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She was handcuffed for not holding an escalator’s handrail. Ten years later, she’s headed to Canada’s Supreme Court

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The court will also rule on whether Kosoian’s lawsuit for damages is valid.

“It’s not about money,” says Kosoian, who sued for $69,000, split between the officer and Montreal’s transit commission. “I did not commit any crime. I did not do anything wrong. It was abuse of power on the part of the police.”

Kosoian lives in a cosy bungalow in London, Ont., with her husband and two teenage children. She says she suffered from post-traumatic stress disorder after the escalator incident in 2009, and decided it was best to leave Quebec.

“I was afraid to go outside. I had trouble sleeping. I was shaking. I was afraid of police. I always wanted to sit in the dark.

“I said, ‘I have to go somewhere where there is no métro,’ she adds, referring to Montreal’s subway. “And every time I see a policeman I’m thinking, ‘They’re going to arrest me.’ ”

“It’s about principles. It’s about the rule of law,” she says, nervously fingering court documents on her dining table. “It’s not just about me.”


Kosoian was born 47 years ago in Russia. She grew up in Georgia’s capital, Tbilisi, where she would meet her Canadian husband, Richard Church, an information technology specialist. She showed promise in chess by the age of 9, and played at semi-professional levels in France when she moved there in her 20s.

She came to Canada with her family in the early 2000s, settling in Quebec to pursue her studies in French. For years she worked as the “women’s co-ordinator” for the Canadian Chess Federation, organizing tournaments and corralling sponsors.

“In chess, if you don’t follow rules, you’re dead,” Kosoian says, emphatically. “I’m a person who followed more rules than anybody else since childhood.”

At about 5 p.m. on May 13, 2009, Kosoian stepped on the down escalator at a subway station in Laval. She was heading to her history class at a university in downtown Montreal.

Kosoian had used that same escalator almost every day for four years. She knew that at the front of the escalator, as well as at a spot halfway down, were yellow pictograms that said, “Caution … hold handrail.”

She deemed the pictogram nothing more than a warning or recommendation. Besides, the H1N1 virus was making the rounds, and Kosoian considered the handrail a cesspool of microbes.

The escalator takes 59 seconds to get to the bottom. Kosoian’s backpack was at her feet. She reached down to get a $5 bill from her wallet for subway fare and placed the pack on her back.

A police officer with the Laval force walked past her on the escalator and continued until he stepped off. A second officer in uniform then stopped in front of Kosoian on the step below when the escalator had taken her about halfway down.

The officer, Fabio Camacho, said something Kosoian didn’t hear. Two years later, during testimony at a municipal court hearing, Camacho said he saw Kosoian bent over at a 90-degree angle and told her to be careful. He claims Kosoian responded in an aggressive tone that he should go outside and do some real police work.

Camacho then ordered her to hold the handrail. Kosoian says she responded: “It’s my right to hold the handrail or not to hold it.”

According to Camacho, he warned Kosoian he would issue her a ticket and she responded by crossing her arms. Kosoian insists Camacho never warned her about a ticket. She insists he asked her for ID out of nowhere.

“I told him, ‘What have I done for you to ask for documents?’ ”

Camacho says he never asked her for ID on the escalator.

What isn’t disputed is that when Kosoian reached the bottom of the escalator, Camacho and his partner, the officer who initially walked past Kosoian, grabbed her by the arms and took her to a nearby locked room that also contained a jail cell.

In the room, Kosoian said she reached for her cellphone and announced she would call a lawyer. “They started to push me and shove me and took my bag and took my (identity) documents and handcuffed me at once.

“It was shocking for me,” Kosoian says. “We’re in a country of laws, no?”

Camacho testified that he immediately asked for Kosoian’s identification when they entered the room so he could write her a ticket for not holding the handrail. Kosoian insists that even then she was never told what she allegedly did wrong.

Camacho says she repeatedly refused to produce ID, so he placed her under arrest. He handcuffed her, he says, when she refused to hand over her bag so he could search for ID.

“I know that’s taking matters pretty far,” Camacho said, according to a transcript of his testimony. “I didn’t want to get to that point either. We had reached a point where I explained things to her but I wasn’t getting through at all.”

Camacho and his partner cuffed Kosoian’s hands behind her back and sat her in a chair. He searched her bag, found her driver’s licence and began writing her two tickets: a $100 fine for not holding the handrail, and a $320 fine for obstructing the work of a police officer.

Kosoian tried to get up to see the tickets they were writing. Camacho told her a camera in the room was recording the events and Kosoian calmed down. She says she was relieved to learn there would be evidence of what transpired.

The officers removed the cuffs, gave Kosoian her tickets, and let her go. She had spent about 15 minutes in the room.

She went to her history class in a state of shock. She told her husband of the arrest and took pictures of the red rings around her wrists made by the handcuffs.

The next day, she went to a doctor, who noted Kosoian “is in a state of shock and cries profusely,” according to court evidence. Another doctor diagnosed PTSD and put her on medication.

Also that day, Kosoian’s husband called the transit agency, Société de transport de Montréal (STM), and asked to see recordings of the incident captured by subway cameras. His request was noted by STM officials on a form dated May 14.

On May 16, a Saturday, Kosoian’s story hit the news. Camacho was off work, but received a call from his boss that weekend ordering him to get the videos. Camacho waited until he got back to work, on May 18, before making the request.

He learned the next day that the subway cameras record on a five-day loop and evidence of the incident — both on the escalator and in the locked room — had been taped over, according to court testimony.

Kosoian and her lawyer, Aymar Missakila, are incredulous.

“How can it be that the STM didn’t find it necessary to keep the tape?” Missakila asks, noting Church’s official request and the extensive media coverage. “Wasn’t it their duty to make sure the tape was preserved, given how contested the incident was and the threat of a lawsuit?”

“Do you think if I did something wrong police would not show those videos?” Kosoian says. “Of course they would.”

Public reaction wasn’t kind, either. “Surely our resources could be put to better use instead of harassing citizens going about their business,” said a complaint received by the STM, and obtained by Church through a freedom-of-information request.

“Does this ‘peace officer’ carry a gun?” the complainant added. “I hope not, as anyone who demonstrates such poor judgment should not be armed.”

The Laval police force and the transit agency defended Camacho’s actions, while acknowledging in media reports at the time that Kosoian was the first to be issued a ticket for not holding an escalator handrail. They pressed for the fines to be paid, and Kosoian’s refusal triggered a municipal court hearing in May 2011.

In March 2012, Judge Florent Bisson acquitted Kosoian of the tickets, citing numerous contradictions between the notes the police officers made immediately after the event and their testimonies in court.

“The tribunal had the impression that adjustments were made to the evidence to justify the failure of this intervention which, initially, should have been banal,” Bisson wrote.

Kosoian, on the other hand, “is credible and is believed,” he added. The judge noted that under the Criminal Code, a person can refuse to identify themselves “so long as he is not informed of the offence against him.” And Bisson wasn’t convinced the pictogram obligated subway passengers to hold the handrail.

By then, Kosoian had launched a lawsuit against Camacho, the STM and the City of Laval. In August 2015, the Quebec Court dismissed it with a legal tongue lashing.


Justice Denis Le Reste described Kosoian’s behaviour during the incident as “inconceivable, irresponsible and contrary to the elementary rules of civism in our society.”

Kosoian, the judge added, “illegally and obstinately refused to comply” with Camacho’s orders to hold the handrail and to identify herself. He blamed everything on Kosoian’s “gratuitous aggressiveness.”

Le Reste said police officers were fully justified in arresting and handcuffing Kosoian. He noted that Camacho’s actions rested on an STM regulation — R-036 — which states that no one in a building or on “rolling stock” shall “disobey a directive or pictogram posted by the Society.”

“The court concludes that the work of officer Camacho, given all the circumstances of this matter, was exemplary and irreproachable,” Le Reste wrote. “He showed very great patience and acted in accordance with the standards any other reasonable police officer would have applied in the same situation.”

Kosoian describes the ruling as an attempt to assassinate her character. She appealed and, on Dec. 5, 2017, the Quebec Court of Appeal ruled against her in a 2-1 decision.

The majority judges described Kosoian as “the author of her own misery” because she refused to co-operate with police officers “who were doing their job.”

It’s not up to police officers to determine whether a regulation is valid, the justices wrote. Camacho was trained to enforce the handrail regulation, and therefore had “reasonable motives to believe that an infraction had been committed.” That justified writing a ticket and arresting Kosoian because she refused to identify herself, the judges ruled. The STM, meanwhile, is immune from civil responsibility because it’s a public body exercising its regulatory powers in good faith.

Their dissenting colleague, Justice Mark Schrager, could not have disagreed more — on all counts.

Escalators come with the handrail pictograms already stuck to them when they’re bought. Schrager argued the transit agency’s regulation about obeying all pictograms is therefore invalid because the STM is in effect delegating its regulatory powers to the company that makes pictograms and sticks them on the escalators.

Besides, the pictogram is nothing more than a warning to hold the handrail, not an obligation, Schrager argued. That’s made clear by the word “caution” in bold letters across the top and the pictogram’s yellow and black colours. The colour of prohibition and obligation is red.

“A reasonable person looking at the pictogram would conclude that she should follow its instructions to act prudently, but that she was certainly not subjected to an obligation to hold the handrail under penalty of receiving a ticket,” Schrager wrote.

Schrager agreed with his fellow judges that, in principle, police officers are subject to the standard of how a reasonable officer would act in the same circumstances. But that doesn’t justify Camacho’s actions, he added.

“The arrest and detention of the appellant, as described, were illegal since the infraction that could have justified them was non-existent,” Schrager wrote in his dissent.

It’s not good enough for Camacho to have honestly believed that the STM’s regulation was valid, Schrager argued. The absence of malicious intent is not a defence against civil responsibility.

“The infraction did not exist. The appellant’s refusal to identify herself was therefore justified … since no infraction was committed,” Schrager wrote. And since the arrest was illegal the search of Kosoian’s bag was also illegal, he added.

Still, Schrager believed Kosoian’s “inflammatory behaviour” made her partly responsible for her misfortune. He described Camacho’s request to hold the handrail as “common sense.”

Schrager said Kosoian should be awarded $15,000 in moral damages, plus legal costs and interest. The City of Laval, Camacho and the STM are all responsible. But only the STM should pay the award because of its faulty regulation, the inadequate training it gives to police officers, and for insisting on pursuing Kosoian in municipal court, Schrager wrote.

Kosoian and her lawyer again appealed, this time to the Supreme Court. They asked four questions: Does the pictogram legally oblige people to hold the escalator handrail? Can a police officer be sued if his actions against a citizen, including use of force and arrest, are not supported by an existing law? Is the STM responsible for Camacho’s actions? Did Kosoian contribute to the damages against her by refusing to identify herself when Camacho acted on a non-existent regulation?

A spokesperson for the City of Laval, which employs Camacho, refused to comment or make Camacho available for an interview. Their legal brief urged the Supreme Court not to grant the appeal, arguing that the STM regulation governing the pictogram is valid. They added it can’t be left to citizens to decide whether they’ll co-operate with police officers based on their personal interpretation of a regulation being enforced. “You can imagine the social chaos that would ensue,” they argued.

In the last decade, the Supreme Court has only granted about 10 per cent of the 500 or so requests for appeals it receives each year. So Thomas Slade, a lawyer who is not involved in the case, says he was initially surprised when the court agreed to hear Kosoian.

“Almost every year the Supreme Court grants at least one case that’s sometimes a little bit of a head-scratcher at first,” says Slade, a partner at Supreme Advocacy, an Ottawa-based firm that specializes in appeals to the highest court.

In hindsight, Slade believes the ruling will determine the validity of pictograms across the country, and decide whether police officers can be held responsible for acting on the fictitious belief that a law or regulation exists.

“If you’re punishing someone for an offence that doesn’t exist, that seems pretty far beyond what you can actually call reasonable,” Slade says in a phone interview.

If she is successful, the money Kosoian might win will not begin to cover the costs of the multiple court battles and the Supreme Court appeal. Missakila, her lawyer, is considering how he might raise funds to help cover the costs.

Slade did “a double take” when he realized Kosoian’s battle dates back to 2009: “The wheels of justice turn quite slowly, but this is definitely going at a bit of a snail’s pace.” He doesn’t expect the court to rule until at least next fall.

For Kosoian, a Supreme Court ruling can’t come soon enough.

“I want to get on with my life,” she says. “I don’t want to become obsessed.”

Sandro Contenta is a reporter and feature writer based in Toronto. Follow him on Twitter: @scontenta

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Anglais

Nostalgia and much more with Starburst XXXtreme

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Get a taste of adventure with Starburst XXXtreme based on the legendary NetEnt Game. The nostalgic themes are sure to capture fans of the classic version as they get treated to higher intensity, better visuals, and features. The most significant element of the game is its volatility. Patience will not be an essential virtue considering the insane gameplay, and there is a lot of win potential involved. It retains the original makeup of the previous game while adding a healthy dose of adrenaline. 

Starburst Visuals and Symbols

The game is definitely more conspicuous than before. The setting happens over a 5-reel, 3-row game grid with nine fixed win lines, which function if a succession from the left to the right reel is present. Only those players that that attain the highest win per bet line are paid. From a visual standpoint, the Starburst XXXtreme slots illustrates lightning effects behind the reels, which is not surprising as it is inherited from the original version. Available themes include Classic, Jewels, and Space. The game is also available in both desktop and mobile versions, which is advantageous for players considering the global pandemic. According to Techguide, American gamers are increasingly having more engaging gaming experiences to socialize to fill the gap of in-person interaction. Starburst XXXtreme allows them to fill the social void at a time when there is so much time to be had indoors. 

Starburst XXXTreme Features

Players get to alternate on three features which are Starburst Wilds, XXXtreme Spins, and Random Wilds. The first appears on reels 2,3, or 4. When these land, they expand to cover all positions while also calculating the wins. They are also locked for a respin. If a new one hits, it also becomes locked while awarding another respin. Starburst XXXtreme offers a choice between two scenarios for a higher stake. In one scenario with a ten times stake, the Starburst Wild is set on random on reels 2,3, or 4, and a multiplier starts the respin. The second scenario, which has a 95 times stake, starts with two guaranteed starburst wilds on reels 2,3, or 4. it also plays out using respin game sequence and features. The game also increases the potential with the Random Wilds feature to add Starburst Wilds to a vacant reel at the end of a spin. Every Starburst Wild gives a random multiplier with potential wins of x2, x3, x5, x10, x25, x50, x100, or even x150.

The new feature is sure to be a big hit with the gaming market as online gambling has shown significant growth during the lockdown. AdAge indicates the current casino customer base is an estimated one in five Americans, so Starburst XXXtreme’s additional features will achieve considerable popularity. 

What We Think About The Game

The gambling market has continued to diversify post-pandemic, so it is one of the most opportune times to release an online casino-based game. Thankfully Starburst XXXtreme features eye-catching visuals, including the jewels and space themes. These attract audience participation and make the gameplay inviting. The game also has a nostalgic edge. The previous NetEnt iteration featured similar visuals and gameplay, so the audience has some familiarity with it. The producers have revamped this version by tweaking the features to improve the volatility and engagement. 

That is characterized by the potential win cap of 200,000 times the bet. Starburst XXXtreme does not just give betting alternatives for players that want to go big. The increase of multipliers also provides a great experience. If the respins in the previous version were great, knowing that multipliers can go hundreds of times overtakes the game to a new level. 

Players should get excited about this offering. All of the features can be triggered within a single spin. Whether one plays the standard game or takes the XXXtreme spin route, it is possible to activate all of the features. Of course, the potential 200,000 times potential is a huge carrot. However, the bet size is probably going to be restricted and vary depending on the casino. It is also worth pointing out that a malfunction during the gameplay will void all of the payouts and progress. Overall, the game itself has been designed to provide a capped win of 200,000 times the original bet. 

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Anglais

‘We’re back’: Montreal festival promoters happy to return but looking to next year

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In downtown Montreal, it’s festival season.

In the city’s entertainment district, a musical act was conducting a sound check on stage Friday evening — the second day of the French-language version of the renowned Just For Laughs comedy festival. Tickets for many of the festival’s free outdoor shows — limited by COVID-19 regulations — were sold out.

Two blocks away, more than 100 people were watching an acoustic performance by the Isaac Neto Trio — part of the last weekend of the Festival International Nuits d’Afrique, a celebration of music from the African continent and the African diaspora.

With COVID-19 restrictions continuing to limit capacity, festival organizers say they’re glad to be back but looking forward to next year when they hope border restrictions and capacity limits won’t affect their plans.

Charles Décarie, Just For Laughs’ CEO and president, said this is a “transition year.”

“Even though we have major constraints from the public health group in Montreal, we’ve managed to design a festival that can navigate through those constraints,” Décarie said.

The French-language Juste pour rire festival began on July 15 and is followed by the English-language festival until July 31.

When planning began in February and March, Décarie said, organizers came up with a variety of scenarios for different crowd sizes, ranging from no spectators to 50 per cent of usual capacity.

“You’ve got to build scenarios,” he said. “You do have to plan a little bit more than usual because you have to have alternatives.”

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Anglais

MELS new major movie studio to be built in Montreal

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MONTREAL — MELS Studios will build a new film studio in Montreal, filling some of the gap in supply to meet the demand of Hollywood productions.

MELS president Martin Carrier said on Friday that MELS 4 studio construction will begin « as soon as possible », either in the fall or winter of next year. The studio could host productions as early as spring 2023.

The total investment for the project is $76 million, with the Quebec government contributing a $25 million loan. The project will create 110 jobs, according to the company.

The TVA Group subsidiary’s project will enable it to stand out « even more » internationally, according to Quebecor president and CEO Pierre Karl Péladeau. In the past, MELS Studios has hosted several major productions, including chapters of the X-Men franchise. The next Transformers movie is shooting this summer in Montreal.

Péladeau insisted that local cultural productions would also benefit from the new facility, adding that the studio ensures foreign revenues and to showcase talent and maintain an industry of Quebec producers.

STUDIO SHORTAGE

The film industry is cramped in Montreal.

According to a report published last May by the Bureau du cinéma et de la télévision du Québec (BCTQ), there is a shortage of nearly 400,000 square feet of studio space.

With the addition of MELS 4, which will be 160,000 square feet, the company is filling part of the gap.

Carrier admitted that he has had to turn down contracts because of the lack of space, representing missed opportunities of « tens of millions of dollars, not only for MELS, but also for the Quebec economy. »

« Montreal’s expertise is in high demand, » said Montreal Mayor Valérie Plante, who was present at the announcement.

She said she received great testimonials from « Netflix, Disney, HBO and company » during an economic mission to Los Angeles in 2019.

« What stands out is that they love Montreal because of its expertise, knowledge and beauty. We need more space, like MELS 4, » she said.

There is still not enough capacity in Quebec, acknowledged Minister of Finance, the Economy and Innovation Eric Girard.

« It is certain that the government is concerned about fairness and balance, so if other requests come in, we will study them with the same seriousness as we have studied this one, » he said.

Grandé Studios is the second-largest player in the industry. Last May, the company said it had expansion plans that should begin in 2022. Investissement Québec and Bell are minority shareholders in the company.

For its part, MELS will have 400,000 square feet of production space once MELS 4 is completed. The company employs 450 people in Quebec and offers a range of services including studio and equipment rentals, image and sound postproduction, visual effects and a virtual production platform.

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