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Deceased millionaire’s family sues after DNA test reveals heir isn’t related

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Elis Gosta Hjukstrom was born out of wedlock in a tiny hamlet in northern Sweden. He died in Vancouver a self-made millionaire, bequeathing most of his fortune to the man he called his son.

But a paternity test conducted after Hjukstrom’s death revealed he wasn’t biologically related to his heir.

Now, Hjukstrom’s extended family in Sweden is suing the heir in B.C. Supreme Court, claiming he and his now-deceased mother deceived Hjukstrom for decades in order to benefit financially. 

Hjukstrom, a lifelong bachelor known to many as Gus, moved to Canada from Sweden in his 20s. He died of cancer in 2017 at age 87, leaving behind a Vancouver-based import and distribution business and a family estate in Sweden worth a combined total of about $14 million, of which he bequeathed most to Swedish resident Kenth Lundback. 

In a notice of civil claim filed last May, the family alleges that Lundback and his mother intentionally defrauded Hjukstrom for over 50 years in a « calculated, callous and selfish way » by leading him to believe Lundback was the man’s biological son.

In or around 1994, Hjukstrom, centre, treated some of his Swedish family to a month-long trip to Vancouver. The family says he was very generous during this trip, and rented an apartment for them and paid for all their expenses. « Gosta was very proud to show us around Vancouver and to introduce us to his close friends and staff, » the family said. (Onyx Law)

The family — Hjukstrom’s surviving siblings, nieces and nephews — wants Lundback to be removed from Hjukstrom’s will and the trust.

In his response to the family’s claim, filed in the B.C. court, Lundback denies the allegations and argues instead that Hjukstrom knew it was possible that he wasn’t his biological son. Lundback says he and Hjukstrom enjoyed a « warm, happy and encouraging » rapport in recent years that was « akin to a father/son relationship. »

The case reveals family secrets kept quiet for decades, now exposed as Hjukstrom’s relatives and his heir argue over who should rightfully benefit from the fortune he left behind. 

Impoverished background

According to court documents, Hjukstrom grew up in a small parish in northern Sweden, born to an unwed mother and the eldest of seven children.

Hjukstrom never knew his biological father, and two of his siblings were adopted out because his mother couldn’t afford to care for them. In 1957, he moved to Canada and began what is now a successful business in Vancouver currently worth about $7 million. 

While visiting Sweden in 1960, Hjukstrom had a brief romantic relationship with Ingrid Jonsson, a childhood friend. The family claims that, soon after, Jonsson began a relationship with Nils Joel — listed as Lundback’s father on his birth certificate, and to whom he « always bore a striking physical resemblance. »

The couple split up sometime after 1962. In 1964, Hjukstrom wrote to Jonsson and told her of his entrepreneurial success.

Hjukstrom, centre right, in the black vest, sometimes travelled with his family to northern Sweden, where he had a cabin. (Mikael Nordgren)

In her reply, Jonsson told him she had a young son born a few months after they had been together. 

‘I will of course take responsibility’

« If I am in fact Kenth’s father, I will of course take responsibility, » Hjukstrom wrote in a letter filed as part of an affidavit. 

« Yes, that is the case, » Jonsson later replied. « I don’t think you need to tell anyone about it. » 

Hjukstrom trusted Jonsson, the family says, because they were childhood friends. And he was a stubborn man who wouldn’t be told what to do, despite the family’s concerns that he was being taken advantage of. 

The family says Hjukstrom soon started sending Jonsson money, and he first included her and her son in his will in 1966. Jonsson died in 2008. By 2014, Hjukstrom left the bulk of his estate to Lundback. 

After Hjukstrom died in 2017, the family questioned Lundback’s relationship to him. The executor of Hjukstrom’s estate ordered a DNA test. The results showed there was no probability of paternity.

In his response filed with the court, Lundback says Hjukstrom always knew it was possible he wasn’t the father.

Established a special bond

Lundback says Hjukstrom wanted him to be his heir, regardless of whether he was his biological son, because the two had established a special bond over the years.

Lundback also claims that he didn’t know Hjukstrom was his father until 2002, when he got a letter from him stating as much. Soon after that, Hjukstrom visited Lundback in Sweden on a few occasions, and the pair exchanged phone calls and letters. 

Lundback also claims he asked Hjukstrom, twice, if they could do a DNA test, but he says Hjukstrom replied it was unnecessary. Lundback says he didn’t know how much Hjukstrom’s estate was worth.

A photo of Hjukstrom, his sister Asta, and his nephew Mikael Nordgren at their house in the 1980s. (Mikael Nordgren)

Hjukstrom’s family in Sweden are the ones trying to take advantage of the millionaire, Lundback says, claiming they only contacted him when they wanted money and gifts. Lundback says the entrepreneur never intended to leave them his fortune.

The family disputes Lundback’s assertions. As evidence, they have submitted photos of family visits over the years, many of which they say Hjukstrom paid for. 

They say Hjukstrom was mindful of family legacies and never would have left his estate to Lundback knowing that he wasn’t his biological son.

One thing both parties do agree on is that Hjukstrom was a generous man who gave freely to family and those he was close to. 

It will be up to a judge to decide whether Hjukstrom left his estate freely to Lundback because he was deceived or because he considered them to be close. 

The court recently ruled that it will hear the suits against both the trust and the estate at the same time. The case is expected to go to trial in 2020. 

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Anglais

Nostalgia and much more with Starburst XXXtreme

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Get a taste of adventure with Starburst XXXtreme based on the legendary NetEnt Game. The nostalgic themes are sure to capture fans of the classic version as they get treated to higher intensity, better visuals, and features. The most significant element of the game is its volatility. Patience will not be an essential virtue considering the insane gameplay, and there is a lot of win potential involved. It retains the original makeup of the previous game while adding a healthy dose of adrenaline. 

Starburst Visuals and Symbols

The game is definitely more conspicuous than before. The setting happens over a 5-reel, 3-row game grid with nine fixed win lines, which function if a succession from the left to the right reel is present. Only those players that that attain the highest win per bet line are paid. From a visual standpoint, the Starburst XXXtreme slots illustrates lightning effects behind the reels, which is not surprising as it is inherited from the original version. Available themes include Classic, Jewels, and Space. The game is also available in both desktop and mobile versions, which is advantageous for players considering the global pandemic. According to Techguide, American gamers are increasingly having more engaging gaming experiences to socialize to fill the gap of in-person interaction. Starburst XXXtreme allows them to fill the social void at a time when there is so much time to be had indoors. 

Starburst XXXTreme Features

Players get to alternate on three features which are Starburst Wilds, XXXtreme Spins, and Random Wilds. The first appears on reels 2,3, or 4. When these land, they expand to cover all positions while also calculating the wins. They are also locked for a respin. If a new one hits, it also becomes locked while awarding another respin. Starburst XXXtreme offers a choice between two scenarios for a higher stake. In one scenario with a ten times stake, the Starburst Wild is set on random on reels 2,3, or 4, and a multiplier starts the respin. The second scenario, which has a 95 times stake, starts with two guaranteed starburst wilds on reels 2,3, or 4. it also plays out using respin game sequence and features. The game also increases the potential with the Random Wilds feature to add Starburst Wilds to a vacant reel at the end of a spin. Every Starburst Wild gives a random multiplier with potential wins of x2, x3, x5, x10, x25, x50, x100, or even x150.

The new feature is sure to be a big hit with the gaming market as online gambling has shown significant growth during the lockdown. AdAge indicates the current casino customer base is an estimated one in five Americans, so Starburst XXXtreme’s additional features will achieve considerable popularity. 

What We Think About The Game

The gambling market has continued to diversify post-pandemic, so it is one of the most opportune times to release an online casino-based game. Thankfully Starburst XXXtreme features eye-catching visuals, including the jewels and space themes. These attract audience participation and make the gameplay inviting. The game also has a nostalgic edge. The previous NetEnt iteration featured similar visuals and gameplay, so the audience has some familiarity with it. The producers have revamped this version by tweaking the features to improve the volatility and engagement. 

That is characterized by the potential win cap of 200,000 times the bet. Starburst XXXtreme does not just give betting alternatives for players that want to go big. The increase of multipliers also provides a great experience. If the respins in the previous version were great, knowing that multipliers can go hundreds of times overtakes the game to a new level. 

Players should get excited about this offering. All of the features can be triggered within a single spin. Whether one plays the standard game or takes the XXXtreme spin route, it is possible to activate all of the features. Of course, the potential 200,000 times potential is a huge carrot. However, the bet size is probably going to be restricted and vary depending on the casino. It is also worth pointing out that a malfunction during the gameplay will void all of the payouts and progress. Overall, the game itself has been designed to provide a capped win of 200,000 times the original bet. 

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Anglais

‘We’re back’: Montreal festival promoters happy to return but looking to next year

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In downtown Montreal, it’s festival season.

In the city’s entertainment district, a musical act was conducting a sound check on stage Friday evening — the second day of the French-language version of the renowned Just For Laughs comedy festival. Tickets for many of the festival’s free outdoor shows — limited by COVID-19 regulations — were sold out.

Two blocks away, more than 100 people were watching an acoustic performance by the Isaac Neto Trio — part of the last weekend of the Festival International Nuits d’Afrique, a celebration of music from the African continent and the African diaspora.

With COVID-19 restrictions continuing to limit capacity, festival organizers say they’re glad to be back but looking forward to next year when they hope border restrictions and capacity limits won’t affect their plans.

Charles Décarie, Just For Laughs’ CEO and president, said this is a “transition year.”

“Even though we have major constraints from the public health group in Montreal, we’ve managed to design a festival that can navigate through those constraints,” Décarie said.

The French-language Juste pour rire festival began on July 15 and is followed by the English-language festival until July 31.

When planning began in February and March, Décarie said, organizers came up with a variety of scenarios for different crowd sizes, ranging from no spectators to 50 per cent of usual capacity.

“You’ve got to build scenarios,” he said. “You do have to plan a little bit more than usual because you have to have alternatives.”

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Anglais

MELS new major movie studio to be built in Montreal

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MONTREAL — MELS Studios will build a new film studio in Montreal, filling some of the gap in supply to meet the demand of Hollywood productions.

MELS president Martin Carrier said on Friday that MELS 4 studio construction will begin « as soon as possible », either in the fall or winter of next year. The studio could host productions as early as spring 2023.

The total investment for the project is $76 million, with the Quebec government contributing a $25 million loan. The project will create 110 jobs, according to the company.

The TVA Group subsidiary’s project will enable it to stand out « even more » internationally, according to Quebecor president and CEO Pierre Karl Péladeau. In the past, MELS Studios has hosted several major productions, including chapters of the X-Men franchise. The next Transformers movie is shooting this summer in Montreal.

Péladeau insisted that local cultural productions would also benefit from the new facility, adding that the studio ensures foreign revenues and to showcase talent and maintain an industry of Quebec producers.

STUDIO SHORTAGE

The film industry is cramped in Montreal.

According to a report published last May by the Bureau du cinéma et de la télévision du Québec (BCTQ), there is a shortage of nearly 400,000 square feet of studio space.

With the addition of MELS 4, which will be 160,000 square feet, the company is filling part of the gap.

Carrier admitted that he has had to turn down contracts because of the lack of space, representing missed opportunities of « tens of millions of dollars, not only for MELS, but also for the Quebec economy. »

« Montreal’s expertise is in high demand, » said Montreal Mayor Valérie Plante, who was present at the announcement.

She said she received great testimonials from « Netflix, Disney, HBO and company » during an economic mission to Los Angeles in 2019.

« What stands out is that they love Montreal because of its expertise, knowledge and beauty. We need more space, like MELS 4, » she said.

There is still not enough capacity in Quebec, acknowledged Minister of Finance, the Economy and Innovation Eric Girard.

« It is certain that the government is concerned about fairness and balance, so if other requests come in, we will study them with the same seriousness as we have studied this one, » he said.

Grandé Studios is the second-largest player in the industry. Last May, the company said it had expansion plans that should begin in 2022. Investissement Québec and Bell are minority shareholders in the company.

For its part, MELS will have 400,000 square feet of production space once MELS 4 is completed. The company employs 450 people in Quebec and offers a range of services including studio and equipment rentals, image and sound postproduction, visual effects and a virtual production platform.

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