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This man says Toronto police left him with a broken nose and a serious eye injury. His lawyer wants to know why they didn’t tell the SIU

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Toronto police Const. David Hopkinson, speaking generally on Toronto Police Service policy, said police are expected to notify the SIU as soon as they’re aware that an injury might be serious or when they’re uncertain of an injury’s severity but recognize there’s a possibility it could fall under the SIU’s mandate.

On the SIU’s website, it states they are also to be notified if “a prolonged delay is likely before the seriousness of the injury can be assessed,” so that they can monitor the situation.

SIU investigators interviewed Clarke on Dec. 17. He also filed a complaint with the Office of the Independent Review Director on Dec. 20.

Clarke said police charged him at the Scarborough hospital and released him from custody on a promise to appear in court,

This story is based on police and medical documents provided to the Star by Clarke, from an interview with him in his lawyer’s office and his written account given to the OIPRD.

“Given this case is now under investigation by the SIU and by Professional Standards I am unable to offer any comment on the allegations that have been brought forward,” Toronto police spokesperson Meaghan Gray said.

Once the SIU becomes involved, police typically do not release information on a case. None of Clarke’s allegations have been proven in court.

The knocking began after 8 p.m.

“Somebody was calling, ‘Joe, hey Joe,’” Clarke told the OIPRD. Through the apartment door’s peephole, he said he saw a woman, whom he later learned was a plainclothes police officer. She had a pony tail, and was not wearing identification, he said.

“I thought maybe this was a crazy person,” Clarke, who lives with a cousin in a 10th-floor apartment unit, told the Star. He said he hoped the woman would leave, but the knocking continued, along with more calls for a “Joe.”

Clarke said he went back to the door and heard it being unlocked from the outside. He tried to lock the door, but it was unlocked again.

“And then, she just come in and I see all the police officers pointing a gun at me,” Clarke said.

Clarke said several officers in plainclothes — at least two women and three men — entered the apartment, when one male officer then put his gun in his holster and “just starts swinging,” said Clarke.

In his complaint, Clarke estimates being punched 20 times, including to his head and face, by a number of officers. He said he was down on the floor and recalls being kicked and held in a headlock.

It felt, he told the Star, “like my eye was coming out of my head.”

In his complaint, Clarke said it was while they were punching that the officers identified themselves as police.

He said he recalls an officer yelling, “Toronto police, stop resisting arrest.” To which he said he responded: “I’m not fighting, I’m not fighting,” and said, “I can’t breathe. You’re choking me.”

Clarke said he put his hands behind his back, was handcuffed and seated in a chair. He said “there was another police officer standing up and he had his gun on me, the whole time.” The female officer from the peephole, he said, looked at his facial injuries and said: “Whoa, which one of us did that?”

Clarke said the police — he said he doesn’t know the identities of any of the plainclothes officers — were looking for drugs and the brother of his roommate, who was on probation but had never lived there.

Clarke presented the Star with a copy of the search warrant, which does not list a name.

A police photographer arrived and documented the search while Clarke sat with his injuries.

“After they finished the searching, they say, ‘Oh, we don’t have him in custody no more. Take the handcuffs off and just wait. The paramedics are coming.’ And I was sitting there waiting on the paramedics,” Clarke said.

Clarke said he was seen by medical staff at The Scarborough Hospital who determined the eye damage required reconstructive work that would have to wait for morning, when a plastic surgeon would be on shift.

After about two hours at the hospital, Clarke said two plainclothes officers whom he did not recognize from the apartment search told him he was being charged with obstructing and resisting a police officer. He said the officers then asked him to sign a release form that meant he would not immediately have to go to the station to be booked or held for bail.

In his complaint, Clarke said police told him if he didn’t sign, they would take him to the station and his eye damage could become worse. Clarke said he signed after more than an hour.

Clarke was due to appear again at a police station to be fingerprinted and booked on the obstruct and resist charge, and has a first court appearance on Jan. 11.

Clarke said he had a first surgery in the morning after the incident and may require a second. He said he was also treated for a “nasal fracture.” According to a doctor’s report, he reported no change in vision in his left eye at the time, but he said that has since changed.

“I can’t see things closely, so it’s, like, foggy, and there’s a lot of pain,” Clarke said, adding he is suffering from headaches and doesn’t think he can see well enough to drive a car. Followup appointments with his doctor and an ophthalmologist are coming, he said.

Clarke said he has not returned to his apartment, fearing someone might let themselves in. “It’s kind of scary,” he said. He doesn’t think he can return to any kind of work for now and is now looking at going on social assistance.

In a recent report into Toronto police use of force, the Ontario Human Rights Commission — part of its ongoing inquiry into racial discrimination and racial profiling by the service — found “themes” in a review of SIU director’s reports related to police and Black citizens. In a number of cases, the SIU stated there was a “lack of legal basis” for police stopping and detaining a civilian at the beginning of an encounter, and “laying charges against the civilian that are without merit.”

Singh, Clarke’s lawyer, said he’s concerned he was the one who notified the SIU of the incident — as in the case of an off-duty Toronto police officer charged with beating Dafonte Miller, a Black teen, in Durham. Miller lost an eye in that incident, but it was his lawyer who contacted SIU.

“I had to take the initiative, and I have to thank the SIU for being very open and transparent and moving quick on this,” Singh told the Star. “But how often does this happen, and if I wasn’t offering my services to Mr. Clarke, would he get justice? It’s a huge concern that incidents like this go unreported, and even if they get reported, they go unassisted.”

SIU investigations can takes several months to complete. The SIU director then decides if any criminal charges are warranted.

“These allegations really bother me due to the nature of them, whereby (police are) attending an address for someone who is not wanted by police, they don’t identify themselves as police at the door, and then once they enter the apartment, there’s no attempt to ascertain his identity, ensure safety,” said Singh. “It’s just straight violence, as alleged by Mr. Clarke.”

With files from Alexandra Jones

Jim Rankin is a reporter based in Toronto. Follow him on Twitter: @Jleerankin

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Anglais

Nostalgia and much more with Starburst XXXtreme

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Get a taste of adventure with Starburst XXXtreme based on the legendary NetEnt Game. The nostalgic themes are sure to capture fans of the classic version as they get treated to higher intensity, better visuals, and features. The most significant element of the game is its volatility. Patience will not be an essential virtue considering the insane gameplay, and there is a lot of win potential involved. It retains the original makeup of the previous game while adding a healthy dose of adrenaline. 

Starburst Visuals and Symbols

The game is definitely more conspicuous than before. The setting happens over a 5-reel, 3-row game grid with nine fixed win lines, which function if a succession from the left to the right reel is present. Only those players that that attain the highest win per bet line are paid. From a visual standpoint, the Starburst XXXtreme slots illustrates lightning effects behind the reels, which is not surprising as it is inherited from the original version. Available themes include Classic, Jewels, and Space. The game is also available in both desktop and mobile versions, which is advantageous for players considering the global pandemic. According to Techguide, American gamers are increasingly having more engaging gaming experiences to socialize to fill the gap of in-person interaction. Starburst XXXtreme allows them to fill the social void at a time when there is so much time to be had indoors. 

Starburst XXXTreme Features

Players get to alternate on three features which are Starburst Wilds, XXXtreme Spins, and Random Wilds. The first appears on reels 2,3, or 4. When these land, they expand to cover all positions while also calculating the wins. They are also locked for a respin. If a new one hits, it also becomes locked while awarding another respin. Starburst XXXtreme offers a choice between two scenarios for a higher stake. In one scenario with a ten times stake, the Starburst Wild is set on random on reels 2,3, or 4, and a multiplier starts the respin. The second scenario, which has a 95 times stake, starts with two guaranteed starburst wilds on reels 2,3, or 4. it also plays out using respin game sequence and features. The game also increases the potential with the Random Wilds feature to add Starburst Wilds to a vacant reel at the end of a spin. Every Starburst Wild gives a random multiplier with potential wins of x2, x3, x5, x10, x25, x50, x100, or even x150.

The new feature is sure to be a big hit with the gaming market as online gambling has shown significant growth during the lockdown. AdAge indicates the current casino customer base is an estimated one in five Americans, so Starburst XXXtreme’s additional features will achieve considerable popularity. 

What We Think About The Game

The gambling market has continued to diversify post-pandemic, so it is one of the most opportune times to release an online casino-based game. Thankfully Starburst XXXtreme features eye-catching visuals, including the jewels and space themes. These attract audience participation and make the gameplay inviting. The game also has a nostalgic edge. The previous NetEnt iteration featured similar visuals and gameplay, so the audience has some familiarity with it. The producers have revamped this version by tweaking the features to improve the volatility and engagement. 

That is characterized by the potential win cap of 200,000 times the bet. Starburst XXXtreme does not just give betting alternatives for players that want to go big. The increase of multipliers also provides a great experience. If the respins in the previous version were great, knowing that multipliers can go hundreds of times overtakes the game to a new level. 

Players should get excited about this offering. All of the features can be triggered within a single spin. Whether one plays the standard game or takes the XXXtreme spin route, it is possible to activate all of the features. Of course, the potential 200,000 times potential is a huge carrot. However, the bet size is probably going to be restricted and vary depending on the casino. It is also worth pointing out that a malfunction during the gameplay will void all of the payouts and progress. Overall, the game itself has been designed to provide a capped win of 200,000 times the original bet. 

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Anglais

‘We’re back’: Montreal festival promoters happy to return but looking to next year

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In downtown Montreal, it’s festival season.

In the city’s entertainment district, a musical act was conducting a sound check on stage Friday evening — the second day of the French-language version of the renowned Just For Laughs comedy festival. Tickets for many of the festival’s free outdoor shows — limited by COVID-19 regulations — were sold out.

Two blocks away, more than 100 people were watching an acoustic performance by the Isaac Neto Trio — part of the last weekend of the Festival International Nuits d’Afrique, a celebration of music from the African continent and the African diaspora.

With COVID-19 restrictions continuing to limit capacity, festival organizers say they’re glad to be back but looking forward to next year when they hope border restrictions and capacity limits won’t affect their plans.

Charles Décarie, Just For Laughs’ CEO and president, said this is a “transition year.”

“Even though we have major constraints from the public health group in Montreal, we’ve managed to design a festival that can navigate through those constraints,” Décarie said.

The French-language Juste pour rire festival began on July 15 and is followed by the English-language festival until July 31.

When planning began in February and March, Décarie said, organizers came up with a variety of scenarios for different crowd sizes, ranging from no spectators to 50 per cent of usual capacity.

“You’ve got to build scenarios,” he said. “You do have to plan a little bit more than usual because you have to have alternatives.”

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Anglais

MELS new major movie studio to be built in Montreal

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MONTREAL — MELS Studios will build a new film studio in Montreal, filling some of the gap in supply to meet the demand of Hollywood productions.

MELS president Martin Carrier said on Friday that MELS 4 studio construction will begin « as soon as possible », either in the fall or winter of next year. The studio could host productions as early as spring 2023.

The total investment for the project is $76 million, with the Quebec government contributing a $25 million loan. The project will create 110 jobs, according to the company.

The TVA Group subsidiary’s project will enable it to stand out « even more » internationally, according to Quebecor president and CEO Pierre Karl Péladeau. In the past, MELS Studios has hosted several major productions, including chapters of the X-Men franchise. The next Transformers movie is shooting this summer in Montreal.

Péladeau insisted that local cultural productions would also benefit from the new facility, adding that the studio ensures foreign revenues and to showcase talent and maintain an industry of Quebec producers.

STUDIO SHORTAGE

The film industry is cramped in Montreal.

According to a report published last May by the Bureau du cinéma et de la télévision du Québec (BCTQ), there is a shortage of nearly 400,000 square feet of studio space.

With the addition of MELS 4, which will be 160,000 square feet, the company is filling part of the gap.

Carrier admitted that he has had to turn down contracts because of the lack of space, representing missed opportunities of « tens of millions of dollars, not only for MELS, but also for the Quebec economy. »

« Montreal’s expertise is in high demand, » said Montreal Mayor Valérie Plante, who was present at the announcement.

She said she received great testimonials from « Netflix, Disney, HBO and company » during an economic mission to Los Angeles in 2019.

« What stands out is that they love Montreal because of its expertise, knowledge and beauty. We need more space, like MELS 4, » she said.

There is still not enough capacity in Quebec, acknowledged Minister of Finance, the Economy and Innovation Eric Girard.

« It is certain that the government is concerned about fairness and balance, so if other requests come in, we will study them with the same seriousness as we have studied this one, » he said.

Grandé Studios is the second-largest player in the industry. Last May, the company said it had expansion plans that should begin in 2022. Investissement Québec and Bell are minority shareholders in the company.

For its part, MELS will have 400,000 square feet of production space once MELS 4 is completed. The company employs 450 people in Quebec and offers a range of services including studio and equipment rentals, image and sound postproduction, visual effects and a virtual production platform.

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