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Ontario, Toronto release framework for deal to upload city’s subway to Queen’s Park

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It sets the stage for the biggest subway transfer in the history of the Toronto Transit Commission.

Premier Doug Ford’s government on Tuesday released the terms of reference for the deal to “upload” the building and maintenance of new and existing TTC subway lines to the province from the City of Toronto.

Premier Doug Ford has released the terms of reference for the deal to upload the building and maintenance of new and existing TTC subway lines to the province from the City of Toronto.
Premier Doug Ford has released the terms of reference for the deal to upload the building and maintenance of new and existing TTC subway lines to the province from the City of Toronto.  (Frank Gunn / The Canadian Press)

The plan, a cornerstone of the Progressive Conservatives’ election platform last June, would leave the TTC responsible for day-to-day operations of the subway while keeping fare box revenues.

Buses and streetcars would continue to be run by the city.

“With an upload, our government can cut through red tape to start new projects and finish construction faster,” Ford promised.

“Necessary maintenance and investment in the subway system has been put off for too long. We’ve also been waiting far too long for subway expansions. New subway construction has been stuck in red tape for years. It’s time to take action and speed things up,” the premier said.

Transportation Minister Jeff Yurek said the “bold action” would speed up construction, making life easier for commuters from across the Greater Toronto and Hamilton Area.

“As a government, we are turning priorities into real projects and get the job done. We know that a lack of transit infrastructure and traffic congestion are costing money, jobs and time,” said Yurek as the framework was announced.

Read more:

Law to upload responsibility for Toronto subway to province coming in spring

“The signing of the terms of reference between the province of Ontario and the City of Toronto signals a shared interest to improve subway service, build more transit projects, to expand, and integrate the regional network and get people moving,” he said.

That means a push for more integrated fares and services between the TTC and regional transit systems, including GO.

“As we continue to work with the city and TTC, we will act in an open and transparent manner to get desperately needed transit built sooner and we will make every decision with … taxpayers and transit riders top of mind,” said Yurek.

As part of nine-page accord, Queen’s Park and the city will assess the value of the subway system, which carries 289 million people annually, and the price tag for deferred maintenance.

Sources told the Star that both sides are close to agreeing that the subway is worth between $8 billion and $9 billion, with about $5.6 billion required to maintain and upgrade existing equipment such as signals, tunnels, and track.

That suggests the city would have a one-time net gain on its bottom line of between $2.4 billion and $3.4 billion.

But according to a report published by the TTC last month, the subway network and stations will require roughly $22 billion in capital investment over the next 15 years, a figure that doesn’t include the cost of building the much-anticipated relief line or other expansion projects. More than $16 billion is unfunded.

The required work, which the TTC says is necessary to keep current levels of service and meet future demand, includes capacity improvements on Lines 1 and 2, installing the automatic train control signalling system, buying new trains, and expanding Bloor-Yonge station.

The terms of reference released Tuesday make clear that options on the table include ones that would fall short of a complete transfer of subway assets to the province. The city and province will also examine a model under which Ontario would only assume ownership and responsibilities of new transit expansion projects.

In December, Toronto council voted overwhelmingly to reaffirm its position that the subway should remain in the city’s hands. But at the same meeting of that largely symbolic decision, councillors also voted to enter talks with the province to set terms of reference for discussions about the upload.

Despite Mayor John Tory and the majority of councillors registering their disapproval of the upload proposal, many said they felt they had little choice but to sit down with the province, having received confidential legal advice that the city had no legislative authority to prevent Queen’s Park from taking over the rail network.

“Discussions between city staff and the province will continue now guided by the approved terms of reference and I expect a full report to council at the appropriate time,” Tory said Tuesday.

“I continue to firmly believe that any actions taken with regard to our subway system need to be in the best interests of the people of Toronto, including transit riders and employees, and that Toronto must be completely involved and fully consulted as Premier Ford previously indicated would be the case,” the mayor said.

“It is a good document that has been agreed upon by the two parties to now shape the discussion. The real decision time will come once those discussions have happened and whether or not they produce some kind of a deal or some kind of a change from the status quote that is good for employees, transit riders, taxpayers and anybody else who is a stakeholder from the city of Toronto,” he said.

“I can’t tell you if that’s going to be the case or not.”

At Queen’s Park, the opposition New Democrats said Toronto’s subways are “one step closer to being stolen by Doug Ford.”

“What Toronto’s subways need is the provincial investment they’re owed, not a complicated Doug Ford scheme to break subways apart from the TTC,” said MPP Jessica Bell (University-Rosedale).

Green Party Leader Mike Schreiner was also not convinced.

“Centralizing power in the premier’s office is not a silver bullet for fixing transportation delays,” he said in a statement, calling for a downtown relief line as soon as possible.

“Given Ford’s well-documented distaste for above-ground public transit, I am skeptical about the ability of his government to make evidence-based decisions for the TTC,” Schreiner said.

“Putting the relief line on the back burner while Ford builds subways to the suburbs would be disastrous for the TTC and for anyone trying to travel in Toronto.”

The terms of reference released Tuesday lay out objectives that largely reflect council’s stated position from the December meeting that the framework for discussions should give consideration to guiding principles of good governance, fair allocation of financial obligations between the city and province, and an integrated transit system.

They also state the province and city will consult the public on the proposal, which council had also set out as a condition for talks in the December vote.

Under the framework, there would be more private-public partnerships to build infrastructure like the Eglinton Crosstown LRT, which is slated to open in 2021.

“The parties jointly recognize the need to pursue alternative approaches to the planning, funding, decision-making and delivery of transit in Toronto, and spanning the broader region,” stated the document signed by the province and the city on Monday.

This means the “accelerated implementation of priority transit projects,” better integration of TTC with Metrolinx and transit agencies in the 905, the “modernization and enhancement” of the existing subway system and a “long-term sustainable, predictable funding model” for transit.

However, there remains a lot of room for the deal to go off the rails.

Josh Matlow, the one member of council who voted against entering into talks with the province, said he took no comfort in the fact the terms state the two parties will consider options under which the city would retain ownership of existing subway assets while ceding new projects to the province.

“I think we’re being suckered,” said Matlow (Ward 12-St. Paul’s).

Citing past statements by the premier and the province’s recently announced strategy of using private development at station sites to fund transit, he charged the Ford government is dead set on taking over Toronto’s subway system wholesale and selling off land and air rights along the lines.

Matlow said councillors would be a “bunch of Pollyannas” to believe otherwise.

“Metaphorically, they’ve already announced that they want to take over your house and all the belongings in it. And to get you to the table to give them your keys and the number for your alarm they’ve said, oh yeah, we’ll also discuss some other options too. Maybe we’ll only take your furniture.”

Councillor Joe Cressy (Ward 10- Spadina-Fort York) slammed the upload talks as “a waste of time.”

Cressy said if Ontario was sincere about improving transit, it would increase its spending for the TTC instead of trying to take the subway system from the city.

“If the province truly wants to support the TTC and the movement of people and goods and services in this city, they should invest in it,” he said.

But proponents argue the province, which can borrow more money and run a deficit, will be better positioned to build and repair the subway network.

With files from David Rider

Robert Benzie is the Star’s Queen’s Park bureau chief and a reporter covering Ontario politics. Follow him on Twitter: @robertbenzie

Ben Spurr is a Toronto-based reporter covering transportation. Reach him by email at bspurr@thestar.ca or follow him on Twitter: @BenSpurr

Rob Ferguson is a Toronto-based reporter covering Ontario politics. Follow him on Twitter: @robferguson1

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Nostalgia and much more with Starburst XXXtreme

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Get a taste of adventure with Starburst XXXtreme based on the legendary NetEnt Game. The nostalgic themes are sure to capture fans of the classic version as they get treated to higher intensity, better visuals, and features. The most significant element of the game is its volatility. Patience will not be an essential virtue considering the insane gameplay, and there is a lot of win potential involved. It retains the original makeup of the previous game while adding a healthy dose of adrenaline. 

Starburst Visuals and Symbols

The game is definitely more conspicuous than before. The setting happens over a 5-reel, 3-row game grid with nine fixed win lines, which function if a succession from the left to the right reel is present. Only those players that that attain the highest win per bet line are paid. From a visual standpoint, the Starburst XXXtreme slots illustrates lightning effects behind the reels, which is not surprising as it is inherited from the original version. Available themes include Classic, Jewels, and Space. The game is also available in both desktop and mobile versions, which is advantageous for players considering the global pandemic. According to Techguide, American gamers are increasingly having more engaging gaming experiences to socialize to fill the gap of in-person interaction. Starburst XXXtreme allows them to fill the social void at a time when there is so much time to be had indoors. 

Starburst XXXTreme Features

Players get to alternate on three features which are Starburst Wilds, XXXtreme Spins, and Random Wilds. The first appears on reels 2,3, or 4. When these land, they expand to cover all positions while also calculating the wins. They are also locked for a respin. If a new one hits, it also becomes locked while awarding another respin. Starburst XXXtreme offers a choice between two scenarios for a higher stake. In one scenario with a ten times stake, the Starburst Wild is set on random on reels 2,3, or 4, and a multiplier starts the respin. The second scenario, which has a 95 times stake, starts with two guaranteed starburst wilds on reels 2,3, or 4. it also plays out using respin game sequence and features. The game also increases the potential with the Random Wilds feature to add Starburst Wilds to a vacant reel at the end of a spin. Every Starburst Wild gives a random multiplier with potential wins of x2, x3, x5, x10, x25, x50, x100, or even x150.

The new feature is sure to be a big hit with the gaming market as online gambling has shown significant growth during the lockdown. AdAge indicates the current casino customer base is an estimated one in five Americans, so Starburst XXXtreme’s additional features will achieve considerable popularity. 

What We Think About The Game

The gambling market has continued to diversify post-pandemic, so it is one of the most opportune times to release an online casino-based game. Thankfully Starburst XXXtreme features eye-catching visuals, including the jewels and space themes. These attract audience participation and make the gameplay inviting. The game also has a nostalgic edge. The previous NetEnt iteration featured similar visuals and gameplay, so the audience has some familiarity with it. The producers have revamped this version by tweaking the features to improve the volatility and engagement. 

That is characterized by the potential win cap of 200,000 times the bet. Starburst XXXtreme does not just give betting alternatives for players that want to go big. The increase of multipliers also provides a great experience. If the respins in the previous version were great, knowing that multipliers can go hundreds of times overtakes the game to a new level. 

Players should get excited about this offering. All of the features can be triggered within a single spin. Whether one plays the standard game or takes the XXXtreme spin route, it is possible to activate all of the features. Of course, the potential 200,000 times potential is a huge carrot. However, the bet size is probably going to be restricted and vary depending on the casino. It is also worth pointing out that a malfunction during the gameplay will void all of the payouts and progress. Overall, the game itself has been designed to provide a capped win of 200,000 times the original bet. 

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Anglais

‘We’re back’: Montreal festival promoters happy to return but looking to next year

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In downtown Montreal, it’s festival season.

In the city’s entertainment district, a musical act was conducting a sound check on stage Friday evening — the second day of the French-language version of the renowned Just For Laughs comedy festival. Tickets for many of the festival’s free outdoor shows — limited by COVID-19 regulations — were sold out.

Two blocks away, more than 100 people were watching an acoustic performance by the Isaac Neto Trio — part of the last weekend of the Festival International Nuits d’Afrique, a celebration of music from the African continent and the African diaspora.

With COVID-19 restrictions continuing to limit capacity, festival organizers say they’re glad to be back but looking forward to next year when they hope border restrictions and capacity limits won’t affect their plans.

Charles Décarie, Just For Laughs’ CEO and president, said this is a “transition year.”

“Even though we have major constraints from the public health group in Montreal, we’ve managed to design a festival that can navigate through those constraints,” Décarie said.

The French-language Juste pour rire festival began on July 15 and is followed by the English-language festival until July 31.

When planning began in February and March, Décarie said, organizers came up with a variety of scenarios for different crowd sizes, ranging from no spectators to 50 per cent of usual capacity.

“You’ve got to build scenarios,” he said. “You do have to plan a little bit more than usual because you have to have alternatives.”

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MELS new major movie studio to be built in Montreal

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MONTREAL — MELS Studios will build a new film studio in Montreal, filling some of the gap in supply to meet the demand of Hollywood productions.

MELS president Martin Carrier said on Friday that MELS 4 studio construction will begin « as soon as possible », either in the fall or winter of next year. The studio could host productions as early as spring 2023.

The total investment for the project is $76 million, with the Quebec government contributing a $25 million loan. The project will create 110 jobs, according to the company.

The TVA Group subsidiary’s project will enable it to stand out « even more » internationally, according to Quebecor president and CEO Pierre Karl Péladeau. In the past, MELS Studios has hosted several major productions, including chapters of the X-Men franchise. The next Transformers movie is shooting this summer in Montreal.

Péladeau insisted that local cultural productions would also benefit from the new facility, adding that the studio ensures foreign revenues and to showcase talent and maintain an industry of Quebec producers.

STUDIO SHORTAGE

The film industry is cramped in Montreal.

According to a report published last May by the Bureau du cinéma et de la télévision du Québec (BCTQ), there is a shortage of nearly 400,000 square feet of studio space.

With the addition of MELS 4, which will be 160,000 square feet, the company is filling part of the gap.

Carrier admitted that he has had to turn down contracts because of the lack of space, representing missed opportunities of « tens of millions of dollars, not only for MELS, but also for the Quebec economy. »

« Montreal’s expertise is in high demand, » said Montreal Mayor Valérie Plante, who was present at the announcement.

She said she received great testimonials from « Netflix, Disney, HBO and company » during an economic mission to Los Angeles in 2019.

« What stands out is that they love Montreal because of its expertise, knowledge and beauty. We need more space, like MELS 4, » she said.

There is still not enough capacity in Quebec, acknowledged Minister of Finance, the Economy and Innovation Eric Girard.

« It is certain that the government is concerned about fairness and balance, so if other requests come in, we will study them with the same seriousness as we have studied this one, » he said.

Grandé Studios is the second-largest player in the industry. Last May, the company said it had expansion plans that should begin in 2022. Investissement Québec and Bell are minority shareholders in the company.

For its part, MELS will have 400,000 square feet of production space once MELS 4 is completed. The company employs 450 people in Quebec and offers a range of services including studio and equipment rentals, image and sound postproduction, visual effects and a virtual production platform.

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