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Directors Jen and Sylvia Soska break into the boys’ club of horror movies

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If there’s a book on how to be a female storyteller who’s inoffensive to the Hollywood establishment, twin sisters Jen and Sylvia Soska would probably send a chainsaw through it in one of their films. 

The Vancouver-born horror writer-directors have dedicated much of their careers to doing things female filmmakers aren’t expected to — tackling the male-dominated horror and and superhero genres. Their remake of the David Cronenberg classic Rabid comes out next year and they’re also putting their spin on one of Marvel Comics’ key female characters by writing new issues of Black Widow.

Upending horror’s penchant for portraying women as victims is a large part of their motivation, the Soskas say, following an appearance on a « women in horror » panel at this month’s conference for the Directors’ Guild of Canada. 

« We gotta make sure everybody gets murdered! » said Sylvia.

‘Insane’ pressure

That kind of thinking earned them a cult following, and the twins landed on many « female horror directors to watch » lists after American Mary, their 2012 movie about a medical school student who moonlights as a surgeon performing extreme body modification.

Sylvia Soska discusses the reality that inspired American Mary:

Sylvia Soska, alongside her filmmaking sibling Jennifer, talks about how the real-life outrage and injustice felt by sexual assault survivors inspired their ‘terrifying’ character American Mary. ‘She gets to be powerful.’ 1:27

Though American Mary gave them indie horror cred, the Soskas will have a bigger spotlight — and face greater scrutiny — ​when their Rabid remake is released next year.

« When you handle a piece as iconic as anything from David Cronenberg, there’s an insane amount of pressure and you have to know what you’re getting into, » said Sylvia. 

The essential story remains the same: A young woman named Rose is disfigured in a motorcycle accident and wakes up in a hospital only to find out she has transformed into something not quite human after experimental surgery. 

But the Soskas’ version comes with their own feminist perspective.

We may have written [the comic] as a Black Widow script.—  Sylvia Soska

The horror of Rabid « isn’t limited to the body horror or the biological stuff, it’s the actual horror of being a woman living in this world, too, » said Jen, pointing to the scenes in which men incessantly touch Rose. It’s a discomforting sensation female viewers pick up on, she added.

But the sisters are quick to add that they don’t treat their female lead with kid gloves.

If anything, « there’s a lot more suffering for Rose. You live in the mentality of a woman in this world. »

Sylvia, left, and Jennifer on set of Rabid, which comes out next year. (Amanda Matlovich/Back 40 Films)

Powerful, capable, angry

Rabid is not their only dream project. Their take on Black Widow — which focuses on Natasha Romanoff, one of Marvel’s Avengers — will launch in January. The character, played by Scarlett Johanssen in the movies, was previously killed in the comics by a deranged Captain America and resurrected. 

The Soskas squeal from delight when asked about it: « We’re sooooo excited! »

« We got to bring her back as a purely powerful, very capable and very angry woman, » said Sylvia.

« She’s like: ‘I need to go somewhere where I’m not an Avenger. Where this bad mood and this lethal training actually have a really good purpose.' »

The twins let it slip that the « good purpose » is hunting down child sex traffickers.

Jen and Sylvia discuss their take on Black Widow:

Jennifer (left) and Sylvia Soska, the twin Canadian filmmakers Marvel tapped to write a new comic series about Natasha Romanova (aka Black Widow), outline what’s different about their forthcoming take on the popular Avengers character. 1:09

They also let it slip that they’d like to direct the next Black Widow movie. (The first is to be directed by Australian Cate Shortland.)

« We may have written it as a Black Widow script, » Sylvia said of the comic. 

« Black Widow 2 could be a rated-R movie. And rated-R movies do really well. It would be really cool to see Scarlett Johanssen rip apart everyone. »

‘Last frontier’

While not shy about touting their achievements, the Soskas are also cheerleaders for other women in the industry, especially those directing horror and action movies. They love the success Patty Jenkins had with Wonder Woman, for instance, but would also love to see a woman direct a superhero franchise led by male characters, like the Avengers.

They’ve also earned the respect of women directors who came before them. Mary Harron, who spooked the world in 2000 with American Psycho, is one of their mentors. She gave the Soksas notes on their early script for Rabid.

« I think horror is still a kind of last frontier, you know, for women, » said Harron, who was also at the DGC conference.

« It allows you to have a lot of freedom in your content. You know, you don’t have to have a wonderful consoling message. If you want to do something dark, that’s the area to do it, » she said.

« I’m excited to see what they’ll come up with. »

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Anglais

Nostalgia and much more with Starburst XXXtreme

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Get a taste of adventure with Starburst XXXtreme based on the legendary NetEnt Game. The nostalgic themes are sure to capture fans of the classic version as they get treated to higher intensity, better visuals, and features. The most significant element of the game is its volatility. Patience will not be an essential virtue considering the insane gameplay, and there is a lot of win potential involved. It retains the original makeup of the previous game while adding a healthy dose of adrenaline. 

Starburst Visuals and Symbols

The game is definitely more conspicuous than before. The setting happens over a 5-reel, 3-row game grid with nine fixed win lines, which function if a succession from the left to the right reel is present. Only those players that that attain the highest win per bet line are paid. From a visual standpoint, the Starburst XXXtreme slots illustrates lightning effects behind the reels, which is not surprising as it is inherited from the original version. Available themes include Classic, Jewels, and Space. The game is also available in both desktop and mobile versions, which is advantageous for players considering the global pandemic. According to Techguide, American gamers are increasingly having more engaging gaming experiences to socialize to fill the gap of in-person interaction. Starburst XXXtreme allows them to fill the social void at a time when there is so much time to be had indoors. 

Starburst XXXTreme Features

Players get to alternate on three features which are Starburst Wilds, XXXtreme Spins, and Random Wilds. The first appears on reels 2,3, or 4. When these land, they expand to cover all positions while also calculating the wins. They are also locked for a respin. If a new one hits, it also becomes locked while awarding another respin. Starburst XXXtreme offers a choice between two scenarios for a higher stake. In one scenario with a ten times stake, the Starburst Wild is set on random on reels 2,3, or 4, and a multiplier starts the respin. The second scenario, which has a 95 times stake, starts with two guaranteed starburst wilds on reels 2,3, or 4. it also plays out using respin game sequence and features. The game also increases the potential with the Random Wilds feature to add Starburst Wilds to a vacant reel at the end of a spin. Every Starburst Wild gives a random multiplier with potential wins of x2, x3, x5, x10, x25, x50, x100, or even x150.

The new feature is sure to be a big hit with the gaming market as online gambling has shown significant growth during the lockdown. AdAge indicates the current casino customer base is an estimated one in five Americans, so Starburst XXXtreme’s additional features will achieve considerable popularity. 

What We Think About The Game

The gambling market has continued to diversify post-pandemic, so it is one of the most opportune times to release an online casino-based game. Thankfully Starburst XXXtreme features eye-catching visuals, including the jewels and space themes. These attract audience participation and make the gameplay inviting. The game also has a nostalgic edge. The previous NetEnt iteration featured similar visuals and gameplay, so the audience has some familiarity with it. The producers have revamped this version by tweaking the features to improve the volatility and engagement. 

That is characterized by the potential win cap of 200,000 times the bet. Starburst XXXtreme does not just give betting alternatives for players that want to go big. The increase of multipliers also provides a great experience. If the respins in the previous version were great, knowing that multipliers can go hundreds of times overtakes the game to a new level. 

Players should get excited about this offering. All of the features can be triggered within a single spin. Whether one plays the standard game or takes the XXXtreme spin route, it is possible to activate all of the features. Of course, the potential 200,000 times potential is a huge carrot. However, the bet size is probably going to be restricted and vary depending on the casino. It is also worth pointing out that a malfunction during the gameplay will void all of the payouts and progress. Overall, the game itself has been designed to provide a capped win of 200,000 times the original bet. 

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Anglais

‘We’re back’: Montreal festival promoters happy to return but looking to next year

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In downtown Montreal, it’s festival season.

In the city’s entertainment district, a musical act was conducting a sound check on stage Friday evening — the second day of the French-language version of the renowned Just For Laughs comedy festival. Tickets for many of the festival’s free outdoor shows — limited by COVID-19 regulations — were sold out.

Two blocks away, more than 100 people were watching an acoustic performance by the Isaac Neto Trio — part of the last weekend of the Festival International Nuits d’Afrique, a celebration of music from the African continent and the African diaspora.

With COVID-19 restrictions continuing to limit capacity, festival organizers say they’re glad to be back but looking forward to next year when they hope border restrictions and capacity limits won’t affect their plans.

Charles Décarie, Just For Laughs’ CEO and president, said this is a “transition year.”

“Even though we have major constraints from the public health group in Montreal, we’ve managed to design a festival that can navigate through those constraints,” Décarie said.

The French-language Juste pour rire festival began on July 15 and is followed by the English-language festival until July 31.

When planning began in February and March, Décarie said, organizers came up with a variety of scenarios for different crowd sizes, ranging from no spectators to 50 per cent of usual capacity.

“You’ve got to build scenarios,” he said. “You do have to plan a little bit more than usual because you have to have alternatives.”

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MELS new major movie studio to be built in Montreal

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MONTREAL — MELS Studios will build a new film studio in Montreal, filling some of the gap in supply to meet the demand of Hollywood productions.

MELS president Martin Carrier said on Friday that MELS 4 studio construction will begin « as soon as possible », either in the fall or winter of next year. The studio could host productions as early as spring 2023.

The total investment for the project is $76 million, with the Quebec government contributing a $25 million loan. The project will create 110 jobs, according to the company.

The TVA Group subsidiary’s project will enable it to stand out « even more » internationally, according to Quebecor president and CEO Pierre Karl Péladeau. In the past, MELS Studios has hosted several major productions, including chapters of the X-Men franchise. The next Transformers movie is shooting this summer in Montreal.

Péladeau insisted that local cultural productions would also benefit from the new facility, adding that the studio ensures foreign revenues and to showcase talent and maintain an industry of Quebec producers.

STUDIO SHORTAGE

The film industry is cramped in Montreal.

According to a report published last May by the Bureau du cinéma et de la télévision du Québec (BCTQ), there is a shortage of nearly 400,000 square feet of studio space.

With the addition of MELS 4, which will be 160,000 square feet, the company is filling part of the gap.

Carrier admitted that he has had to turn down contracts because of the lack of space, representing missed opportunities of « tens of millions of dollars, not only for MELS, but also for the Quebec economy. »

« Montreal’s expertise is in high demand, » said Montreal Mayor Valérie Plante, who was present at the announcement.

She said she received great testimonials from « Netflix, Disney, HBO and company » during an economic mission to Los Angeles in 2019.

« What stands out is that they love Montreal because of its expertise, knowledge and beauty. We need more space, like MELS 4, » she said.

There is still not enough capacity in Quebec, acknowledged Minister of Finance, the Economy and Innovation Eric Girard.

« It is certain that the government is concerned about fairness and balance, so if other requests come in, we will study them with the same seriousness as we have studied this one, » he said.

Grandé Studios is the second-largest player in the industry. Last May, the company said it had expansion plans that should begin in 2022. Investissement Québec and Bell are minority shareholders in the company.

For its part, MELS will have 400,000 square feet of production space once MELS 4 is completed. The company employs 450 people in Quebec and offers a range of services including studio and equipment rentals, image and sound postproduction, visual effects and a virtual production platform.

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