave our legacy,” she says.

“I don’t want to disappear into the pile of musicians that aren’t remembered. So to have the possibility to come back and share music with people, and live on like that, I think that’s a really interesting concept.”

WATCH: Serena Ryder performs at Castrol Raceway south of Edmonton

Serena Ryder thinks holograms might have a more practical application for living artists like herself who aren’t fans of long tours.

The pop-rock singer considers herself a “reclusive” performer, so replacing some of her live shows with a virtual rendering of herself sounds appealing, she says.

But Ryder is not convinced her hologram would recreate the thrill of a live performance in the flesh.

“I don’t think there’s really anything that can replace actual human skin — the feeling of actual human emotions,” she says.

Even Stephen admits that he’s still captivated by the technological possibilities, even if he didn’t warm to the idea of a Jeff Healey Band hologram show.

There are a few shows he’d shell out cash to see, if the circumstances are right, he supposes. One of them would be seeing the Beatles play their Liverpool hometown, if that hologram ever took shape.

“I think that would blow my mind and be a really interesting experience,” he says.

Stephen reflects on his experiences in the Jeff Healey Band in his recent book Best Seat in the House, but recognizes that one day he won’t necessarily have control over the band’s narrative, or whether they’re recreated as holograms.

“My suspicion is as we move into the future this will become common, whether it’s right or wrong,” he says.

“I don’t know if you can stand in the way of that.”

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Anglais

Nostalgia and much more with Starburst XXXtreme

Published

2 années ago

août 10, 2021

admin

Get a taste of adventure with Starburst XXXtreme based on the legendary NetEnt Game. The nostalgic themes are sure to capture fans of the classic version as they get treated to higher intensity, better visuals, and features. The most significant element of the game is its volatility. Patience will not be an essential virtue considering the insane gameplay, and there is a lot of win potential involved. It retains the original makeup of the previous game while adding a healthy dose of adrenaline.

Starburst Visuals and Symbols

The game is definitely more conspicuous than before. The setting happens over a 5-reel, 3-row game grid with nine fixed win lines, which function if a succession from the left to the right reel is present. Only those players that that attain the highest win per bet line are paid. From a visual standpoint, the Starburst XXXtreme slots illustrates lightning effects behind the reels, which is not surprising as it is inherited from the original version. Available themes include Classic, Jewels, and Space. The game is also available in both desktop and mobile versions, which is advantageous for players considering the global pandemic. According to Techguide, American gamers are increasingly having more engaging gaming experiences to socialize to fill the gap of in-person interaction. Starburst XXXtreme allows them to fill the social void at a time when there is so much time to be had indoors.

Starburst XXXTreme Features

Players get to alternate on three features which are Starburst Wilds, XXXtreme Spins, and Random Wilds. The first appears on reels 2,3, or 4. When these land, they expand to cover all positions while also calculating the wins. They are also locked for a respin. If a new one hits, it also becomes locked while awarding another respin. Starburst XXXtreme offers a choice between two scenarios for a higher stake. In one scenario with a ten times stake, the Starburst Wild is set on random on reels 2,3, or 4, and a multiplier starts the respin. The second scenario, which has a 95 times stake, starts with two guaranteed starburst wilds on reels 2,3, or 4. it also plays out using respin game sequence and features. The game also increases the potential with the Random Wilds feature to add Starburst Wilds to a vacant reel at the end of a spin. Every Starburst Wild gives a random multiplier with potential wins of x2, x3, x5, x10, x25, x50, x100, or even x150.

The new feature is sure to be a big hit with the gaming market as online gambling has shown significant growth during the lockdown. AdAge indicates the current casino customer base is an estimated one in five Americans, so Starburst XXXtreme’s additional features will achieve considerable popularity.

What We Think About The Game

The gambling market has continued to diversify post-pandemic, so it is one of the most opportune times to release an online casino-based game. Thankfully Starburst XXXtreme features eye-catching visuals, including the jewels and space themes. These attract audience participation and make the gameplay inviting. The game also has a nostalgic edge. The previous NetEnt iteration featured similar visuals and gameplay, so the audience has some familiarity with it. The producers have revamped this version by tweaking the features to improve the volatility and engagement.

That is characterized by the potential win cap of 200,000 times the bet. Starburst XXXtreme does not just give betting alternatives for players that want to go big. The increase of multipliers also provides a great experience. If the respins in the previous version were great, knowing that multipliers can go hundreds of times overtakes the game to a new level.

Players should get excited about this offering. All of the features can be triggered within a single spin. Whether one plays the standard game or takes the XXXtreme spin route, it is possible to activate all of the features. Of course, the potential 200,000 times potential is a huge carrot. However, the bet size is probably going to be restricted and vary depending on the casino. It is also worth pointing out that a malfunction during the gameplay will void all of the payouts and progress. Overall, the game itself has been designed to provide a capped win of 200,000 times the original bet.

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Anglais

‘We’re back’: Montreal festival promoters happy to return but looking to next year

Published

2 années ago

juillet 23, 2021

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In downtown Montreal, it’s festival season.

In the city’s entertainment district, a musical act was conducting a sound check on stage Friday evening — the second day of the French-language version of the renowned Just For Laughs comedy festival. Tickets for many of the festival’s free outdoor shows — limited by COVID-19 regulations — were sold out.

Two blocks away, more than 100 people were watching an acoustic performance by the Isaac Neto Trio — part of the last weekend of the Festival International Nuits d’Afrique, a celebration of music from the African continent and the African diaspora.

With COVID-19 restrictions continuing to limit capacity, festival organizers say they’re glad to be back but looking forward to next year when they hope border restrictions and capacity limits won’t affect their plans.

Charles Décarie, Just For Laughs’ CEO and president, said this is a “transition year.”

“Even though we have major constraints from the public health group in Montreal, we’ve managed to design a festival that can navigate through those constraints,” Décarie said.

The French-language Juste pour rire festival began on July 15 and is followed by the English-language festival until July 31.

When planning began in February and March, Décarie said, organizers came up with a variety of scenarios for different crowd sizes, ranging from no spectators to 50 per cent of usual capacity.

“You’ve got to build scenarios,” he said. “You do have to plan a little bit more than usual because you have to have alternatives.”

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Anglais

MELS new major movie studio to be built in Montreal

Published

2 années ago

juillet 23, 2021

admin

MONTREAL — MELS Studios will build a new film studio in Montreal, filling some of the gap in supply to meet the demand of Hollywood productions.

MELS president Martin Carrier said on Friday that MELS 4 studio construction will begin « as soon as possible », either in the fall or winter of next year. The studio could host productions as early as spring 2023.

The total investment for the project is $76 million, with the Quebec government contributing a $25 million loan. The project will create 110 jobs, according to the company.

The TVA Group subsidiary’s project will enable it to stand out « even more » internationally, according to Quebecor president and CEO Pierre Karl Péladeau. In the past, MELS Studios has hosted several major productions, including chapters of the X-Men franchise. The next Transformers movie is shooting this summer in Montreal.

Péladeau insisted that local cultural productions would also benefit from the new facility, adding that the studio ensures foreign revenues and to showcase talent and maintain an industry of Quebec producers.

STUDIO SHORTAGE

The film industry is cramped in Montreal.

According to a report published last May by the Bureau du cinéma et de la télévision du Québec (BCTQ), there is a shortage of nearly 400,000 square feet of studio space.

With the addition of MELS 4, which will be 160,000 square feet, the company is filling part of the gap.

Carrier admitted that he has had to turn down contracts because of the lack of space, representing missed opportunities of « tens of millions of dollars, not only for MELS, but also for the Quebec economy. »

« Montreal’s expertise is in high demand, » said Montreal Mayor Valérie Plante, who was present at the announcement.

She said she received great testimonials from « Netflix, Disney, HBO and company » during an economic mission to Los Angeles in 2019.

« What stands out is that they love Montreal because of its expertise, knowledge and beauty. We need more space, like MELS 4, » she said.

There is still not enough capacity in Quebec, acknowledged Minister of Finance, the Economy and Innovation Eric Girard.

« It is certain that the government is concerned about fairness and balance, so if other requests come in, we will study them with the same seriousness as we have studied this one, » he said.

Grandé Studios is the second-largest player in the industry. Last May, the company said it had expansion plans that should begin in 2022. Investissement Québec and Bell are minority shareholders in the company.

For its part, MELS will have 400,000 square feet of production space once MELS 4 is completed. The company employs 450 people in Quebec and offers a range of services including studio and equipment rentals, image and sound postproduction, visual effects and a virtual production platform.