Tongue-in-cheek Edmonton art exhibit explores orphaned oil wells adoption


A new exhibition in Edmonton is raising awareness about the issue of orphaned oil and gas wells and creating an interactive, tongue-in-cheek opportunity for people to “adopt” an orphan well.

Orphan wells are oil and gas sites where there is no longer anyone legally responsibility for it. As of Sept. 13, 2018, there were 2,061 orphan wells for abandonment, according to the Orphan Well Association (OWA), an industry-funded group that assumes responsibility for the inactive wells of bankrupt companies.

INFOGRAPHIC: Alberta’s inactive, abandoned oil and gas well problem

The Orphan Well Adoption Agency (OWAA) by Alana Bartol is being showcased at Latitude 53, with an adoption agent on site at a makeshift agency every Saturday from 12 to 5 p.m.

“It asks significant questions about the oil and gas industry in Alberta, which is something that obviously affects us all,” said Latitude 53 executive director Michelle Schultz.

Prospective caretakers can fill out an adoption application form at the exhibit.

Julia Wong/Global News

The exhibition allows attendees to go through an adoption process for one of the thousands of orphan wells in the province. Questions about experience as a caretaker, motivations for adoption and plans to address a well’s behavioural problems are asked by an OWAA representative.

“Oftentimes with these sites, a lot of the considerations are extremely practical, simply about the physical aspects of the sites,” said OWAA representative Haylee Fortin.

“This undertaking has other aspects to it, which is the emotional undertaking, and we need to be sure people are willing to commit to the well.”

The adoption agency includes portraits of orphan wells along with information about remediation and the adoption process.

Julia Wong/Global News

Fortin said interest in the adoption process has been fairly positive.

“Everyone seems to be interested in becoming a caretaker in some capacity,” she said. “There is some uncertainty because it is a big undertaking, but it is a very thorough process to ensure someone is ready for the emotional commitment to the well.”

Supreme Court to decide how abandoned oil wells to be handled

Orphan wells will likely remain an issue in Alberta for quite some time, according to a 2017 report by the OWA.

“The increase in orphan properties is expected to continue as there are nearly 30 companies within Alberta’s regulatory jurisdiction that are currently insolvent,” the report read.

Internal documents from the Alberta Energy Regulator show that the cost to clean up the province’s oilpatch may be $260 billion, a number far higher than any amount previously made public by government and industry officials.

Cleaning up Alberta’s oilpatch could cost $260 billion, internal documents warn

The Edmonton show also includes portraits of orphan wells, maps of sites and letters to potential caretakers from the wells themselves.

“Help. I am being dismantled,” one well letter said. “Workers built me and now they lay me to rest, so why am I still here?”

“What the artist intends is — it does create a sense of empathy and maybe a reality that you didn’t know existed,” Schultz said.

“I wasn’t aware there was 2,000 of these abandoned oil and gas wells across Alberta and the various states they were in,” she added. “These are actual wells that do exist but obviously, the artist has then taken them and created a project around this existence.”

Alberta aims to speed up orphan well cleanup with $235M loan

Schultz said the exhibition is not about pointing fingers, but rather opening up conversation.

“About what our collective and individual responsibilities are for industry and ideas of remediation and what that might look like,” she said.

“There’s always people who will take things in a certain light or may read this as critical, I guess, of industry. But I think, more importantly, it starts those conversations, which is one of the great things that art can do.”

The exhibition runs until Jan. 26.

– With files from Global News and The Canadian Press

© 2019 Global News, a division of Corus Entertainment Inc.


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In spare moments between customers this pizza shop owner writes novels. His latest explores the 1998-99 conflict in Kosovo


Perparim Kapllani opens his Toronto pizza shop every morning at 11 a.m. and closes it every night 12 hours later. He’s been doing it seven days a week for the past decade, not counting brief vacations.

There’s nothing unusual about immigrants working hard. But Kapllani, who arrived from Albania in 2000, juggles a second job at the same time in a rather striking way.

Between serving customers and making pizzas, Kapllani squeezes into a backroom office no bigger than a broom closet. He sits at a tiny desk and shifts his focus “like a rabbit” between two screens: on one he can see when the next customer walks in; on the other, connected to his desktop, he writes the next sentence of his novel.

“There are little moments when I can write something,” Kapllani says.

Since opening his west-end shop in 2008, Kapllani has stolen enough little moments to write a play, a collection of short stories, and two novels. His most recent novel, The Thin Line, was published in November by Mawenzi House.

Were it not for the pizza shop, “I might publish a novel every year,” Kapllani quips.

He comes from the Balkans, a peninsula in southeastern Europe that has been carved up by empires and regional powers for centuries. The 1998-99 conflict between Serbia, a largely Orthodox Christian state, and Kosovo’s ethnic Albanian Muslims is the backdrop to Kapllani’s latest work.

It’s based on a true story about a 10-year-old boy in Kosovo, the sole survivor of a massacre by Serb forces in April 1999. The boy watched as 20 ethnic Albanian women and children were shot to death in a house, including his mother and three sisters.

The boy was wounded, but survived by playing dead. He eventually came to Canada with his father as a refugee.

His horrific story is well documented — he testified years later at a United Nations tribunal on war crimes in the former Yugoslavia. But Kapllani asked that the survivor’s name not be published because his novel fictionalizes his experiences.

“It’s a story of very slow healing,” Kapllani, 52, says of his novel’s main character.

“The ghosts of the loved ones, of the dead, they follow you — they chase you. What are you going to do?”

Kapllani’s book was edited by M.G. Vassanji, a novelist who twice won the Giller Prize. Vassanji says it reflects the traumatic experiences refugees bring to Canada, and the Canadian values that help most overcome feelings of revenge.

“You cannot forget the fact that you lost your mother and three sisters right in front of you, but you can put the past to rest and you can start again,” Vassanji says in an interview.

“It says something about the quality of our society that you can do that,” he adds, “that you’re allowed to be who you are and are given the space to grow and to find yourself.”

Kapllani wrote about the boy when he worked as a journalist with Albania’s biggest newspaper, Shekulli, in the capital Tirana. The boy was one of an estimated 900,000 Kosovar Albanians expelled by Serb forces, and Kapllani met him while he recovered in a military hospital. He identified with the boy’s pain.

Kapllani grew up in Elbasan, a city in the middle of what at the time was communist Albania. When he was 10, his father was found dead in the street with a fractured skull, after years of struggling with mental health issues. The circumstances of his death were never determined.

The municipality found Kapllani’s family a room in a building known as “the fish palace,” because of the fish shop on the ground floor.

“There were 28 families living there and five washrooms outside the building,” he recalls. “It was a nightmare.”

With the help of a locally connected man, Kapllani entered a military school at the age of 14 and graduated as an artillery officer. He became a journalist with the department of defence and, when the communist system collapsed in the early 1990s, got a job at Shekulli.

He covered crime, and once went into hiding after exposing local mobsters laundering money in construction projects. He also witnessed the terrifying brutality of the Kosovo war.

“To myself I said, ‘How can this happen in the middle of Europe, just because they have a different religion or nationality?’” Kapllani says.

He came to Canada as a landed immigrant with his wife and son. His wife is a chemical engineer who works for a company that produces medication; his son graduated last year from the University of Toronto with a degree in industrial engineering.

After working in pizza shops for years, and getting entrepreneurial tips from the non-profit Toronto Business Development Centre, Kapllani opened his own place on Lansdowne Ave. near Dundas St. W.

A small man with an easy smile, he says he learned quickly that in Canada, ancient ethnic grievances find no foothold.

“My son, his best friends are Serbians; two Serbian brothers. They came to my house one day — a little boy with a (T-shirt) that said, ‘Proud to be Serbian.’ I said, ‘What! Who is this guy?’” Kapllani says, laughing.

“Canada is a miniworld,” he adds. “When everybody comes from somewhere else, diversity becomes the culture, not ethnic or religious nationalism.”

He’ll continue to explore those themes in literature, right after he wipes the flour from his hands and serves up his “deluxe” pizza, with pepperoni, mushrooms and green peppers.

Sandro Contenta is a reporter and feature writer based in Toronto. Follow him on Twitter: @scontenta


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